Etree - John H - 1004 shows
Last Update: Tuesday May 05, 2026

[ DIFFERENCE | WANT LIST (10) | COMMENTS (2) | EMAIL ]


I use wetransfer to send shows. I am always looking for Bryan Adams, Barclay James Harvest, Crosby Stills Nash and Young, Manfred Mann's Earth Band, Kayak and Jackson Browne.



I have over a terrabyte of the Allman Brothers and Grateful Dead and all of the shows I have are not all listed.  If you have a date or show your looking for ask and I will see if I or one of my friends 



has it. I also have a lot of Pink Floyd and cover bands. If I don't get back to you right away the possibility is you wound up in the junk folder.  I will always try to help you out.  


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.38 Special  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/14/22 Uptown Theater - Kansas City, MO A Concert for KIDS TLC charity. Show was announced on Thursday 3/31/2022, just 15 days before the concert. Reserved balcony seats only via ticketmaster ($75 each) went on sale 4/4/2022; floor seats were general admission for a $200 donation. recorded from left-center, front row balcony; indoor theater lineage: SP-CMC-9 (Audio Technica 898) cardioid microphone pair > Roland R-07 (24bit/48kHz Wav) > CoolEditPro/GoldWave/CDWave > FLAC recorder: Ed Broll duration: 99mins 2 flac  

10 CC  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/04/77 Koseinenkin Hall - Tokyo, Japan 7.5 Taper: Unknown Source: Audience Transfer: CD-R from trade > EAC > FLAC Level 8 > you 2 Flac  
2. 11/24/78 The Paladium - New York, NY a- Lineage: the Grape's Sony Pressman with built in microphone > 2 x Maxell UDC90 cassette master. Transfer (grner1 - 2022-08-02): Nakamichi Dragon > Sound Devices MixPre-6 II @ 32bit (float) / 96kHz > Pro Tools (speed/pitch adjust, normalize, minor seamless fixes, tracking on sector boundaries and down-sampling - no EQ or noise reduction) > WAV files > xACT (tagged Flac level 8 files). Thanks to Professor Goody for help with the speed/pitch offset amount. 2 flac  
3. 04/13/80 Falkonerteatret - Copenhagen, Denmark A Source: Sony ECM-150 -> Sony TCD-D5M Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2024-02 transfer by Willer - Lightly EQ'ed - Downsampled to 44,1/16] 2 flac  
4. 05/31/13 Tradgarn - Gothenberg, Sweden 9.5 Source: AUD Lineage: H Zoom2 > CD > You 2 Flac  
5. 09/03/16 Unknown - Ludwigshaven, Germany A+ Lineage: Zoom H1>Wavelab>Wav>TLH Flac 8 2 flac  
6. 06/09/22 Sweeden Rock Festival - Norje, Sweden A Source: Aud Lineage: H2Zoom - CD > YOU Time: 78:30 min (FM Broadcast is 4.51 min) 1 flac  
7. 03/09/24 The Glasshouse-Sage Gateshead - Tyneside, UK A Lineage Tascam DR40 with Internal Mikes>Audacity>Dime Raised the volume and numbered the tracks in Audacity and that's it. Checked SBE's with Trader's Little Helper Taped fourth row from the front, in the stalls. Right hand side near the P.A. 2 flac  
8. 08/15/24 United Theater - Los Angeles, CA A SP-CMC-4U -> A10 -> Soundforge -> FLAC 2 flac  
9. 09/11/25 District Music Hall - Norwalk, CT 9 Source: master audience recording Taper: larryrulz Location: loge Lineage: CA-11 (cardioid) > Sony A10 (44/24) > Audacity (tracking) > TLH > FLAC 6 > foobar2000 (FLAC tags) Sound: mp3 samples attached in the Comments Length: 1:37:34 2 Flac  

20th Anniversary of the Summer of Love  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/12/87 Golden Gate Park - San Francisco, CA A+ FM soundboard broadcast. Transfered by Sascha CDR > plextool pro audio e. > wav > flac Disc two is recorded at a lower volume respect disc one, so just pump up the volume ! I uploaded the incomplete show 2 months ago, then our friend Sascha was so kind to send me his complete show to upload it for the community.... so thanks to him this time ! 3 flac  

21st Century Schizoid Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/17/02 The Limelight - Crewe, UK A+ Lineage: CD on trade -> Extracted using EAC to .wav -> FLAC Frontend Level8 2 flac  
2. 11/05/02 Kosei Nenkin Kaikan - Tokyo, Japan A Lineage: CD on trade ( source/gen unknown ) -> Extracted using EAC to .wav -> FLAC Frontend Level8 2 flac  
3. 10/21/03 Sala Arena - Madrid, Spain 9 CDR(trade)>wave(EAC)>flacf(8) Align On Sector boundaries Got this CDR`s in a trade this year from the original taper. Very good quality,sometimes the audience speaks to much, I think the Venue is a small club,listen to MP 3 samples. I`m looking for the show from The Brook , SOUTHAMPTON, UK 30.10.2003 with guest vocals from John Wetton at Starless. upped by booomboom 17.11.2007 2 Flac  
4. 04/29/04 Key Club - West Hollywood, CA A This is a Digital Master audience recording from my old friend and fellow tape trader Dudley Brooks (More on him below). The track separations we per Dudley. Dudley's DAT > CDR > EAC > 16 Bit WAV > TLH (Level 8) FLAC 2 flac  

The Australian Pink Floyd Show  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/21/93 Wembley Conference Center - London, UK A- This is the concert of the Australians at the first internationnal Pink Floyd fan convention set up by Glenn Povey of Brain Damage magazine back in 1993. The audio comes from a video tape of the show but I have only dubbed the audio and I don't have the video anymore. Set List : (audio is FLAC @96kHz / 24 bits) 2 flac  
2. 04/27/01 Robin RnB2 - Bilston, UK AA CDR from trade>EAC(secure)>Flac(level 6) 2 flac  
3. 05/17/04 Teatro Diners Della Luna - Milano, Italy a- Lineage: Aiwa microphone CM-DS6 > Sony Net MD MZ-N910 > Sony standalone burner > CD > EAC > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) 2 flac  
4. 07/16/04 Kings Doc Arena - Liverpool, UK AA   2 flac  
5. 11/27/04 Fox Theatre - St. Louis, MO a- Location : Balcony BA05 Row A Seat 2 Taper : hops_hopper@yahoo.com PV-DV203 Panasonic mini dv camcorder - Panasonic mini dv tapes on LP > PC via firewire > direct extract of unlinked wavs from vids (Adobe Premiere Pro) > FLAC > to you! 3 flac  
6. 03/31/06 SECC - Glasgow, UK AA Source: sp-cmc8 > custom battery box > linein h140 iriver (rockbox firmware) 2 flac  
7. 04/18/06 North Wales Theater - Llandudno, Wales A Source: Audience recording. Sanyo M-1119 hand held cassette recorder. Lineage: Sanyo M-1119>TDK IEC1 cassette tape>EAC>FLAC>HDD 2 flac  
8. 07/28/06 Docklands - London, UK A Lineage: Core Sound Binaural Mics > M-Audio Microtrack 24/96 > 16bit 44.1khz Wav > Cool Edit Pro 2.1 > Wav > Flac Frontend (level 6, align sector boundaries) > flac 2 flac  
9. 12/01/06 Massey Hall - Toronto, ON AA source/lineage: audience / Core Sound Stealthy Cardoids > M-Audio Microtrack > wav @ 16bit/44.1khz > HDD > Adobe Audition 1.5 (remastering) > cdwav (tracking) > TLH > flac Did a version of Not Now John look that up thats special 2 flac  
10. 03/30/07 unknown - Glasgow, Scotland AA   2 flac  
11. 03/31/07 Unknown - Glasgow, Scotland A   2 flac  
12. 04/14/07 Sands Centre - Carlisle, UK A Lineage: Sony MZ-RH10 Hi-MD & Sony ECM 719 Mic > Sonicstage 4.3 > WAV > CD Wave 1.96.1 > Traders Little Helper 2.2.2 (Level 8, Align to sector boundaries) > Flac 2 flac  
13. 11/27/07 Ruth Eckerd Hall - Clearwater, FL A Lineage: Core-Sound Binaural mikes-> 0 degrees->battery box bass roll off on->Edirol R09 mike in-> 24 bit 48 Khz->Dane-Elec 4GB SDHC->HD->SoundForge 9->EQ->Normalize->16bit 44.1 Khz->TLH->FLAC 8 sbeok 2 flac  
14. 02/13/08 De Vereenininging - Nijmegen, Holland AA   2 flac  
15. 07/03/08 The Anvil - Basingstoke, UK a- Lineage: Marantz PMD620 using internal stereo condenser mics (recording in 44.1kHz wav format) -> USB -> Adobe Audition (EQ, volume optimisation) -> CDWave (tracksplitting) -> TLH -> FLAC Taper: sonicsavage 2 flac  
16. 10/21/08 Ovens Auditorium - Charlotte, NC AA Dual DPA 4031 y merged into single 1/8" stereo jack > Church Audio preamp > 1/8" to 1/8" male to male monster cable connector > Olumpus LS-10 recorder 3 flac  
17. 10/15/09 Tennessee Theater - Knoxville, TN A Sony ECM-717 > M-Audio 10db pad > ZOOM H2 > SDHC card > PC > WavePad > TLH > Flac 3 flac  
18. 10/25/09 Verizon wireless Arena - Manchester, NH AA Source: Audience with R-09 (16 bit/44.1 KHz), AGC Off, Low Cut Off, Low Mic Gain Location: Next to the soundboard Lineage: R-09 > CEP 2.1 (fades, EQ) > WAV (16/44.1) > CD Wave > FLAC level 8 Traders Little Helper MD5/FFP file generation & SBE check Mp3tag V2.44 for FLAC metadata tagging Recording / Mastering : SolitaryPine A SolitaryPine production [SP021] 2 flac  
19. 10/26/09 Orpheum theater - Boston, MA A Lineage: Edirol R9 / Dpa 4061 mics > Adobe Audition > CD Wave > Trader's Little Helper [FLAC] Taper - JB Editing - Deb1 3 flac  
20. 03/12/10 unknown - Hannover, Germany A   2 flac  
21. 10/02/10 Nokia Theater - Los Angeles, CA a-   3 flac  
22. 01/26/12 Le Zenith - Paris, France AA Zoom H2 > CD Wave > dBpoweramp 2 flac  
23. 03/15/12 Bournemouth International centre - Unknown, UK A Audience recording: Church Audio CA-11's > Church Audio CA-9000 > Sony PCM-M10 (44.1khz/16bit) > Soundforge 9 > Traders Little Helper > you 2 flac  
24. 04/04/12 The Anvil - Hampshire, UK a-   2 flac  
25. 11/17/12 Akoo Theater - Rosemont, IL AA sound professionals cmc8(w/low sensitivty modification>sp sbs 11@16>mic in>r9>2gb memory card>audition>cd wave>tlh flac(8)>you the sound was hard limited by 5db via audition and the tracks were cut using cd wave. 2 flac  
26. 05/02/13 Basel Musical Theater - Basel, Switzerland A linage Tascam DR 07 MK-II -> SD CARD -> Audacity 2 flac  
27. 10/15/14 Univ. of Buffalo Performing Arts Center - Amherst, NY AA Taped, transferred and mastered by }{eywood Gear: Audio Technica AT831 mics > Tascam DR-08 Location: 6 rows behind the soundboard for the first set, directly behind the board for the second Lineage: DR-08 (wav @ 24/96) > USB > Adobe Audition 1.5 (EQ, clap reduction, splits & fades, conversion to 16/44.1, peak limiting) > TLH (SBE fix, flac 8) 2 flac  
28. 01/21/15 Micropolis - Besancon, France A lineage Tascam DR 07 MK-II -> SD CARD -> Audacity 2 flac  
29. 03/22/16 Stadhalle - Vienna, Austria AA Lineage: Zoom H2n with internal mics 2 flac  
30. 03/16/17 Patinoire De Meriadeck - Bordeaux, France AA Matériel : TASCAM DR-07 (SD Card) + Internal Micros Lineage : SD Card > PC (Wav) > Audacity > Normalisation > DB Poweramp (Compression Level 8) > Flac 2 flac  
31. 03/22/17 Axone - Montbeliard, France A LINEAGE : SP-CMC-20 -> TASCAM DR07 MKII -> AUDACITY 2 flac  
32. 06/30/17 Enmore Theater - Sydney, Australia AA Recorded in the balcony, left of centre Sony PCM-10 > Audacity > CDWav > FLAC > you 2 flac  
33. 08/29/17 Fox Theater - Oakland, CA A Recorded by Daspyknows Recorded Orchestra Pit Row 8 One Seat Off Dead Center Schoeps MK4/NBox Platinum Tascam DR-2D 24 Bit 48K Processed using Soundforge 11, resample, to 16bit 44.1K TLH to convert to Flac 2 flac  
34. 09/15/18 Keller Auditorium - Portland, OR A Tascam DR-100 (w/internal mics) -> Sandisk Ultra 32GB SD Card @ 24bit/48kHz 2 flac  
35. 10/04/18 Oakdale Theater - Walingford, CT AA Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2 > Lightning Adapter > iPhone 6 > Twisted Wave (app) > Airdrop (MAC/PC transfer)> Wavelab 6.1 > CDWAV > FLAC 2 flac  
36. 12/11/18 Royal Concert Hall - Nottingham, UK B++ Lineage: Samsung S7 (external mics)>ASR Recorder>WAV>Audacity Track split>flac (TLH 2 flac  
37. 08/23/19 Oakdale Theater - Walingford, CT AA Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2 > Lightning Adapter > iPhone XR > Twisted Wave (app) > Airdrop (MAC/PC transfer)> Wavelab 6.1 > CDWAV > FLAC 2 flac  
38. 09/07/19 Revention Music Center - Houston, TX AA Location: I was in section 204 Row G Seat 1, which was the most top right seat in the corner of the stadium (hence the name of the ROIO :). There was a ledge to the right of me above my head where I placed the phone with the mics pointed slightly upwards. Setup: iPhone 5 internal microphones > Voice Record Pro app > WAV 16 bit Stereo default settings > Gain about half the default setting. Encoding: Wave Corrector > Click Threshold Off > Track Splits > Fades in and out > dBpoweramp Music Converter FLAC Level 5. Review: Most of the seats around us were empty so this is a pretty quiet audience recording. IMHO, most of the performance was pretty standard for TAPF. However, hearing and seeing Cymbaline - CWTAE made it worth experiencing this show in person! I will go see them again next time they are in town... 2 flac  
39. 11/27/19 M & S Bank Arena - Liverpool, UK a- seems to much bass 2 flac  
40. 12/06/19 Royal Concert Hall - Nottingham, UK a- Lineage: Samsung S7 (external mics)>ASR Recorder>WAV>Audacity Track split>flac (TLH) 2 flac  

The Babys  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/03/77 Waldorf Theater - San Francisco, CA AA   1 flac  
2. 04/23/77 The Tower Theatre - Philadelphia, PA A LINEAGE PRE FM LP MASTERS NEWMARK TURNTABLE TO CDR NO IDS TO PLEXTOOLS PRO/WAV 16/44.1 TO AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS/WAV 16/44.1 TO TLH FLAC LEVEL 8 ALL ADS HAVE BEEN EDITED OUT ALL LP FLIPS HAVE BEEN EDITED TOGETHER 1 flac  
3. 10/31/77 Cleveland Agora - Cleveland, OH A+   1 flac  
4. 03/06/79 Mecca Arena - Milwaukee, WI A Source: Audience capture / rig unknown Transfer: cassette >SONY TC-WE835S >analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > FLAC level 8 >Stamp ID3 Tag Editor > TLH checksums & torrent. 1 flac  
5. 03/31/79 Oakland Coliseum - Oakland, CA 8 AUD Master Cassette TDK-D>Pioneer Standalone CD Recorder>EAC WAV>TLH FLAC No SBE's detected. 1 Flac  
6. 04/09/79 Sports Arena - San Diego, CA B++   1 flac  
7. 07/09/79 Agora Ballroom - Cleveland, OH A   1 flac  
8. 01/28/80 The Agora - Cleveland, OH a- FM> Cassette(M)> CD-R Silver CD>EAC (Secure mode)>Flac frontend 1 flac  
9. 02/14/80 Unknown - Denver, CO A   1 flac  
10. 09/29/16 The Token Lounge - Westland, MI a- Taken from the master recording. Sony ECM-717 Mic (Sony MZ-R200 unit) ProTools (ripped to 24/48, mastered/EQ/Widen) SoundForge (Splits, fades, FLAC). As per Dime requirement, MiniDisc files have been ripped to PCM format. Sound quality is very good - I'd rate it a B+. Some distortion in the vocals, and especially when the backup girls come in, but still sounds really nice 1 flac  
11. 06/22/18 The Bull Run - Shirley, MA AA SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Zoom F1 (Line In)===SDHC SanDisk 16GB Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  

The Band http://www.thebandmusic.net/
  Date Venue - City, State Sound Rating Notes Media  
1. 08/30/74 Nassau Coliseum - Uniondale, NY a- source: aud cassette master akg d1000e's>sony tc-152sd taped by Jerry Moore lineage: mac>dat>cdr>eac>cd wave>flac transfer('99) and seed by Rob Berger 10/14/09 2 flac  
2. 11/24/76 Winterland - San Francisco, CA a- SOURCE: Soundboard LINEAGE: unknown generation type-II cassette tape > Tascam Porta 02 MKII MiniStudio + TDK 4X Digital Audio CD Recorder DA-3826 > CD-R (Audio) > EAC wav (hard drive) > Audacity amplified, edited & track-separated wav > CD-R > EAC wav > Trader's Little Helper flac level 8 & torrent > TheTradersDen NOTES: There is a fair amount of tape hiss present, but still an enjoyable listen. There must be more of this rehearsal among collectors; if you have any to share please step up. Thanks! 1 flac  
3. 11/23/83 Tower Theater - Upper Darby, PA A Analog Low Gen > Nakamichi CR7A > Sony M10 > 24/44.1 WAV adobe audition 7 > ozone 5 > xACT 2.36 > flac 16 taper : unknown (from the Tom The Taper Collection) transferred, edited & mastered : edtyre everything else : nicky c 2 flac  
4. 08/25/84 Nostell Priory - Yorkshire, England a- Good Complete Mono Recording Sounds like mixing desk as no close up talking but could be audience. I seem to remember a partial BBC Broadcast of this with only one Morrison track, could be wrong. Source: Trade TDK AD90 Cassette, Dolby B>Sony TC-K71 (Playback), Dolby B> Soundforge 8 (Fades, Track Marks, Joins)>FLAC 2 flac  
5. 06/27/93 Ben & Jerry’s One World One Heart Festival - Warren, VT A Master Audience Recorded By Fitzy, Transfer By Keo Nakamichi CM300/CP4 Shotguns>Sony D5, Tape:Maxell Metal Capsule 100 Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz Wave Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename 2 flac  
6. 01/23/94 Cultural Center - Charleston, WV A Source: FM Broadcast > Cassette (Master) Transfer: Cassette > Harman Kardon CD Burner > dbpoeramp (FLAC-level 8) > Trader's Little Helper (FFP) > Torrent 1 flac  
7. 04/23/94 Kiefer UNO Lakefront Arena - New Orleans, LA A   2 flac  
8. 07/09/95 Soldier Field - Chicago, IL A Recording Info: SBD > DAT Master (44.1k) Transfer Info: DAT Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X4 Suite > FLAC/16 (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net April 24, 2020 2 flac  
9. 08/15/96 Stephen Talkhouse - Amagansett, NY A THe Ken G. Master Series #7 Sony D3 Cassetter Master (unknown mics) Transferred and Tracked by George (kingrue) Transfer Lineage: Maxell XL-II 90 (2) > Sony Deck TC-WE 475 > JVC XL-R2010 CD-RW > Soundforge 9.0 > HD > TLH level 8 Flac > Dime 6/21/13 2 flac  

The Beat  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/09/87 New George's - San Rafael, CA A Master copy of FM broadcast on TDK SA C-90>Audacity>MP3 or Wav 1 flac  

The Brothers  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/10/20 Madison Square Garden - New York, NY AA Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44.1) SOB/DRFC/KFC/ZFC/ADA/AARP Section 105, Row 1, Seat 3, 7' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man 3 flac  

Burton Cummings  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/17/24 Pacific coliseum - Vancouver, BC 9 Taper: LeifH [2024#27] Source: IEM > 10ii Transfer: PC via USB > RX9 > Wavepad > flac (8) via TLH 1 Flac  

The Cars  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/28/78 Park West - Chicago, IL AA The Cars B'Ginnings Schaumburg, IL July, 1978 sdbd.>4-channel tape>DVD-A>Amadeus 2.4.2>stereo FLAC intro Good Times Roll Bye Bye Love Nightspots My Best Friend's Girl Moving In Stereo Don't Cha Stop When You Gonna Lay Me Down You're All I've Got Tonight Just What I Needed Take What You Want Hotel Queenie The story of this one is (as I know it) in the mid to late 70's and early 80's there was a nightclub in Schaumburg Il known as B'Ginnings. It was partially owned by Danny Seraphine, former drummer for the group Chicago. From time to time they would have either up and coming bands or even the occasional big star (Bob Seger, John Cougar, Talking Heads, Rush, Chicago, Billy Joel and many more). The shows at this club would be recorded using multitrack equipment and then mixed down to stereo for broadcast on WXRT-FM. The tapes, however, were also mixed to quad by an engineer for his own personal consumption. This is one of those tapes. It wasnt transfered to digital until around 2005 or so - so it might be a bit crunchy sounding to some. It is definitely a great show (though only about 45 minutes) and it's definitely discrete quad. Trust me on this one! I have extracted to stereo for this upload. While this is obviously a 1978 show I have not been able to find a date, so after studying the dates I have collected over the years it seems July is likely. January 25, 1978 Boston, MA - The Paradise January 26, 1978 Boston, MA - The Paradise February 10, 1978 Portland, ME - Cumberland County Civic Center (w/ J. Geils Band) June 23, 1978 Boston, MA - Georgian Room, Park Plaza Hotel (Press Party) *source of promo vids. June 30, 1978 Boston, MA - The Paradise July 1, 1978 Boston, MA - The Paradise July 2, 1978 Boston, MA - The Paradise July 18, 1978 Cleveland, OH - The Agora July 26, 1978 Atlanta, GA - The Fabulous Fox July 27, 1978 Dayton, OH (from Doobie Bros. ticket stub) July 28, 1978 Chicago, IL - Park West July 30, 1978 Toledo, OH - Sports Arena (opening for Cheap Trick) (both recorded) August 2, 1978 Cincinnati, OH - Bogart’s (from ticket stub) August 2, 1978 Philadelphia, PA - The Spectrum (probably wrong) August 14, 1978 Detroit, MI - Music Hall Ctr. for Performing Arts (opened for Rainbow) August 18, 1978 Sacramento, CA - Cal Expo (w/ Journey & T. Lizzy) August 19, 1978 San Francisco, CA - Old Waldorf August 20, 1978 San Francisco, CA - Cow Palace (w/ Kansas & T. Lizzy) August 22, 1978 Portland, OR - Paramount Theatre August 24, 1978 Santa Monica, CA - Civic Auditorium August 26, 1978 Cleveland, OH - Municipal Stadium (opened for Fleetwood Mac) {World Series of Rock} September 2, 1978 Boston, MA - Paradise September 13, 1978 Toronto, Canada September 15, 1978 Burbank, CA - NBC Studios for Midnight Special (air date) September 15, 1978 Memorial Auditorium (w/ Bob Seger) September 19, 1978 Saginaw, MI - Temple Theatre (Cheap Trick date so maybe The Cars opened??) September 22, 1978 New York, NY (Opening for Cheap Trick) September 23, 1978 Providence, RI - Alumni Hall @ Providence College October 7, 1978 Miami, FL - Fat Cats October 8, 1978 Lakeland, FL - Lakeland Civic Center October 9, 1979 Uniondale, NY - Nassau Coliseum October 19, 1978 Oakland, CA - Oakland Coliseum (w/ Styx & Angel) October 20, 1978 Los Angeles, CA - Forum (Opening for Styx) *October 21, 1978 Los Angeles, CA - Forum (Opening for Styx) October 22, 1978 San Diego, CA - Sports Arena (Opening for Styx) October 24, 1978 Los Angeles, CA - The Roxy (Opening for Styx) October 26, 1978 Fresno, CA - Selland Arena (Opening for Styx) https://www.youtube.com/watch?v=ckoDRnXfMN8 *October 29, 1978 Albuquerque, NM - Tingley Coliseum (Opening for Styx) November 14, 1978 Hamburg Germany - Markthalle November 1978 Bremen, Germany - Musikladen Studios November 17, 1978 Brussels, Belgium - Beursschouwburg November 18, 1978 Amsterdam, Netherlands - Paradiso November 19, 1978 Amsterdam, Netherlands - Paradiso (from poster) November 23, 1978 London, UK - Lyceum Theatre (w/ Fabulous Poodles & Next) November 27, 1978 Paris, France - Théâtre de l'Empire November 1978 Brighton, UK - University of Sussex December 8, 1978 Boston, MA -The Garden December 28, 1978 Pontiac, MI - Pontiac Silverdome (w/ Ted Nugent) *sourced from headliner ticket stub 1 flac  
2. 08/19/78 The Old Waldorf - San Francisco, CA A FM Broadcast >Bootleg LP >WAV >FLAC Pioneer PL 400 Turntable >ProJect Outboard Phono Preamp >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify By 6db, Down Sample to 16bit/44.1kHz, Remove 'Pops & Clicks', Create Track Indexes) >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntapr 1 flac  
3. 09/14/78 El Mocambo - Toronto, ON A   1 flac  
4. 07/05/79 North Hall Auditorium - Memphis, TN 8.5 Source : Soundboard Recording. Sony 700mb Cd-R > EAC (Exact Audio Copy) Version 1.Beta 3 > 16-Bit, 44.1kHz Wav > Traders Little Helper > FLAC (Level 8). 1 Flac  
5. 08/16/79 Mecca Arena - Milwaukee, WI A ANALOG MASTER RB Recorder: Technics RS-686DS ANALOG Tape: TDK AD-C90 Mics: Teac ME-80's (same as CM-300) Played back on identical machine> Pre-amp: Naim 52 CDR Recorder (Stand Alone): Tascam CDR-2000 CDR: Taiyo Yuden Gold 74-ZY PC Drive: UltraPlex40max SCSI EAC>FLAC>To You Guys, enjoy, RB 2 flac  
6. 09/04/79 Universal Amphitheater - Los Angeles, CA A Soundboard Trade CD >FLAC (Level 8) Via xACT 2.39 Most Likely Sourced From Westwood One Transcription Discs. Kind Of Flat Sounding. 1 flac  
7. 10/31/80 Nakano Sun Plaza Hall - Tokyo, Japan A King Biscuit Flower Hour SBD tape > FM > Cassette > CDRx > WAV > FLAC > shntool ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) 1 flac  
8. 10/31/80 Nakano Sun Plaza Hall - Tokyo, Japan 8 The Cars - Panorama Tour (1980) (Live, 10-30-80 at Nakano Sun Plaza Hall, in Tokyo, Japan.) (Pre FM Edited Soundboard) [03] - 10-30-80 at Nakano Sun Plaza Hall, in Tokyo, Japan. (Pre FM Edited Soundboard) Recieved in trade on CD-R in the mail from Chris in Ohio. This is the most complete version of this show I have in Flac more complete version I have in Mp3 though. Verified losless on Trader's Little Helper. Ripped from CD-R into Wav Files then converted to Flac (Level 8) Files on Trader's Little Helper as well. 1 Flac  
9. 03/24/82 Nassau Coliseum - Uniondale, NY a- Taper : Steve T ''AKA'' Little Red Bag Editing : Joe D'Amico ''AKA'' Joebeacon Nakamichi CM 300s w/CP4 Shotgun Capsules > Sony D5 Master Tapes > Nak Dragon Tape Deck > Korg MR-1000 > Adobe Audition CS6 > Ozone 5 > Traders Little Helper ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) 2 flac  
10. 08/21/84 Seattle Center Arena - Seattle, WA A Source: Nakamichi 700’s > Sony D5 > Cassette Master (Maxell UDXL-II) - Taped by Mark Seversen Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick, January 2019 2 flac  
11. 10/30/87 Brendan Byrne Arena - East Rutherford, NJ 9   1 Flac  
12. 12/08/87 Hearnes Center Field House - Univ. of Missouri - Columbia, MO a- WAAF Worcester 107.3 FM (pre-recorded) "Westwood One" broadcast > Yamaha 500 receiver with digital tuner and wire antenna > Nak. BX-100 cassette deck (dolby off) > very rarely played Maxell XLII 90 min. master cassette > played on Tascam 112 into Soundforge (wav) > flac (sb's aligned) > torrentially yours 2 flac  

Dennis DeYoung  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/14/14 Keswick Theatre - Glenside, PA A Source: Schoeps MK4 > actives > tinybox > Sony M-10 (24/48) Transfer: wav file > Sound Studio (convert 16/44.1) > xACT > FLAC (level 8) Recording location: Orchestra center 5th row Recorded by: Tapehead2 2 flac  

The Doors http://www.thedoors.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 12/11/70 State Fair Music Hall - Dallas, TX a- Mics and recorder unknown> Cassette generation unknown Playback Deck: Tascam 130 > Nikko 32 Band EQ > Akai DR16 Digital Hard Disk Recorder > Sony PCM-R500 DAT Recorder > Sony DAT Tape > HHB CDR-800 Compact Disc Recorder > HHB CDR > WAV > SHN 1 flac  

The Dudek, Finnigan & Krueger Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/18/78 The Palladium - New York, NY a- Source: WPIX-FM > Cassette Master (TDK-SA) Transfer: Sony TC-WE 475 > JVC XL-R2010 CD-RW (44.1) Editing: Soundforge > Wav > TLH [SB's aligned] Flac level 8 Traders Den 3/22/17 - (BR series 141) Transferred, tracked & pitch correction by kingrue upload 1070 2 flac  

The Eagles http://www.eaglesband.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 07/26/74 Boston Garden - Boston, MA A Joe Maloney taped this 2 flac  
2. 05/14/75 Music Hall - Boston, MA 8 Source: AUD > R > DAT Transfer: Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking) > FLAC 1648 Thanks to Robbie for tracking down the Boston Globe article 1 Flac  
3. 01/27/76 Welcome To The Late Show - Sydney, Australia A- Note: This bootleg is also known as "Welcome to the Late Show." You can hear Glenn well on harmonies. Randy changes "Santa Fe" to "Abilene" on Midnight Flyer. There is a version of this called "Crazed and Snake-Eyed" which includes extras such as songs from ABC in Concert 1974 and California Jam 1974. I believed this was sourced from an LP 1 Flac  
4. 02/02/76 Festival Hall - Osaka, Japan 8 directly from gnegno cassette archive Lineage: (2nd generation) MAXELL XLII S 90 Cassette Tapes(Normal Bias)--Teac V-480 Cassette deck----> Zoom H1 Handy recorder (16 bit 44.1 khz)----> cd wave editor > TLH > you 2 Flac  
5. 02/07/76 Budokan Hall - Tokyo, Japan 8 Lineage: ? > trade cdr in 2000 Transfer: EAC > Flac (level 8) > you ! whotrader-0373-eagles-1976-02-07 2 Flac  
6. 02/09/76 Swibuka Hall - Nagoya, Japan 7.5 source: SBD>??>CDR>EAC>SHN 2 Flac  
7. 10/22/76 The Forum - Inglewood, CA B++ Recording Gear: portable cassette recorder with built-in mono microphone (model unknown) JEMS 2017 Transfer: GaryB’s master cassettes > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (24/96 capture to .wav > pitch adjustment > iZotope RX6 and Ozone 6 restoration and mastering > iZotope MBIT+ resample and dither to 16/44.1 > Audacity (track split, volume smoothing, edit) > FLAC 2 flac  
8. 11/06/76 The Summit - Houston, TX a- Source: Ex Soundboard Recording Lineage: Mid Valley Special Sampler Boot > EAC > FLAC 2 flac  
9. 09/08/79 Budokan Hall - Tokyo, Japan a- Source: Aud rec Transfer: CD-R from trade 100 years ago> EAC > FLAC Level 8 > you Sound Quality: A- in my rating and ears.. 2 flac  
10. 09/25/79 Nippon Budokan - Tokyo, Japan A Transfer: 1980's tape trade > Nakamichi DR-01 (azimuth adjusted) > Sound Devices USBPre2 > Audacity 2.31 > Peak Pro 6 (pre-production) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
11. 03/04/80 The Forum - Inglewood, CA AA Excellent soundboard recording Another stellar recording from "The RS Arvhives" (a Mexminute/TheCommish production) 2 flac  
12. 07/29/80 Civic Auditorium - Santa Monica, CA AA Recording Gear: (presumed) AKG 451 Microphones > Uher CR-240 cassette recorder JEMS 2018 Transfer: First-generation cassette copy made by Mike Millard for BC > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX and Ozone mastering > MBIT+ resample 16/44.1 > Peak Pro 6 (post-production) > xACT 2.39 > FLAC 2 flac  
13. 07/29/80 Civic Auditorium - Santa Monica, CA A Recorded by: John Musgrave, Mark (the B-Man) and Mike Martin Equipment: 2 Sennheiser MKH 406tu-3 microphones > Sony D5-M > 2 TDK SA-C90 cassettes w/ Dolby June 2009 Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > editing of applause section volume, removing the loudest clapping and splicing tape flips performed with NERO June 2011 24/44.1 files converted to 16/44.1 (audacity) > CD Wav > TLH (Flac Level 8) July 2023 Remaster 24/44.1 file from 2009 transfer: further reduced audience noises and any handling thumps and bumps iZotope RX8 advanced > CD Wave > Korg Aqua (16-44) > TLH 2 flac  
14. 04/28/94 Warner Brothers Studios - Burbank, CA AA Lineage: soundboard > CDr > EAC > FLAC 2 flac  
15. 06/04/94 Jack Murphy Stadium - San Diego, CA A Lineage: Unknown method of transfer from master DAT recording provided by Third Eye Productions Editing by Wes Meyette using CD Wave Editor 2 flac  
16. 06/08/94 Shoreline Amphitheater - Mountain View, CA A A Jeftak Dat Master @ 16/48 Transferred and Presented By Krw_co LINEAGE AUDIENCE DAT MASTER >SONY PCM R-500 DAT>FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (16/48kHz)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/48khz)>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
17. 07/05/94 Riverport Amphitheater - Maryland Heights, MO AA Source: Mono Soundboard feed (possibly proshot video soundtrack?) Transfer: Master DATs > Tascam DAT deck > Optical Out > computer hard drive > CDWav (track splits) > Traders Little Helper FLAC Level 6 3 flac  
18. 08/07/94 Great Woods Center for the Performing Arts - Mansfield, MA A- Source: Nak 700s > WM-D6c (no Dolby indicated) > MC by RS Transfer: MC (1.5 x metal Capsule 100) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels) > FLAC 2496 Thanks to our anonymous taper and to Mark for facilitating 2 Flac  
19. 08/16/94 Star Lake Ampitheater - Burgettstown, PA A Recording: AKG 414B > Panasonic SV250 DAT Recorder Transfer: DAT Master > Fostex D-5 > Optical Cable > Audacity (16/48) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (Post Production > 16/44) > xACT 2.39 > FLAC 2 flac  
20. 11/09/95 Hanshin Koushien Kyuujou - Nishinomiya, Japan 9 Unknown Taper Source: Audience lineage: CDR> EAC > FLAC > you 3 Flac  
21. 11/12/95 Yokohoma Arena - Yokohama, Japan AA   2 flac  
22. 11/14/95 Tokyo dome - Tokyo, Japan a- Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you annoying clapping 2 flac  
23. 11/24/95 Queen Elizabeth Stadium - Christchurch, New Zealand A+ FLAC >WAV >Audacity (Combine Disc 1 Tracks To A One-Track File, Amplify By 15.4db, Re-Track On Original Index Points, Fix SBEs, Add To Discs 2 And 3) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 3 flac  
24. 07/30/96 Hallenstadium - Zurich, Switzerland A Recording & editing: Zuma66 lineage: Sony WM-D6C whit Aiwa CM30 2 Maxell XLII-S 90 Transfer 2020 - 05 - 13 by zuma66 Teac W860R > M-Audio Microtrack 24/96 > CompactFlash card reader > PC > Gold wave > Audacity 3.1 > WAV tracks split with CD Wave > Traders Little Helper level 8 2 flac  
25. 12/29/99 Mandalay Bay - Las Vegas, NV a- Transfer: CD-R from trade 100 years > EAC > FLAC Level 8 > you Sound Quality: A- in my rating and ears.... 2 flac  
26. 12/29/99 Mandalay Bay - Las Vegas, NV AA Transfer: CD-R from trade 100 years > EAC > FLAC Level 8 > you 2 flac  
27. 08/11/01 Mile High Stadium - Denver, CO A   2 flac  
28. 07/12/03 MCI Center - Washington, DC A Transfer: .wav file > iZotope RX / ozone 9 (mastered) > xACT 2.50 > FLAC 3 flac  
29. 05/29/06 Arena di Verona - Verona, Italy A (MRDR Master Series Volume 74) Recording: Sony ECM717 > Sony MZ-R700 MD Transfer: MiniDisc Master > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
30. 05/31/06 Hallenstadion - Zurich, Switzerland A+ zuma66 master Lineage: Sony WM-D6C whit core sound binaural Recorded front of stage 10 mt I tranfer this master some year ago this is a CD rip 3 flac  
31. 05/09/10 GM Place - Vancouver, BC AA Source: CA-11 cardioids > CA-9100 > Edirol R-09 @ 24 bit/48 kHz Mastering: .WAV > Sound Forge Pro 10.0a [iZotope RX2 Advanced Plugin (Declick); Sony Wave Hammer Plugin (Lower random peaks); minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging) Location: Way in the back, dead centre, in the 300 level Recorded by: Seth Meister Mastered by: Dennis Orr 2 flac  
32. 04/21/12 MGM Grand Garden Arena - Las Vegas, NV A LINEAGE: Core Sound Dual DPA 4061 merged into 3 pin XLR into Mic2496 V2 Portable Mic Pre-amp/A-to-D Converter (coax out) M-Audio's MicroTrack II Professional 2-Channel Mobile Digital Recorder Coax out into SPDIF ScanDisk Extreme III 32 GB compact Flashcard Recorded in 96khz/24 bit 2 channel stereo All editing done with Adobe Audition CS5.5 WAV files converted to FLAC 6 via Traders Little Helper 2 flac  
33. 09/02/12 Ovation Hall Revel - Atlantic City, NJ A schoeps mk-4 > actives > nbox + > sony pcm-m10 > 24/96 wav > adobe audition > korg aqua > 16/44.1 wav> xACT 2.20> flac16 taper : edtyre location : 6th row center 0  
34. 03/23/13 MGM Grand Garden Arena - Las Vegas, NV 8 Recorded By: Robert Mullen (lvrwm) Equipment/Lineage: Audience/SP-CMC-25 mics (Croakies)>SP-SPSB-2 (Battery Boost Box)>Sony PCM-M10>CD Wave Editor>Traders Little Helper flac level 8. Recorder Settings: PCM-M10 at 44.1 kHz/16 bit, low mic sensitivy, manual record, limiter on, mic power off, low cut filter off, speed control off. Comments: Here is our recording of the Eagles in Vegas on a saturday night. The sound at this arena is better than average. We were located dead center in section 101 (right behind the soundboard). The crowd was well behaved around us. The sound was excellent and the performance was very good this evening as the band appeared to be enjoying themselves. We really enjoyed this show and hope you do as 2 Flac  
35. 10/11/13 American Airlines Center - Dallas, TX A+ Source: SP-CMC-08s Card elements->SP-SB1(no bass roll-off)-> Zoom H4n 16 bit 441htz >HDD>Goldwave to split the file > traders little helper flac level 7 Taper: whotapes 3 flac  
36. 07/18/15 First Niagara Center - Buffalo, NY a- 16 bit version Taper: Binko Gear: AT831s > Tascam DR-08 Transferred and mastered by }{eywood Lineage: DR-08 (wav @ 24/96) > USB > Adobe Audition 1.5 (EQ, clap reducition, crowd attenuation, peak limiting, splits & fades, conversion to 16/44.1) > TLH (SBE fix, flac 8) 2 flac  
37. 03/18/18 Scottrade Center - St Louis, MO A LINEAGE:ECM719/M10(48/16)/CDWAVE(TRACKING)TLH(FLAC8) 2 flac  
38. 07/20/18 TD Garden - Boston, MA A SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Roland R-05 (Line In)===SDHC SanDisk 16GB Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  
39. 02/07/20 State Farm Arena - Atlanta, GA AA Schoeps MK4s > Naiaint IPA > Sony PCM-M10 2 flac  
40. 02/08/20 State Farm Arena - Atlanta, GA A Recorded from Section 105, side stage under PA. SP - CMC-8 microphones > Sony PCM-M10 > SoundSaver for INport > Trader's Little Helper > FLAC Hotel California in its entirety plus greatest hits 2 flac  
41. 08/25/21 Madison Square Garden - New York, NY A+ source : schoeps mk41 > nbob actives > babynbox > a-10 > 24/48 wav adobe audition > ozone 8 > xact 2.50 > flac 16/44.1 taper : ghost 3 flac  
42. 08/27/21 TD Garden - Boston, MA A+ When I first heard that the Eagles was going to do Hotel California in its entirety, I couldn't hardly wait well they did not disappoint. SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Sony PCM-A10 (Line In)=== 16GB Built in Memory @ 48/24(Downsampled to 44.1/16) 3 flac  
43. 10/23/21 Golden State Warriors Arena - San Francisco, CA A iPhone8 It sounds really good for an iphone. must have been in a great place 2 flac  
44. 04/19/22 Nationwide Arena - Columbus, OH A Taper: Charles Dewey Cole, IV Location: Section 101, Row V - Seat 11; mics mounted on hat brim. (see chart here: http://www.ticketmaster.com/seatingchart/41498/28690) Source: AT853U Cardioids (4.7k mod) > SP-SPSB-11 (@69Hz) > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 2 flac  
45. 04/21/22 Key Bank Center - Buffalo, NY A+ 24 bit version A Poignant Pros recording by Binko Gear/lineage: CA11s > Tascam PR-10 > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) Everything anyone would ever want to hear from Eagles...except The Long Run. 2 flac  
46. 11/23/22 T-Mobile Center - Kansas City, MO A+ recorded from lower bowl, opposite the stage, 1st row off the floor; indoor sports arena recorder: Ed Broll lineage: SP-CMC-9 (Audio Technica 898) cardioid microphone pair > Roland R-07 (24bit/48kHz Wav) > CoolEditPro/GoldWave/CDWave > FLAC duration: 2 hrs 43 mins Nice. No close audience noise at all. 3 flac  
47. 09/13/23 TD Garden - Boston, MA A SP-CMC-8c===SP-SPSB-4 to Sony A-10===Internal Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  
48. 10/15/23 PPG Paints Arena - Pittsburgh, PA A A Poignant Pros recording by Binko Mastered by }{eywood Lineage: Audio Technica mics > Tascam DR-08 > Adobe Audition 1.5 (mild bass cut, normalization, splits & fades) > Xrecode III (flac 8) 2 flac  
49. 01/20/24 Footprint Center - Phoenix, AZ A+ Tascam dr-05===Internal Memory Card @ 96/24(Downsampled to 44.1/16)(eqed)[Audacity]==tracked on sectors[EAC]=flack8=YOU! 2 flac  
50. 02/10/24 CHI Health Center - Omaha, NE a- Lineage: Internal mics>Tascam DR-05 Version 2 (set at 24-bit/44.1 khz)>WAV>Audacity for track splits and EQ>TLH to encode to FLAC Level 8 2 flac  
51. 06/04/24 Co-OP Live Arena - Manchester, England A Lineage>wav files>Traders Little Helper>flac 6>us 2 flac  
52. 10/11/24 The Sphere - Las Vegas, NV A Source: AT943 > SP-SPSB-10 > Sony A10 (24/48) Transfer: wav file > Sound Studio (16/44.1) > xACT > FLAC (level 8) Recording location: Floor 4, row 4 Recorded by: Tapehead2 2 flac  
53. 10/12/24 The Sphere - Las Vegas, NV A Source: AT943 > SP-SPSB-10 > Sony A10 (24/48) Transfer: wav file > Sound Studio (16/44.1) > xACT > FLAC (level 8) Recording location: Section 404, row 4 (first row of section) Recorded by: Tapehead2 2 flac  
54. 11/09/24 The Sphere - Las Vegas, NV A Lineage: DPA 4061 > DPA d:vice > iPhone > WAV > ProTools > WAV > xACT > FLAC 2 flac  

The Eagles Project  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/18/22 Memorial Hall - Cincinnati, OH A Taper: Charles Dewey Cole, IV Location: Section 301, row D, seat 301; mics mounted on hat brim. Source: CA-14 Omni > CA-9200 > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 2 flac  
2. 11/22/25 Memorial Hall - Cincinnati, OH 9 Taper: Charles Dewey Cole, IV Location: Section (Balc) 700, row AA, seat 710; mics mounted on hat brim. Source: SP-CMC-8 Cardioids (4.7k mod) > SP-SPSB-11 (@16Hz) > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave *** Acoustic *** Flac  

The Guess Who  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/26/70 Carter Barron Amphitheatre - Washington, DC A   1 flac  
2. 10/10/70 Kansas City Fairgrounds - Kansas City, MO B++ Cassette> Cooledit>wav>flac 1 flac  
3. 08/14/71 Municipal Auditorium - Mobile, AL B++   2 flac  
4. 01/01/72 Unknown - Unknown, SC a-   1 flac  
5. 11/20/72 Budokan Hall - Tokyo, Japan a-   2 flac  
6. 11/28/72 Unknown - Aukland, New Zealand B++   1 flac  
7. 11/10/73 Ontario Motor Speedway - Ontario, CA 7.5   1 Flac  
8. 05/03/74 Louisville Downs - Louisville, KY B++ Lineage = master cassette>cdr trade>EAC>Wav>Flac Sound Quality 7 - 8 out of 10 2 flac  
9. 05/06/74 The Ambassador Theater - St. Louis, MO AA KSHE FM Radio Broadcast > ? > CDR > EAC Secure > FLAC Frontend (8) 1 flac  
10. 01/??/75 Bottomline - New York, NY A   1 flac  
11. 09/15/00 Copps Coliseum - Hamilton, ON A Source : CSB mics > 9V power supply (flat) > Sony WM-D6C (no Dolby) via line-in > (master cassette Maxell XL-IIS 100) (Recorded by Plaz) Transfer : Sony TC-WE 475 > Tascam SD-20M Wave Recorder (24bit/48kHz) Editing : Sound Forge (volume adjustment) > Wave 24/48 > TLH checksums & Flac 8 Traders Den - April 15, 2020 Tracked by dorrcoq // Transferred & posted by kingrue upload #2470 --------------------------------------------------------------------- 2 flac  
12. 09/07/01 HSBC Arena - Buffalo, NY A cdr>trade 2 flac  
13. 10/24/01 Arrowhead Pond - Anaheim, CA A- D6 Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC 2 Flac  
14. 10/26/01 Compaq Center - San Jose, CA A cdr>trade 2 flac  
15. 11/04/01 Key Arena - Seattle, WA A cdr>trade 2 flac  
16. 02/26/26 Deck Stage On The Liberty Of Seas - Fort Lauderdale, FL 9.5 Rock Legends Cruise XIII The first of many shows to post. MIKEY 2.0 iPod Recording Microphone 16/44.1 Directly (10ft away) in front of Burton in the 2nd row. Great show! I managed to record both shows, but this has less wind. There's still some present, but it's not terrible. Used CrumplePop WindRemover, Adobe Audition for Mastering, and Sound Forge for track spliting and trimming. FLAC 8 Time: 1:38:52 2 Flac  

The Kinks  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/19/77 Winterland - San Francisco, CA AA KSAN Reels #506A, #506B 7 1/2 ips 1/2 Track Stereo Mix Down Tape Of Multi-Track Master Playback Revox A-77 >Panasonic SV-250 DAT(Internal A/D) Panasonic 3800 >Apple G4 (Peak Editing, Sample Rate Conversion) >xACT Trade FLACS >WAV (Combine D1 & D2 Folders To One Set Of Sound Files By Adding d1 & d2 To File Names) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 2 flac  
2. 06/25/78 Universal Amphitheatre - Universal City, CA A+ Mike Millard Second Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 46 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Second Generation Cassette via RG > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX7 > iZotope Ozone 8 > Audacity > Peak Pro 6 > FLAC 1 flac  
3. 09/08/85 Manning Bowl - Lynn, MS A+ lineage: trade cassette (TDK-SA 90 min. cassette > played on Nak,. 300 into soundforge (wav) > flac (sb's aligned) > torrentially yours. a this and that, kinky rocker production. 2 flac  
4. 05/25/87 Stadthalle - Heidelberg, Germany A Source: Master Audience with Sony WMD6C + Aiwa Microphon + TDK SA --> Kenwood KX1100G--> Audiophile 2496--> Adobe Audition (fade, normalize) --> CD Wave --> Traders little helper 2 flac  
5. 06/19/87 Kingswood Music Theater - Toronto, ON A   2 flac  
6. 04/14/88 Fox Theater - St. Louis, MO A WXRT FM BROADCAST (WESTWOOD ONE) FM BROADCAST>ANALOG MASTER>CDR>EAC>FLAC 2 flac  
7. 12/20/89 Stadthalle - Offenbach, Germany A Source: SONY WM-F2041 Recording Walkman > SONY Stereo clip-mic > ANA(m) (TDK SA 90) 2 flac  
8. 05/11/95 Shibuya Public Hall - Tokyo, Japan A   2 flac  

The Machine  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/07/05 Penn's Peak - Jim Thorpe, PA AA source: Dat Master -> ? -> cD-R -> EAC to wav -> FLAC frontend (level 8) 4 flac  
2. 11/05/05 Die Glocke Glosser Saal - Bremen, Germany A Philips CDR 870 > Wav > Flac Source Sony MD MZ-G 750 + Sony ECM 719 Mic 2 flac  
3. 01/25/07 Visualite Theater - Charlotte, NC A+ lineage: Sony R300> Dak Wave Editor Source AKG C2000's> Sound Device MP-2> Tascam DA-P1 2 flac  
4. 04/19/08 Magic City Music Hall - Johnson City, NY A Notes:1st Generation Recording.Sony Stereo Mic>Sony D3 Cassette Deck>CD 2 flac  
5. 10/03/08 Magic City Music Hall - Johnson City, NY A Notes:My Master Recording:Nakamichi 300 Mis W/CP4 Shotguns>Sony D8 Dat Master>Harmon Kardon CDR 20 Home Burner>CD 2 flac  
6. 11/13/09 Paramount Theatre - Middletown, NY A Source: Schoeps MK4V's>Schoeps KCY 250/05I active cable>Schoeps VST62ui>Sound Devices 744t>Soundforge 9 (Fades, Sample/Bit Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded By Flying Gonz & Daughter 2 flac  
7. 12/18/09 Riviera Theatre - North Tonawanda, NY A+ Lineage 722>Firewire>Macbook>xACT(join wav files)>Sound Studio 3(fades, normalize peak, track)> xACT(encode, tag, fingerprint)>flac24 Location North Tonawanda, NY Source DPA 4021>Sound Devices 722 (24/96) ORTF/FOB/DFC 5' stand above sitting audience 20' from the stage Taped by Lenny Stubbe Transferred by Lenny Stubbe 2 flac  
8. 01/17/10 WorkPlay Theater - Birmingham, AL AA Lineage CF > HD > Wavelab 6 > CD Wave > FLAC Source Schoeps CCM 4 Lg (ORTF) > AETA PSP-3 > Sound Devices 702 Taped by Dennis Tyler Transferred by Dennis Tyler 2 flac  
9. 01/29/10 Scottish Rite Auditorium - Collingswood, NJ A Schoeps MK41's>Schoeps VST62ui>Aerco MP2>Sound Devices744t + Schoeps MK8/MK21>VST62ui>Sound Devices MP2>Sound Devices 744t SD744t>Soundforge Pro 10 (Fades, iZotope 64 BIT Sample Rate Conversion /iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV>FLAC All Flac Files Tagged with Artist, Venue, Date and Track Name in Foobar2000 From 1st row Mezzanine, clamped to rail 5 seats off center. 2 flac  
10. 12/11/10 THE NATIONAL - RICHMOND, VA A+ C02 > UA5 > Microtrack II (16/48) - Inside Soundboard Cage, Left of Center, 9' Stand Taped by Sean Wahlberg Transferred by Sean Wahlberg Microtrack II > Soundforge 8.0 (resample/edit) > CDWAVE (tracking) > FLAC 2 flac  
11. 08/28/12 Artpark - Lewiston, NY AA Source: at835b > Edirol R4 @ 24/96 Transfer: Edirol R4 > PC > Sony Sound Forge 7.0 > 16/44 > CDWAVE > Traders Little Helper > FLAC 2 flac  
12. 04/05/14 Calvin Theatre - Northampton, MA A Audacity (normalize, tracking, fades) > WAV (16bit) > Trader's Little Helper > FLAC (6) Location Northampton, MA Run time 02:18:44 Source (FOB just ROC, row H seat 104) SP-CMC-2 > SP-SPSB-11 > Sony PCM-M10 (24bit/44.1kHz) Taped by bcc32065 Transferred by bcc32065 Adam Minkoff - bass, vocals Ryan Ball - guitar, vocals Scott Chasolen - keys, vocals Tahrah Cohen - drums 2 flac  
13. 10/23/15 NYCB Theater - Westbury, NY AA Neumann KM184 Mics > Lunatec V2 > Korg MR-1000 Korg MR-1000 > Audio Gate > Adobe Audition CS6 > Ozone 5 > Traders Little Helper 16/44.1 2 flac  
14. 01/14/17 City Winery - Atlanta, GA a- Lineage:- DR-05 ver 2.01 internal mics (omni), 24/96, record level 0, Sandisk 4 gig micro SD card > Audacity (split/name/down sample to 16/44) > Traders Little Helper (Flac Level 6). Middle of the room, directly in front of the soundboard. No processing, warts and all. 2 flac  
15. 01/14/17 City Winery - Atlanta, GA AA DR-05 ver 2.01 internal mics (omni), 24/96, record level 0, Sandisk 4 gig micro SD card > Audacity (split/name/down sample to 16/44) > Traders Little Helper (Flac Level 6). 2 flac  
16. 05/28/17 Strangecreek Festival Music - Greenfield, MA A Telefunken FET M-60 (TK62) + SBD > SD 788T (24/48) > CF > MacBook Pro > Adobe Audition > Flac > xACT 2.38 Recorded & Mastered By Scott Medeiros 2 flac  
17. 10/19/19 Wildey Theatre - Edwardsville, IL A+ Neumann SKM 184 mics Cardioid caps > Tascam DR-07 Portable recorder > Sound Forge 9.0 > CDWav > TLH > .flac files Thanks to Wayne H. for the use of his mics. 2 flac  
18. 11/08/19 Garde Arts Center - New London, CT AA Lineage: SS DSM6/L > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 Comments: This is part one of my "The Machine" weekend. One of the earliest Pink Floyd cover bands (if not "the" earliest), they've been around for 31 years. They played Friday night in New London, CT and Saturday in Waterbury, CT. Both cities are about an hour away from me, and the shows were completely different. Friday they played all of "The Wall", while Saturday's setlist contained all of "Wish You Were Here," "Animals" and "Dark Side Of The Moon". I had never seen these guys before, nor had I been to either of these venues. I was pretty impressed with all of it. The production is not as big as Aussie Floyd or Brit Floyd, but the music is as good or better, and that's what counts. This was the first time I saw a production of "The Wall" in it's entirety. It really is a masterpiece! The recordings came out pretty nice. I had two rigs running each night. Results were similar on each rig, so I went with the Sonic Studios version for each night. The crowd wasn't too noisy either night. There are a few moments of chatter here and there but nothing real distracting. Artwork is included in the torrent, with photos from the actual show. 2 flac  
19. 11/09/19 Palace Theater - Waterbury, CT AA Lineage: SS DSM6/L > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 Comments: This is part two of my "The Machine" weekend. One of the earliest Pink Floyd cover bands (if not "the" earliest), they've been around for 31 years. They played Friday night in New London, CT and Saturday in Waterbury, CT. Both cities are about an hour away from me, and the shows were completely different. Friday they played all of "The Wall", while Saturday's setlist contained all of "Wish You Were Here," "Animals" and "Dark Side Of The Moon". I had never seen these guys before, nor had I been to either of these venues. I was pretty impressed with all of it. The production is not as big as Aussie Floyd or Brit Floyd, but the music is as good or better, and that's what counts. I think I enjoyed this show a bit more than "The Wall" show. Sound was slightly better and the additional musicians (mostly during "The Dark Side Of The Moon") added to the feel of the show. The guy in the pig costume was a blast too! The recordings came out pretty nice. I had two rigs running each night. Results were similar on each rig, so I went with the Sonic Studios version for both nights. The crowd wasn't too noisy either night. There are a few moments of chatter here and there but nothing real distracting. Artwork is included in the torrent, with photos from the actual show. 2 flac  
20. 12/27/19 The Warehouse - Fairfield, CT AA Lineage: SS DSM6/L > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 2 flac  
21. 01/24/20 Center for Arts in Natick - Natick, MA A An Imperfect Gravy Recording (IPG-409) Lineage: Tascam DR-07mkII @ 16/44.1 [internal mics] > PC > Audacity 2.0.3 (amplification, tracking, normalization) > TLH (FLAC 8) > you 2 flac  
22. 01/25/20 Center for Arts in Natick - Natick, MA AA An Imperfect Gravy Recording (IPG-410) Lineage: Tascam DR-07mkII @ 16/44.1 [internal mics] > PC > Audacity 2.0.3 (amplification, tracking, normalization) > TLH (FLAC 8) > you 2 flac  
23. 02/22/20 Stadium Theater - Woonsocket, RI A Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2> iPhone 6 > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 2 flac  
24. 09/12/20 Garden State Plaza - Paramus, NJ A Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 A Kitty Lickin' Discs Production 2 flac  
25. 10/03/20 Imperial Lot - Westport, CT A Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2> iPhone XR > Twisted Wav (app) > AirDrop (Transfer to Mac/PC) > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 Comments: I got to say, I really like this "drive-in" format of shows. It's nice not being in cramped seats in old theaters. I know from a logistical and financial standpoint, it's not ideal... but I certainly wouldn't be opposed to these things once things get back to normal. This band continues to impress me each time I see them....and lately they are the only band I see because they are the only ones playing! It's impressive how they do this with just the four of them. They've been around for over 30 years, so they have this down. I really like that even though I just saw them three weeks ago, the set was very different. They played a little bit longer than they did in Newark which is nice as well. This will likely be my last show for a while. I have a few standard shows planned early next year (some were rescheduled from this year), but at this point I highly doubt those will happen. The Kitty Lickin' Discs Mobile Recording Studio (TM) was back in action for this one. I remembered wind screens this time around, and was parked in the first row pretty much directly in front of the left speaker. Even so close to the speaker, I still got great stereo seperation as the mic's were attached to the left and right side view mirrors of my car. With the crowd so far apart, and mostly all behind me, there is very little crowd noise at all. One of the cleanest and clearest recordings I've ever made. I actually ran three seperate rigs, as this format gives me some chance to experiment with things, but while the other two recordings came out okay, neither sounds as good as this one, so this is the one you get! Artwork is included in the torrent, with photos from the actual show. 2 flac  

Michael Schenker Group  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/06/22 Halle 101 - Speyer, Germany A Source: Master Aud with Sony M10 + CA14 Linage: CA14--> Battery Box CA --> Sony M10 --> Adobe Auditon (fade, normalize)--> CD Wave --> Traders little helper Please support the artist and buy the CDs. First seed at tradersDen by rasensteine 05-2022 2 flac  

The Orchestra  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/29/16 Century Theater - Buffalo, NY A Source: Edirol R-09 (16 bit, 44.1Khz, Internal Mics) > CoolEdit Pro 2.1 > Trader's Little Helper Recorded and transferred by SolitaryPine 2 flac  

The Outlaws http://www.outlawsmusic.com
  Date Venue - City, State Sound Rating Notes Media  
1. 07/24/74 Ebbett's Field - Denver, CO AA   2  
2. 03/11/75 The Record Plant - Sausalito, CA A+ Very nice quality. Source unknown. CDR>EAC>WAV>FLAC 1 flac  
3. 07/23/75 Ebbets Field - Denver, CO A Lineage: FM Master circa 1987 Transfer: Sony TC-WE475 > Zoom H4n (96/24) > Wavelab (tracking and tweaking) > Flac (level 8) > you ! whotrader-0947-outlaws-75-07-23-44 1 flac  
4. 08/27/75 The Main Point - Bryn Mawr, PA A soundboard 1 flac  
5. 10/16/75 Clover Studios - Hollywood, CA AA   1 flac  
6. 11/22/76 The Record Plant - Los Angeles, CA AA Editing : Soundforge (various adjustments) > Wave > TLH (sbe aligned) Flac 8 Traders Den - December 31, 2019 Edited & posted by kingrue #2275 1 flac  
7. ??/??/76 Rainbow Theatre - Denver, CO a- ource : FM broadcast > 1st gen cassette (Maxell XL-II) (courtesy of Wes Meyette archive) Transfer : Nak Dragon > Sony PCM-M10 > CD Wave Editor (tracking) > Wave > TLH (sbe aligned) Flac 8 Traders Den - February 8, 2020 Transferred & Tracked by Wes Meyette posted by kingrue upload #2342 1 flac  
8. 01/01/77 KMET FM Studios - Los Angeles, CA A Source: Soundboard Lineage: "No Stage Till Sundown" bootleg > Soundforge (various adjustments) > TLH > FLAC Quality: 10- 1 flac  
9. 05/19/77 Stanley Theater - Pittsburgh, PA A- cdr>trade 1 flac  
10. 05/26/78 Suffolk Forum - Commack, NY A   2 flac  
11. 11/10/78 Capitol Theatre - Passaic, NJ A+ source: fm reel master (10.5" reel @ 7.5 ips w/dolby) taped by Jerry Moore lineage: rm playback on Sony TC-850>Teac an-180 nr>sbm1>cd wave>flac transfer by Rob Berger one disc: 79:23 1 flac  
12. 02/18/79 Nassau Coliseum - Uniondale, NY A Source: Pre-FM SBD feed > Nak 550 > Maxell UDXL2 (no NR) via Peter Hedeman Transfer: MC > Nak CR7-A (azimith adjust) > SBM-1 (s/pdif) > Lynx Studio Technology One (soundcard) > SoundForge 4.5 > CD Architect 4.0f > Red Book CDR Re-Master: CDR > WAV > Wavelab 4.0c (adjust volume and Ultramaximizer at -2 dB threshold to increase headroom) > FLAC 1 flac  
13. 08/26/79 Boston Music Hall - Boston, MA A cdr>trade 1 flac  
14. 11/26/79 Boston Music Hall - Boston, MA A- cdr>trade 1 flac  
15. 11/28/80 Capitol Theatre - Passaic, NJ A Lineage: HumminGuru Ultrasonic Vinyl Record Cleaner > Sony Belt Drive Turntable PS-LX300 > Sony AV Control Integrated Ampliphier TA-AV561 > Sony Compact Disc Recorder RCD-W500C (super bit mapping enabled) > Memorex Music CD-r > Exact Audio Copy v1.6 (secure) > Wave 16bit/44,1khz > Goldwave v6.80 (editing) > Trader's Little Helper v2.8.4 [Build 184] (align sector boundaries) > Flac Level 8 2 flac  
16. 01/22/81 Gazzarri's - Hollywood, CA A   1 flac  
17. 06/21/81 Saratoga Springs - Saratoga Springs, NY A- cdr>trade 1 flac  
18. 11/27/81 Stanley Theatre - Pittsburgh, PA A cdr>trade 1 flac  
19. 10/17/85 Cafferty's - Brockton, MA a-   1 flac  
20. 11/10/86 The Bottom Line - New York, NY 8.5 Source: FM > Aiwa AD-F850 > Master Cassette > Sony DTC-D7 > DAT Transfer: DAT > Tascom DA-40 > COAX to COAX cable > M-AUDIO Audiophile 2496 > CD Wave > TLH > flac24 > wav 24/48 > Adobe Audition > Wavelab with iZotope Ozone > Izotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 2 Flac  
21. 04/25/91 The World Stage - Spring Valley, NY a- source: analog audience recording gen: 2nd taper: ? cassette provided by: ? transfer: cassette -> Onkyo TA 2051 -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2024-07 (24-48) 1 flac  
22. 04/25/91 The World Stage - Spring Valley, NY 8 source: analog audience recording gen: 2nd taper: ? cassette provided by: ? transfer: cassette -> Onkyo TA 2051 -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2024-07 (24-48) 2 Flac  
23. 09/25/95 Cafferty's - Brockton, MA A cdr rip 1 flac  
24. 05/21/05 Kahuna Concert Hall - Wilmington, DE a- cdr rip 2 flac  
25. 05/24/05 House of Blues - Cleveland, OH A Source: Sonic Studios DSM-6 > Sony TCD-D8 (Wav 44.1 khz) Editing: Soundforge (tracking) > Wav (Eac tested) > TLH (sector boundary aligned) Flac level 8 Traders Den 7/27/17 - Tracked by kingrue upload 1207 0  
26. 06/03/06 Boulder Station - Las Vegas, NV a- cdr rip 2 flac  
27. 08/25/07 State Fairgrounds - Syracuse, NY a- Source:Sony Stereo Mic>Sony D8 Dat Master>Maxell HS-3 60 Meter DDS Dat Tape>Sony PCM R-300 Home Dat Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper. Taped By Boeditaper. 1 flac  
28. 01/16/09 BB Kings Blues Bar - New York, NY A- cdr>trade crowd was loud 2 flac  
29. 08/18/09 Artpark - Lewiston, NY A Mastered by }{eywood Lineage: wav @ 16/44.1 > Adobe Audition 1.5 (EQ, limiting, splits & fades) > TLH (SBE fix, flac 8) 2 flac  
30. 06/19/15 Veteran's Memorial Park - Avon, OH A Sony ECM-DS70P stereo mic on chest Zoom H2n Compact Flash Mobile Recorder > WAV > USB Dell Computer > Adobe Audition > FLAC > YOU 2 flac  
31. 11/14/15 Stafford Palace Theater - Stafford, CT A Superlux S502 ( O.R.T.F.) > Samson CO2 + SBD > Tascam DR-680 ( 16/44.1 ) > SDHC > Adobe Audition > Flac > Traders Little Helper Recorded & Mastered By Scott Medeiros 1 flac  
32. 02/21/16 Magic City Music Hall - Binghampton, NY A Source:Edirol R-09 HR(24/44.1 KHZ)>Sony Stereo Mic>Edirol R-09 HR(PLayback)>CD Wav Editor> Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Boeditaper,Dead Center Approximately 20 Feet From Stage. 1 flac  
33. 05/21/17 Methodist Richardson Ampitheater - Richardson, TX a- Lineage: Zoom H2 > 24/48 wav > Audacity > TLH > 16/44 Flac 1 flac  
34. 08/02/18 Narrows Center for the Arts - Fall River, MA A SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Roland R-07 (Mic In)===SDHC SanDisk 16GB Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  
35. 05/17/19 Luhrs Center - Shippensburg, PA a- Lineage: BMC-2 mics > SPSB-11 > Edirol R-09 > WAV (48/24) > Sound Forge Pro (44.1/16) > CDWav (track splits) > TLH > FLAC 1 flac  
36. 04/11/26 Narrows Center for the Arts - Fall River, MA 9.5 SP-CMC-8c > SP-SPSB-11 > Zoom H1 XLR > WAV (32-bit floating, 48kHz) 2 Flac  

The Ozark Mountain Daredevils  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/19/74 Ultrasonic Studios - Hempstead, Long Island, Ny A source: FM reel master taped by Jerry Moore lineage: WLIR simulcast>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 7/17/09 1 flac  
2. 11/??/74 Electric Lady Studios - New York, NY A Source: FM broadcast Lineage: Unknown gen. cassette> CDR>EAC>Cool Edit>CD WAV>FLAC Transferred to cdr by: ozrkreb EAC forward by: ljs54 Artwork by: ozrkreb & josenoruego 1 flac  
3. 12/11/75 Roxy Theatre - Los Angeles, CA AA Lineage: FM Broadcast > Cassette > CDR > EAC (secure test/copy) > WAV > TLH > SBE checks > aucdtect checks > FLAC (level 8) 2 flac  
4. 11/10/76 Palomino Club - North Hollywood, CA A   2 flac  
5. 12/12/77 Lee Furr's Studios - Tucson, AZ AA Source: PRE-FM (Master 1/2 Track Broadcast RR) > Studer A807 > Mastering (Custom Analog & Digital 08-06 ) > WAV Lineage: WAV > FLAC [7] Recording Engineer: Lee Furr (likely) Transfer and mastering: Jim Blackwood 2 flac  
6. 07/19/79 Old Man River's - New Orleans, LA A   2  
7. 04/05/88 Grosse Freiheit 36 - Hamburg, Germany A   2 flac  

Paul Simon http://www.paulsimon.com
  Date Venue - City, State Sound Rating Notes Media  
1. 10/29/93 Paramount Theater - New York, NY A (SB DAT Master Clone) Transfer: DAT Master Clone > Fostex D-5 (optical transfer) > USBPre2 > Audacity (16/48) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > 16/44 > xACT 2.39 > FLAC 1 flac  

The Records  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/28/79 Paradise Theater - Boston, MA A The Records first heard them on KSHE radio St. Louis Missouri Starry Eyes is the track to listen too lineage: WBCN 104.1 FM live broadcast (not pre recorded) > Sansui 8 reciever with wire FM antenna > Teac reel deck at 3.3/4 ips (model unknown, it was almost brand new at the time) > TDK- Audua L-1800 (7") reel > played on Teac X-700R reel deck into soundforge (wav) > flac (sb's aligned) > torrentially yours. A this and that, reeltime, bottom of the box production. 1 flac  
2. 10/06/79 The Roxy - West Hollywood, CA A Recording equipment: unknown receiver and home cassette deck JEMS 2020 Transfer: RG Master Cassette > Nakamichi RX-505 (azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > CD Wave > ffmpeg > FLAC 1 flac  

Rik Emmett  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/06/90 Clancy's - Burlington, ON A Recorded by BowlingRon Tape transfer and mastered by Navigator Sony WM-DC3 with stock stereo microphone > Sony Metal-SR cassette > Yamaha K720 > Edirol R-09 (44.1/16) > Adobe Audition 3 > CD Wave Editor (track splitting) > HAT (align sector boundaries, FLAC) 2 flac  

Robin Trower https://www.robintrower.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 12/15/90 Commodore Ballroom - Vancouver, BC a- ** 16 BIT ** "The Kevin Davie Memorial Series" - Release #11 Source: Unverified mic (possibly Sony ECM-101SM) & recorder (likely with auto gain) > Master cassette (Sony UX100) Transfer: Master cassettes > Nakamichi LX-5 (azimuth adjusted) > PreSonus AudioBox USB 2X2 USB Recording Interface > Sound Forge Pro 11.0 (Build 299 (HP G60 Notebook) > .WAV Mastering: .WAV > Sound Forge Pro 11.0 Build 299 (splicing, minor edits, normalize, & fades) > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging) Taped by: Kevin Davie Transferred & mastered by: Dennis Orr 2 flac  
2. 05/19/93 The Town Pump - Vancouver, BC a- ** 16 BIT ** "The Kevin Davie Memorial Series" - Release #13 Source: Unverified mic (possibly Sony ECM-101SM) & recorder (likely with auto gain) > Master cassette (Maxell XLII-S) Transfer: Master cassettes > Nakamichi LX-5 (azimuth adjusted) > PreSonus AudioBox USB 2X2 USB Recording Interface > Sound Forge Pro 11.0 (Build 299 (HP G60 Notebook) > .WAV Mastering: .WAV > Sound Forge Pro 11.0 Build 299 [splicing, minor edits, normalize, & fades; wAVES MV2 plugin (compression)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging) Taped by: Kevin Davie Transferred & mastered by: Dennis Orr 2 flac  

Roger Hodgson  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/24/20 River City Casino - St. Louis, MO A Source: CA 14 Cards > Church Audio Ugly Box /Sony PCM A10. >24bit 48htz > HDD>Goldwave to split the file> Ozone 8 to master and dither to 16 Bit /44.1> traders little helper flac level 8 Taper: Whotapes Section: 103 Row: C 2 flac  

Sammy Hagar http://www.redrocker.com
  Date Venue - City, State Sound Rating Notes Media  
1. 05/02/77 KMET Studios - Los Angeles, CA A LINEAGE KMET FM Broadcast Unknown Generation Analog to Dat Fiber Optic Clone to CDR Untracked to EAC Secure Mode Wav 16/44.1 to Audio Cleaning Lab for Track Marks/Edit to wav 16/44.1 to TLH Flac Level 8 1 flac  
2. 01/19/78 Commodore Ballroom - Vancouver, BC AA CDR > EAC > WAV > FLAC 1 flac  
3. 03/31/79 Mecca Arena - Milwaukee, WI A Source: Audience capture / rig unknown Transfer: cassette >SONY TC-WE835S >analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > > FLAC level 8 >Stamp ID3 Tag Editor > TLH checksums & torrent. 1 flac  
4. 11/04/79 Coliseum - Houston, TX AA Lineage: CDR Trade - WAV - FLAC Level 8 2 flac  
5. 11/23/79 Checkerdome - St. Louis, MO A Source: Soundboard/FM. 2 flac  
6. 11/23/79 Checkerdome - St. Louis, MO B++ LINEAGE FM BROADCAST UNKNOWN GENERATION>DAT (48KHZ)>SONY PCM R-500 DAT> FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (16/44.1KHZ) MAGIX AUDIO CLEANING LAB FOR TRACK MARKS & EDITS>WAV 16/48>TLH FLAC 1 flac  
7. 04/08/80 De Montfort Hall - Leicester, UK B++ LINEAGE AUDIENCE ANALOG 1st GENERATION (24/96)>NAKAMICHI DR-1 W/MANUAL AZIMUTH ADJUSTMENT> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
8. 08/30/80 Rainbow Music Hall - Denver, CO A Cassette > PC > Three Wave files received via online transfer > tracking (CD Wave Editor) > FLAC 2 flac  
9. 01/28/82 Apollo - Glasgow, Scotland AA LINEAGE FM BROADCAST UNKNOWN GENERATION>DAT (48KHZ)>SONY PCM R-500 DAT> FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (16/44.1KHZ) MAGIX AUDIO CLEANING LAB FOR TRACK MARKS & EDITS>WAV 16/48>TLH FLAC 2 flac  
10. 02/24/82 Checkerdome - St. Louis, MO a- LINEAGE: UNKNOWN RECORDER>TRADE>WAVS>TRADERS LITTLE HELPER>FLAC>YOU THANKS TO MY FRIEND OVER AT SOUNDABOARD ATTICROCK FOR THIS GEM. SAMMY HAS ALWAYS MADE ST. LOUIS RED AND ROCKS THE HELL OUT OF THINGS WE HE COMES TO TOWN 2 flac  
11. 07/??/82 Unknown - Bakersfield, CA 8   1 Flac  
12. 03/13/83 The Checkerdome - St. Louis, MO A- Lineage: FM Radio > Cassette Tape (master TDK AD-C90) > Optimus SCT-37 (no noise reduction) > Onkyo SE-U55 > Sound Forge (trim/EQ/level boost) > CD Wave Editor (tracking) > Flac5 2 flac  
13. 06/22/83 Municipal Auditorium - Nashville, TN A   2 flac  
14. 09/30/84 Roberts Stadium - Evansville, IN a- First generation cassette > Tascam 202MKV > Edirol R09 (16/44) > Adobe Audition (level boost) > CDWAVE (track) > FLAC8 2 flac  
15. 10/12/84 Cobo Hall - Detroit, MI AA Lineage: Cassette Tape acquired in 1987 > Onkyo TA-2055 Tape Deck > Pioneer PDR-509 CD Recorder > CDRW WAV to Computer > Magix Audio Lab for Track splitting and trimming > Traders Little Helper FLAC Level 8 > Shared on Dime 2014-10-17 2 flac  
16. 10/13/84 Cobo Arena - Detroit, MI a-   2 flac  
17. 08/27/13 Molson Ampitheater - Toronto, ON a- Sony PCM-M10 - SP-CMC-8 (Cards) Recorded and edited by BurnBoy 2 flac  
18. 05/07/25 The Dolby Live - Las Vegas, NV 8 AT853 to SONY A-10 -> Soundforge -> FLAC Master wav sent to me via anonymous source 2  

San Franciscan Nights  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 San Franciscan Nights, Vol. 1 - San Francisco, CA A   8 flac  
2. ??/??/39 San Franciscan Nights, Vol. 2 - San Francisco, CA A   8 flac  

San Francisco Allstars  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/05/84 Wax Museum - Washington, DC A Source: Soundboard cassette, transferred with Nakamichi BX-300 (azimuth checked)> Apogee MiniMe at 16/44 Assembly: AAcc for fades and edits, CDwav for tracks, TLH for flac8,MP3tag for tags 1 flac  

Sarah McLachlan  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/05/15 Capitol Theatre - Port Chester, NY 9.5 Digital Soundboard FLAC >WAV >Audacity (Duplicate Single Monaural One-Track File Into Two Channels, Insert .15 Milliseconds Of Blank Space At Start Of Duplicated Right Channel To Approximate A Stereo Effect, Minor De-Amplification Of Select Audio Spikes, Amplify Entire Recording By 6.7db, Downsample To 16bit/44.1kHz, Index Tracks, Fades) >FLAC (Level 8) + Tags, + Front Cover Artwork By OldNeumanntapr 2 Flac  

Savoy Brown  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/02/80 Rainbow Music Hall - Denver, CO A 15IPS Pre-FM Reel>Panasonic SV3700 DAT (2X)>Card Deluxe Digital I/O Card> Soundforge 6.0>Flac 2 flac  

Scorfina  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/15/09 Blueberry Hill, Duck Room - University City, MO a- GEAR USED: Edirol R-09 Portable recorder > Built-in mics > Sound Forge 4.0 > CDWav > TLH > .flac files 1 flac  

Scorpions http://www.the-scorpions.com
  Date Venue - City, State Sound Rating Notes Media  
1. 08/10/79 ChicagoFest - Chicago, IL A Source: Soundboard ( FM ) - EX+ Lineage: CDR > Nero 6.0 > WAV > FLAC ( level 8 ) 2 flac  
2. 08/25/79 Reading Rock Festival - Reading, England A-   1 flac  
3. 09/16/79 Sun Plaza Hall - Tokyo, Japan A+ Quality: A/A (excellent sound quality!!) Source: PRE-FM REEL>CD-R>WAV>CD-R>WAV>FLAC>WAV>FLAC 1 flac  
4. 03/06/80 Sun Plaza - Tokyo, Japan A LINEAGE KBFH PRE FM LP'S TO CDR CLONE 1 TO EAC WAV 16/44.1 TO AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS TO WAV 16/44.1 TO TRADERS LITTLE HELPER FLAC LEVEL 8 NO EQ OR OTHER TAMPERING 1 flac  
5. 04/22/80 Ancienne Belgique - Brussels, Belgium a- Master cassette > CDR > EAC > flac 2 flac  
6. 08/16/80 Castle Park - Donington, U.K. B++   1 flac  
7. 03/29/82 Palazzetto delo Sport - Reggio Emilia, Italy A Source: unknown mics/deck/generation tape (assumed to be LOW) Transfer (Steve Hagar): Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > .WAV @ 16 bit/44.1 kHz Tracking (dandrew): .WAV > Audacity 2.2.2 < xAct 2.44 (encode to flac level 8, align sectors, ffp, md5) 2 flac  
8. 03/30/82 Rolling Stone Rock Club - Milano, Italy a- Master cassette > Nakamichi > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. Recorded, transfered, & uploaded by 38f on Dime, June 2007. Retracked 1 flac  
9. 04/23/82 Hammersmith Odeon - London, England A great sound which there are not many from this time period. Master cassette > CDR > EAC > flac 2 flac  
10. 04/24/82 Hammersmith Odeon - London, England A   2 flac  
11. 04/28/82 The Coliseum - St Austell, England A Source > Soundboard (unknown gen) Quality > Very good. Transfer > Aiwa AD-F410 tape deck > CD Wave > DBpoweramp > Flac level 8 > TLH > Dime. 2 flac  
12. 06/10/82 Colisee De Quebec - Quebec, QC a- Recording Location: unknown Transferred by GManOF, 2023 "Blackout Tour" "Support for Rainbow" Lineage: unknown --> Maxell UL 60 --> Yamaha KX-670 (Dolby Off, Play Trim +0) --> ESI U24 XL --> Adobe Audition 2020 (ASIO 2.0) --> WAV (44100 Hz, 2 Channels, 32-bit) --> Amplitude +6 db --> Splitting Tracks (Audacity WAV) --> FLAC (Level 8, 44100 Hz, 2 Channels, 16-bit) "These files are SBE fixed !" But I recommend not to burn it on CD, save the planet, use your hard disk drives ! +++++++++++++++++ 2 flac  
13. 06/12/82 Verdun Auditorium - Montreal, QC a- Taper: Pierre Transferred & mastered by }{eywood Lineage: Maxell XLII 90 cassette > JVC TD-W354 playback deck > Adobe Audition 1.5 (recording to 24/96 .wav, EQ, p-eak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
14. 06/15/82 Fairgrounds Grandstand - Allentown, PA A+ LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 24/96>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
15. 06/21/82 City Island - Harrisburg, PA a- LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
16. 07/27/82 Winnipeg Arena - Winnipeg, MB A- SONY TC-WE635 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC 2 flac  
17. 09/23/82 Shibua Public Hall - Shibuya Kokaide, Tokyo A okyo, Japan September 23, 1982 Audience recording, ca. 87 minutes. Lineage: "Scorpions Alive" bootleg 2LP, BZ Records, 6933BL - Dual CS 505-4 turntable - Yamaha A-S301 amp - Focusrite 18i20 audio interface - Adobe Audition, 48kHz/24bit WAV - converted to FLAC with xAct Unedited raw transfer in four files, one for each side, from needle drop to needle up. 4 flac  
18. 10/04/82 Koseinenkin Kaikan - Tokyo, Japan B++ CDR > EAC > FLAC 2 flac  
19. 01/27/84 The Apollo - Glasgow, Scotland A   2 flac  
20. 02/25/84 Chapiteau - Marseille, France a-   1 flac  
21. 08/13/84 Nanko Ferry Terminal - Osaka, Japan A- Source : Liberated Silver Bootleg Label : Langley 136 (2nd CD in 4CD set) 1 flac  
22. 11/02/84 Eilenriede Halle - Hannover, Germany A Source: Soundboard Label: Langley Media: Silver 2CD set Release Date: ? 2 flac  
23. 11/08/84 Teatro Tenda Lampugano - Milan, Italy a-   2 flac  
24. 06/22/85 Knebworth Park - Knebworth, England A- CDR trade years ago > NERO Burning ROM > WAV > FLAC8 Audience Recording : VG+/EX- Check the 2 short mp3 samples provided that comfirm venue & sound quality. Recording duration : 63:57 (minutes:seconds) Shared now by : killerwolf13 (October 2013) 1 flac  
25. 08/16/86 Donington Monsters Of Rock - Donington, England A Recorded By: Wikström Source: Audience recording Generation: Master Lineage: Sony HF-S (Master) > Nakamichi Deck 1 (Azimuth Corrected) > Sony M10 (wav 24/48) > Audacity/Adobe Audition (edits/EQ, Limiter) > dBpoweramp music cenverter wav 16/44 > TLH (fixing SBE`s) > CD wave editor (Track Splits) > dBpoweramp music converter > FLAC (level 8) Transferred, Edited and Mastered by mats666 2022-12-13 2 flac  
26. 01/14/91 Ahoy - Rotterdam, Netherlands AA   2 flac  
27. 07/12/12 Merriweather Post Pavillion - Columbia, MD a- Source: Microtech Gefell M20 > JK Labs DVC III > Sony PCM-M10 Taper: jlizard Lineage: WAV(M) [24/48] > WAV [16/44.1] > FLAC Edits/EQ: yes 2 flac  

SEVA Benefit  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/16/88 Sexson Auditorium - Pasadena, CA 9 Recorded and Mastered by ArchivalAudio Ian Stoy ArchivalAudio at gmail dot com ______________________________________________________________________________________________________ • An ArchivalAudio Production 5/2020 • Front Of Board Master Audience cassette: Toa K1’s spaced about 3’ apart hand held about chest high (seated) > Sony WM-D6c media: Maxell XLIIS c90’s Dolby C on ______________________________________________________________________________________________________ Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48 Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3 Audacity: Fades/Tracking normalize to -.5db remove DC offset > flac24 xACT Flac Fingerprints 2 Flac  
2. 01/12/19 Fox Theater - Oakland, CA AA January 12, 2019 Jackson Browne, Bonnie Raitt, Mickey Hart & Friends, Joan Osborne, Pura Fé & Cary Morin Hosted by Wavy Gravy plus special guests! Recorded by Daspyknows Dead Loge Row B, 11 Seats Off Center Directly In Front Of Hanging Speaker Stack Schoeps MK41s >NBox Platinum >Tascam DR-2D (24bit/48kHz) Processed Using Soundforge 11, Resample To 16bit/44.1kHz WAV >FLAC (Level 8) + Tags Via xACT 2.48 By OldfNeumanntapr WAV Files Sent Privately By Daspy 3 flac  

Shawn Colvin  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/01/96 Autry Museum of Western Heritage - Los Angeles, CA A Source: DAT master > ? clone > my clone (DAT:16bits/48khz) Transferred by stevemtl: DAT > Sony PCM-R500 > Roland R44 > SD chip > my fingers > slot on computer > HD Mastered by stevemtl: HD > Sound Forge (edit) > r8brain (vhq downsample > 16/44.1) > CDwave (track cut) > TLH (flac level 6, ffp, md5) > TLH (torrent marker) Circulated by stevemtl: Torrent marker uploaded to DIME on 2021-02-23. 1 flac  
2. 03/14/98 Music Hall - Troy, NY A Recorded by stevemtl: Sennheiser MKE2002 > Denon DTR80P (16 bit, 48 khz) Transferred by stevemtl: Sony R500 > Roland R44 (16/48) > SD chip > HD Mastered and posted to DIME on 2019-05-05 by stevemtl: HD > Soundforge (L2 dither > 24/48: L2 level adjust, trim, edit, final fade) > r8brain (vhq downsample > 24/44.1) > Soundforge (L2 dither > 16/44.1) > CDwave (track cut) > TLH (flac level 8, ffp, md5) > TLH (torrent) > DIME 2 flac  

Shooting Star  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/81 Fifth Floor Recording Studios - Cincinnati, OH AA   1 flac  
2. 06/14/82 Palace Theatre - Cincinnati, OH A   1 flac  
3. 05/25/03 Rib America, Soldier's Memorial - St. Louis, MO A Core Sound Stealthy Cardiods > Sony Portable PCM-M1 DAT recorder > Sound Forge 4.0 > CDWav > .shn files 1 flac  
4. 05/28/04 Rib America, Soldier's Memorial - St. Louis, MO A Core Sound Stealthy Cardiods > Sony Portable PCM-M1 DAT recorder > Sound Forge 4.0 > CDWav > .shn files Their was a few loud people or this would be an a+ 2 flac  
5. 11/15/25 Family Arena - St. Charles, MO 9 TAPER: CAP'N CRASH Gear Used: CA14 Cardiods > SPSB-10 > Sony PCM-A10 Portable Recorder (24/48) Sound Forge 9.0 > CDWav > TLH > .flac files 1 Flac  

Simon & Garfunkel http://www.simonandgarfunkel.com
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 "Village Vanguard" - Studio & Live, Compilation 8.5 Tracks 1-3: studio outtakes, 1966-67. Tracks 4-11: live in Carbondale, IL, 8 November 1969. Tracks 12-17: "Sing Out" TV spacial, 1966. Tracks 18-21: studio rehearsals, 1965-66. Tracks 22-27: "Wednesday Morning 3 A.M." BBC radio special, 1965. Mastered from soundboard tapes, off-line and off-air sources. Lineage: Trade---Silverdisc---EAC---WAV---TLH---Flac 7 2 Flac  
2. 03/17/67 Granada Studios - Manchester, UK 9 Recorded March 17, 1967 Granada Studios, Manchester Broadcast May 2, 1967 video lineage: PAL dvdr > Mpeg VW > DVDLab Pro 2.5 > DVD audio lineage: AC3 48000Hz 224 kb/s (from DVD) > VLC (lossless audio capture) > Audacity (tracking & light hiss removal) 1 Flac  
3. 06/16/67 Monterey Pop Festival - Monterey, CA AA Sources: Monterey Pop Festival Broadcast SBD > Unknown recording to vinyl transfer > FLAC > Download burned to CD > Extracted to WAV via EAC 1 flac  
4. 08/23/68 Hollywood Bowl - Hollywood, CA 9 Excellent audience recording 1 Flac  
5. 11/11/69 Miami University - Oxford, OH 9 Excellent remastered soundboard recording (no EQ or noise reduction). The most common circulating version of this show is from a Yellow Dog label bootleg. This version is better sound quality than that and has also been remastered to seamlessly remove some minor flaws. Lineage: tape source > unknown transfer info > CD received in trade > Pro Tools (normalize, minor seamless fixes and tracking) > WAV files > xACT (Flac level 8 files, tagged with sector boundaries verified 1 Flac  
6. 05/21/70 NCRV Television - Amsterdam, Netherlands A+ Lineage: SBD > ? > CDR(x) > EAC > FLAC > WAV > Magix ACL (speed correction only) > WAV > FLAC Level 8 2 flac  
7. 05/07/82 Osaka Stadium - Osaka, Japan 8 Transfer: .wav file > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC 2 Flac  
8. 05/08/82 Osaka Stadium - Osaka, Japan A- Source : audience recording > unknown generation cassette (courtesy of M.R. archives) Transfer: Zoom H4n (16 bit / 44.1 kHz) Editing: Soundforge (volume adjustment) > Wav > TLH (sector boundary aligned) Flac level 8 Traders Den 10/30/18 - Tracked by kingrue upload 1671 2 flac  
9. 05/10/82 Korakuen Stadium - Tokyo, Japan 8 SIMON & GARFUNKEL 6CD set called "At Korakuen". Features 3 different performances at Korkuen Stadium in Tokyo on May 10th, 11th & 12th, 1982. Source: AUD > "At Korakuen" Silver CDs > WAV > FLAC Very good audience recording. Artwork included 2 Flac  
10. 05/11/82 Korakuen Stadium - Tokyo, Japan 8.5 SIMON & GARFUNKEL 6CD set called "At Korakuen". Features 3 different performances at Korkuen Stadium in Tokyo on May 10th, 11th & 12th, 1982. Source: AUD > "At Korakuen" Silver CDs > WAV > FLAC Very good audience recording. Artwork included 2 Flac  
11. 05/12/82 Korakuen Stadium - Tokyo, Japan 8.5 SIMON & GARFUNKEL 6CD set called "At Korakuen". Features 3 different performances at Korkuen Stadium in Tokyo on May 10th, 11th & 12th, 1982. Source: AUD > "At Korakuen" Silver CDs > WAV > FLAC Very good audience recording. Artwork included 2 Flac  
12. 06/19/82 Wembley Arena - London, England A- Audience recording. My master tape, first ever transfer August 2021. 2 flac  
13. 06/22/83 Unknown - Vancouver, BC A+ Source: SBD Lineage: SBD > ?? > CDR > EAC > FLAC > you Bootleg Title: Listen To The Silence 2 flac  
14. 08/22/83 BC Place Stadium - Vancouver, BC A+ Source: SBD Lineage: SBD > ?? > CDR > EAC > FLAC > you Bootleg Title: Listen To The Silence File Size: 685MB FLAC 2 flac  
15. 10/29/93 Paramount Theater - New York, NY A (SB DAT Master Clone) Transfer: DAT Master Clone > Fostex D-5 (optical transfer) > USBPre2 > Audacity (16/48) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > 16/44 > xACT 2.39 > FLAC 2 flac  
16. 12/02/03 Madison Square Garden - New York, NY 8.5   2 Flac  
17. 12/03/03 Madison Square Garden - New York, NY AA Source: SBD/ALD? Lineage: DAT > CDR(x) > EAC > FLAC Transfered by: Neilytones/Purple Chick File Size: 554MB (FLAC) 2 flac  
18. 12/04/03 Madison Square Garden - New York, NY 8.5   2 Flac  
19. 12/20/03 Philips Arena - Atlanta, GA A Source: SBD/ALD? Lineage: DAT > CDR(x) > EAC > FLAC Transfered by: Neilytones/Purple Chick File Size: 554MB (FLAC) 2 flac  

Slade  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/30/76 The Showplace - Dover, NJ 8   1 Flac  

Sonny Landreth  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/23/13 Yoshi's - San Francisco, CA AA Schoeps MK4s >NBox >Tascam DR 2D (24bit/48kHz) Recorded & Processed By Daspyknows Processed Using Soundforge 11, Resample To 16bit/44.1kHz WAV >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntapr WAV Files Sent Privately By Daspy 2 flac  

Souther Hillman Furay Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/07/74 Memorial Coliseum - Fort Wayne, IN A-   1 flac  
2. 07/15/74 Wollman Rink, Central Park - New York, NY A-   2 flac  
3. 08/23/74 Unknown - Springfield, MA B++   1 flac  
4. 10/11/74 Orpheum Theatre - Boston, MA B++   1 Flac  

Space Force  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/28/19 The O's Music Bar - Sunderland, MA AA Zoom H1 > Wav (44.1/16) > Cool Edit Pro (minor edits) > Wav > Trader's Little Helper > FLAC 8 (no SBE) 2 flac  

Spirit  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/07/75 Circle Star Theatre - San Carlos, CA A- LINEAGE AUDIENCE MASTER CASSETTE>REEL TO MAXELL REEL TO REEL 2ND GENERATION AT 7.5 IPS > TEAC A-7300 REEL TO REEL>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)> MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 24/96>TLH FLAC 8 As this is a mono recording the left channel was cloned into the right using Audacity. 2 flac  

Stackridge  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/19/74 Parc Des Exposistions - Colmar, France B++ Master Tape AGFA C90+6 (1974, by. H.E.*) > Audacity (2020, kurzrefe) > You 1 flac  
2. 09/13/09 Boom Boom Club - Sutton, UK AA   2 flac  
3. 05/01/10 Lyme Regis - Unknown, UK AA   2 flac  
4. 10/10/15 The Square and Compass - Ashill Ilminster Somerset, UK 8 Roland R-09 >> Soundprofessionals TFB-2 >> WavePad (top and tail, increase levels) >> CDWave (Split tracks) >> Traders Little Helper to convert to FLAC, create and add Checksum file. 2 Flac  

Starcastle  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/10/76 Ford Auditorium - Detroit, MI AA Lineage: Master Cassette>Nakamichi 670 azimuth-adjusted playback deck>Nakamichi outboard Dolby B Unit>Wavelab 96/24 1ch mono>Sox 44.1/16 2ch mono>flac Taping Gear: Advent Dynamic mics>Sony 153-SD Cassette Deck(Dobly B on) Taped and transferred by JEMS 1 flac  
2. 06/27/76 Massey Hall - Toronto, ON B++ Audience recording Lineage: trade cdr>>wav>>flac 6 Sound quality: B+ (re-seeder's rating) An enjoyable listen. Instruments clearly heard. A bit echo-y and pitched a bit slow. 1 Flac  
3. 04/08/77 Civic Center - Providence, RI A- Nakamichi 550 Tape Recorder Two Nakamichi CM-300 Microphones Maxell cassettes Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger No EQ'ing. 1 flac  
4. 11/08/77 Trod Nossel Studios - Wallingford, CT A- soundboard (most likely a radio broadcast) Highland CD "Diamond Tape" Sound quality: B+ (re-seeder's rating) artwork included 1 Flac  
5. 04/27/07 Colonial Theater / Rosfest - Phoenixville, PA A Lineage: Zoom H4 (44.1/16 WAV mode); SD memorycard; HD; Roxio Sound Editor (to split tracks & adjust volume); Traders Little Helper (encode to flac-6) 2 flac  

Starship  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/22/85 Marriots Great America - Santa Clara, CA A   2 flac  
2. 06/14/86 unknown - Austin, TX AA lineage: cassette tape> cdr harman kardon track marks> falc level 8 thl > checksum encode files tlh > torrent tlh >you 1 flac  
3. 07/07/88 Volkspark Dutzendteich - Nurnberg, Germany A- Lineage: 1st generation cassette (unknown mics > Sony WM-D6 analog cassette recorder) 1 Flac  
4. 07/16/88 VfB Waldstadion - Giessen, West Germany 8.5 source: analog audience recording (OKM mic -> Sony WM D6 C -> Maxell MX cassette) gen: cd of master recording cassette (traded 08/2008) taper: ? cd provided by jormajeff transfer: trade CDR - EAC -> Adobe Audition -> CDWave - TLH by mossa 2025-03 (16-44) 1 Flac  
5. ??/??/88 Unknown - Unknown, Unknown A   2 flac  
6. 11/15/25 Family Arena - St. Charles, MO 9 TAPER: CAP'N CRASH Gear Used: CA14 Cardiods > SPSB-10 > Sony PCM-A10 Portable Recorder (24/48) Sound Forge 9.0 > CDWav > TLH > .flac files 2 Flac  

Starship Featuring Mickey Thomas  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/31/14 Wolf Den at Mohegan Sun Casino - Uncasville, CT 9 Taper: josephj69 Mastering: josephj69 Lineage: SP-CMC-8c (LSM) > SPSB-4 > Sony PCM-M10 (48/24, Line In @5.5) > Adobe Audition (Editing) > Har-Bal (EQ) > iZotope RX2 (Downsample) > CD Wave (Split tracks) > TLH (Fix SBEs) 2 Flac  

Starz  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/10/77 Unknown - Dallas, TX A   1 flac  
2. 03/27/78 Suffolk Forum - New York, NY a-   1 flac  
3. 04/11/19 Sellersville Theater - Sellersville, PA 8 LINEAGE AUDIENCE HDR MASTER SANS DISC SD CARD WAV @ 16/44.1 TO AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS TO WAV 16/44.1 TO TLH FLAC LEVEL 8 1 Flac  
4. 04/16/19 The Vault Music Hall - New Bedford, MA AA SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Sony PCM-A10 (Line In)=== 16GB Built in Memory @ 48/24(Downsampled to 44.1/16) 1 flac  

Status Quo  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/14/81 Hammersmith Odeon - London, UK A- Audience recording > MASTER TAPE > EAC > FLAC A tape from my loft, recorded from the balcony. For an audience tape the quality is VG+ to EX- 1 flac  
2. 06/30/90 Knebworth - Knebworth, UK AA   2 wav  
3. 06/17/99 Ohne Filter Extra - Ernst Becker Studio - Baden-Baden, Germany A TV-Broadcast>HiFi Video-Master>Acoustica Wave Editor>HD>CDWav>FLAC Frontend Level 8>CDR (Audio) or CDR (FLAC) 1 flac  
4. 08/11/11 BBC Radio Theatre - London, England A Recorded live and broadcast BBC Radio 2 in Concert 11th August 2011 FM radio > DR07 WAV > audio cleaning lab, volume, fades, edits, > TLH flac 8 Performed Live on air in front of a BBC Radio Theatre audience of 310 people 2 flac  
5. 06/06/13 Sweden Rock Festival - Norje, Sweden A lineage: Harman Kardon AVR 11 (cable analog) -> Realtek HD Audio -> AIMP-2 Recorder -> stream (flac, level 8) -> edit, split and tag with Audacity 1.3 -> tracks (flac level 8), sound quality is 10/10 setlist 1 flac  
6. 03/21/14 Hanns-Martin-Schleyer-Halle - Stuttgart, Germany A- Lineage: Edirol R-09 (internal mics) > EAC > Flac 2 flac  
7. 10/22/14 Roundhouse - London, England A Excellent one off acoustic gig to promote there acoustic album "Acquostic" recorded at the roundhouse in London England. FM broadcast on radio 2. I was at the gig and it was excellent. FM radio - PC slit tracks - FLAC 2 flac  
8. 10/24/14 Hanns-Martin-Schleyer-Halle - Stuttgart, Germany A+ FM-Broadcast (Pioneer TX-940 Analog Tuner)>Edirol R09>USB>HD>CDWav>FLAC'd, Level 8 with TLH>FLAC 2 flac  
9. 04/23/15 Civic Hall - Wolverhampton, England A SOURCE - AUDIENCE RECORDING. LINEAGE - SONY ECM 102 MIC>TASCAM DR05 16 BIT/44.1 Hz/LOW CUT FILTER 120 Hz>WAV> AUDACITY (TRACK SPLITTING/AMPLIFIED BY 8.5 Db)>TLH (SECTOR ALIGNMENT)>FLAC LEVEL 6. 2 flac  
10. 05/28/16 Feesttent - Pesse, Netherlands 8.5 WAV => Music Cleaning Lab => tracks and a few sound / volume adjustments => WAV => Switch Sound File Convertor => FLAC => Dimeadozen. 2 Flac  
11. 10/12/16 Gasometer - Vienna, Austria A Lineage: Zoom H2n with internal mics 2 flac  
12. 10/28/16 SSE Arena - Belfast, Northern Ireland A Tech spec: Captured by: Historical Field Recording Unit Recorded on Sony Linear PCM Recorder PCM-M10 Original files recorded at 96.00kHz/24bit (.wav) Track separation done in Audacity 2.1.0 (saved as .flac) Conversion to MP3 (320 Kbps) done in Freemake Audio Converter 1.1.8.7 (.mp3) 2 flac  
13. 04/25/17 Sentrum Scene - Oslo, Norway AA AudioReality hademade stealth mics -> Olympus LS14 (@ WAV 16/44) -> Memorycard -> HD -> Fileshare -> my HD -> my HD -> Audacity (edit/volume boost/balance only) -> WAV 16/44 -> TLH8 -> FLAC -> DIME -> YOUR EARS AND MIND... 2 flac  
14. 08/12/17 Hammersmith Apollo - London, UK A   2 flac  
15. 06/03/19 Tempodrom - Berlin, Germany AA Lineage: Edirol R-05 (internal mics) 48kHz/24bit > WaveLab6 > EAC > FlacFrontend Level8 2 flac  
16. 07/07/19 Marktplatz - Markdorf, Germany A Lineage: Edirol R-05 (internal mics) 48kHz/24bit > WaveLab6 > EAC > FlacFrontend 2 flac  
17. 05/28/24 Botanic Gardens - Belfast, Ireland A Tech spec: Captured by: Historical Field Recording Unit Recorded on Zoom H1n Original files recorded at 96.00kHz/24bit (.wav) Track separation done in Audacity 3.5.1 (saved as 44.1kHz/Signed 16-bit PCM .wav) Converted to FLAC in Trader's Little Helper 2.8.4 (Build 185) .md5 file created in Trader's Little Helper 2.8.4 (Build 185) Tags updated in MP3tag v3.26 2 flac  

Steely Dan http://www.steelydan.com
  Date Venue - City, State Sound Rating Notes Media  
1. 03/23/74 JJ's Bar & Grill - San Diego, CA AA Lineage (per Paul56): Revox A-77 Reel to Reel >PCM Beta > DAT >Sound Card Delux Digital I/O card >Soundforge 6.0 >FLAC >decoded to .wav with Trader's Little Helper >pitch adjusted -45 cents and transitions smoothed with SoundForge 6.0 >CD Wave >FLAC Frontend (level 8, SBE OK) TheTooleMan's version lineage: Paul56's torrented files -> Sound Forge and Sony Vegas -> FLAC (level 8, no sbe's) 1 flac  
2. 04/18/74 Orpheum Theater - Boston, MA B++ Lineage: ? > cassette trade circa 1998 Transfer: Maranz PMD-300CP > Zoom Hn4 (96/24) > Wavelab (tracking and tweaking) > Flac (level 8) > you ! Another one with not great sound 1 flac  
3. 05/17/74 Palace Theater - Manchester, England A- Lineage: ? > cassette trade circa 1994 Transfer: Maranz PMD-300CP > Zoom Hn4 (96/24) > Wavelab (tracking and tweaking) > Flac (level 8) > you ! 1 flac  
4. 09/01/93 Riverport Amphitheatre - Maryland Heights, MO A Doing It Live Kiss The Stone Records KTS 519-20 Recorded live through the mixingdesk St. Louis, Missouri, USA 1 September 1993 Total Running Time: 133'39" Same concert as Live at Riverport Ampitheater 1993 2 flac  
5. 09/02/94 Starplex Amphitheatre - Dallas, TX AA Lineage: Soundboard -> CD Silvers -> EAC -> FLAC Frontend Level 8 -> Trader's Little Helper 2 flac  
6. 10/21/95 Roseland Ballroom - New York, NY A Recording: Unknown mics and rig > Master DAT > Cassette (XL-II) Transfer: XL-II > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. 2 flac  
7. 08/02/96 The World Theater - Tinley Park, IL A SONY ECM MS907 STEREO MIC > SONY MZ-R3 MINIDISC RECORDER > PIONEER PDR-W739 CD RECORDER > CDR > STEINBERG WAVELAB 5 > WAV > FLAC 2 flac  
8. 08/17/96 Gorge Amphitheatre - George, WA A from the 5 silver CD "Itinerary Steely Dan 1996 Tour Live & Rehearsal" Shamrock Records liner notes: "Do It Again", "FM", "Bodhisattva" are only a few of the very intriguing songs that the duo of Walter Becker and Donald Fagan have given us through the years. After a several year absence, in 1996 they hit the road on another great tour. This time with a crackerjack band that featured fusion wunderkind Wayne Krantz, they proceeded to amaze aundiences in arenas all over the US. For those unfortunate ones who couldn't make it to one of the gigs, this document we now present to you is a fitting consolation prize. For those fortunate ones who were there, sitting and relieve the memories of one of those fabulous nights, as I am doing right now." The guy who wrote that might not have English as his "first language", but you get the idea.. This is an excellent soundboard. The Jacket says "Stereo Soundboard", but it sounds like mono to me. Still, A+ mono SBD. These are discs 3 and 4 of the 5 CD set. Disc 1, 2,amd 5 posted on DIME today July, 2005. lineage: silver > eac secure > wav > flac8(a.s.b.) by dr_munch 2005-9-11 2 flac  
9. 06/11/00 Mesa Del Sol Amphitheater - Albuquerque, NM A   2 flac  
10. 06/17/00 Shoreline Amphitheatre - Mountain View, CA A Special thanks to TDD member zoomlv for procuring this show to share!!! ---------------------------------------------------------------- LINEAGE: Audience > ? > CDr (origin unknown and deep into the past) > EAC (with log) > FLAC Frontend Level 8 > Traders Little Helper 2 flac  
11. 06/18/00 Valley Ampitheater - Sacramento, CA 8.5 LINEAGE: Audience > ? > CDr (origin unknown and deep into the past) > EAC > FLAC Frontend Level 8 > Traders Little Helper 2 Flac  
12. 07/01/00 Saratoga Performing Arts Center - Saratoga Springs, NY A Lineage SONY D7 Master w/ Sonic Studios DSM6's>CD>Traders Little Helper FLAC conversion 2 flac  
13. 07/03/00 Jones Beach - Wantagh, NY A Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony Sbm 1 > Sony D8 Sony Pcm-R500 > Sony Sbm 1 > Creative Extigy Soundcard > Adobe Audition > Ozone > Traders Little Helper It was a windy rainy night, all around shitty time to be sitting outdoors to see a show. The band was great and the recording came out real nice . Recorded From 4 row right in front of left stack, you can hear some hiss in between some songs that was coming from stack since i was so close to it . 2 flac  
14. 07/13/00 Blockbuster-Sony Music Entertainment Center - Camden, NJ A Source: AT831b->Denon80p->Turtlebeach->Soundforge->CDwave->cdr(1)-> Asunder Section 202, Row N - Slight wind Taper: Reuven Fischer (Gruven_Reuven) Transferred: Reuven Fischer 2 flac  
15. 07/22/00 Nissan Pavilion - Manassas, VA 8.5 SBD > ? (DAT?) > CD-R Trade > EAC > WAV > FLAC 2 Flac  
16. 08/30/00 Hartwall Arena - Helsinki, Finland A AUD (MD?) > ? > CD-R (2+ gen) > EAC > FLAC > TheTradersDen 2 flac  
17. 09/02/00 The Spektrum - Oslo, Norway 8.5 Lineage: Unknown audio device -> CDs -> WAv -> FLAC Frontend Level 8 -> Trader's Little Helper 2 Flac  
18. 09/10/00 Hammersmith - London, England A Lineage: Soundboard -> CD Silvers -> EAC -> FLAC Frontend Level 8 -> Trader's Little Helper 2 flac  
19. 09/13/00 Olympia Theater - Paris, France 8 LINEAGE: Audience > ? > CDr (origin unknown and deep into the past) > EAC (with log) > FLAC Frontend Level 8 > Traders Little Helper 2 Flac  
20. 09/26/03 Coors Amphitheatre - Chula Vista, CA 9 LINEAGE: Audience > ? > DAT to CR via optical cable > FLAC Frontend Level 8 > Traders Little Helper Thanks to TTD member ZoomLV for procuring the recording for sharing here! 2 Flac  
21. 10/02/03 Universal Amphitheatre - Universal City, CA 8.5   2 Flac  
22. 07/12/06 Nokia Theatre - Dallas, TX 8.5 Lineage: dpa 4060 HEB > mod sbm-1 > jb3 sound forge 8 > flac frontend 2 Flac  
23. 08/12/06 Verizon Wireless Amphitheatre - Charlotte, NC A+ Source: Pro Shot in-house video/audio feed Lineage: dvd-r -> dvd audio ripper -> wav -> flac level 8 Taped by: 2 flac  
24. 08/27/06 Tweeter Center - Mansfield, MA AA   2 flac  
25. 06/11/07 Beacon Theatre - New York, NY 8.5 Source: FOB orch J 107 / B&K(DPA) 4021s (hat) > E.A.A. psp-2 > sony PCM-M1 (line in, 16/44.1) DAT master DAT(m) Lineage: DAT(m) / Fostex D-10 > RME DIgi 96/8 Pro> PC / soundForge 7.0 (record, trim, fade) / CD Wave Editor (tracking) / FLAC 1.7.1 / cd-r / eac / wav / flac level 8 Taped by: Unknown Transfered by: Unknown 2 Flac  
26. 07/13/08 National City Pavilion - Cincinnati, OH A+ Lineage: Soundboard > ?? > Cubase SX Wavelab 5.0 -> Wav files -> FLAC Frontend @ Level 8 -> Trader's Little Helper 2 flac  
27. 07/22/09 Wang Theater - Boston, MA AA Lineage: Soundboard -> DAT (model unknown) -> Lossless Wav Capture -> Cubase SX Wavelab 5.0 -> Waves S-1 imager -> Steinberg Wavelab 5.0 for track indexing -> Wav files -> FLAC Frontend @ Level 8 -> Trader's Little Helper 2 flac  
28. 07/24/09 Wang Theater - Boston, MA a- Sony PCMD50 Core Sound Cardioids in hat with Bass Roll Off filter flat 4th row balcony dead center 2 flac  
29. 08/15/09 Chastain Park - Atlanta, GA A Recorded from just left of SB using a Radio Shack mono cassette recorder with built-in microphone. 2 flac  
30. 09/03/09 Chicago Theater - Chicago, IL AA   2 flac  
31. 09/04/09 Chicago Theatre - Chicago, IL A source- Sound Pro CMC-8's,(CARD Caps)>SP PREAMP>R-09 (24/48) Transfer- USB>WAVELAB-(Track split,dithered to 16 bit)>TLH (conversion & checksums) 2 flac  
32. 10/21/09 Civic Center - San Jose, CA A Somewhere near Row-11, dead center Deck: Korg MR1000 (5.6 Mhz, 1-bit Recording) Mics: Neumann KM-140 Source: Master Tape; Stereo Sample Rate 44.1Khz, 16-bit (FLAC) Rating: B+ Length: 133 Minutes One in every crowd by the recorder 2 flac  
33. 10/24/09 Nob Hill Masonic Theater - San Francisco, CA a- Source: Edirol R-09 (24bit- 48kHz) internal mics Location: Main Floor, Center Left, Second Row Lineage: source > Edirol to HD > TheTooleMan (Sound Forge, Vegas, etc) > TLH FLAC16 (Level 8 encoding, verification) Recorded by: litmus Transferred by litmus www.bigmicroscope.com Mastered by TheTooleMan, December 2009 2 flac  
34. 10/29/09 Wells Fargo Theatre - Denver, CO 8 core sound binurals>battery box>edirol r-05 24/44.1 khz>usb>you 2 Flac  
35. 11/20/09 Tower Theater - Upper Darby, PA 8.5 source : schoeps mk-4 > actives > nbox plus > r-09hr > 24/44.1 wav > > izotope rx > dsp-quattro 3 > MBIT+ > 16/44.1 wav > xACT 1.64 > flac 2 Flac  
36. 07/22/11 Molson Amphiteater - Toronto, ON AA Lineage: Soundboard -> CD Silvers -> EAC -> Steinberg Wavelab 5.0 -> FLAC Frontend Level 8 -> Trader's Little Helper 2 flac  
37. 07/19/13 Ovation Hall - Atlantic City, NJ A Source: CA-14 [cardioids] > CA- 9200 preamp > Sony PCM-M10 Settings: CA-9200 preamp at +10db [High Pass Filter or (Bass Roll Off) turned OFF], Sony PCM-M10 manual record level at 5 Recording Mode: LPCM [wav] 48.00kHz/24bit Transfer: Sony PCM-M10 [ SanDisk Ultra [MicroSDHC] 8gb (class10)] > my Laptob HD by way of USB > 48.00kHz/24bit wav. Mastering: Adobe Audion 3 was used for +/- db gains, fade ins & fade outs at the beginning & end of the show only.any clean ups for clapping. All mastering and was done in 48.00kHz/24bit. No other mastering was done. No Normalization!! This is the Raw & Natural recording of this great show. CD Wave Editor Vers.1.98 to split tracks & Converted to Flac [Level 6] 2 flac  
38. 07/20/13 Performing Arts Center - Canandaigua, NY A Source: CA-14 [cardioids] > CA- 9200 preamp > Sony PCM-M10 Settings: CA-9200 preamp at +10db [High Pass Filter or (Bass Roll Off) turned OFF], Sony PCM-M10 manual record level at 5 Recording Mode: LPCM [wav] 48.00kHz/24bit Transfer: Sony PCM-M10 [ SanDisk Ultra [MicroSDHC] 8gb (class10)] > my Laptob HD by way of USB > 48.00kHz/24bit wav. Mastering: Adobe Audion 3 was used for +/- db gains, fade ins & fade outs at the beginning & end of the show only.any clean ups for clapping. All mastering and was done in 48.00kHz/24bit. No other mastering was done. No Normalization!! This is the Raw & Natural recording of this great show. Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 48.00kHz/24bit sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping. CD Wave Editor Vers.1.98 to split tracks TLH Vers. 1.98 [Flac - Level 6] 2 flac  
39. 10/01/13 Beacon Theater - New York, NY AA Recorded by: Mr. Railing Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48) Transfer: WaveLab>r8b>cdwav>TLH(8)>flac Location: first row upper balcony railing, just off center 0  
40. 07/12/14 The Forum - Inglewood, CA A+ source : assistive listening device (mono) taper : benchboy transfer : markp wav > audacity(level adjust/invert for phase correction) > flac8 > torrent 2 flac  
41. 07/11/15 Shoreline Amphitheater - Mountain View, CA 9 Recorded & Transfered By: Robert Mullen (lvrwm) Equipment/Lineage: Audience/SP-CMC-25 mics (Croakies)>SP-SPSB-11(Battery Boost Box, with bass-roll-off at 69Hz)>Sony PCM-M10>CD Wave Editor(tracking)> Traders Little Helper flac level 8. Recorder Settings: PCM-M10 at 44.1 kHz/16 bit, low mic sensitivity, manual record, limiter on, mic power off, low cut filter off, speed control off. 2 Flac  
42. 08/02/15 Susquehanna Bank Center - Camden, NJ 9.5 source : schoeps mk-4v > actives > nbox platinum > sony pcm-m10 > 24/44.1 wav adobe audition 7 > ozone 6 > sample manager > xACT 2.34 > flac 16 taper : edtyre location : 13th row left stack 2 Flac  
43. 10/06/15 The Beacon Theatre - New York, NY 9 **Aja album night** Recorded by: Mr. Railing Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48) Transfer: WaveLab>r8b>cdwav>TLH(8)>flac Location: Mics split 2 feet on railing aimed at right stack 2 Flac  
44. 06/12/18 Pepsi Center - Denver, CO AA Lineage: Soundprofessionals "omnis" (with built-in batteries) > Tascam DR-05 (bass cut @ 120Hz) > WAV > CoolEditPro* > FLAC *attenuation of loud clapping using "pop-n-click" filter, fades, tracking. 2 flac  
45. 10/09/18 Shea's Theater - Buffalo, NY a- 16 bit version Taped, transferred & mastered by }{eywood Gear/lineage: Tascam DR-08 (recording to 24/96 .wav) > USB > Adobe Audition 1.5 (EQ, npeak limiting, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) 1 flac  
46. 10/21/18 Beacon Theatre - New York, NY A Audience HD Recording ZOOM H2n > internal mics > 16/44.1 > GoldWave > TLH 2 Flac  
47. 10/30/19 Orpheum Theater - Boston, MA A Sony PCM-M10 CA14 Omni mics in hat 2 flac  

Stephen Bishop  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/23/79 Madison Square Garden - New York, NY B++ FLAC master, 2 August 2020, by elegymart: Analog audience recording (mono) {recorded by Gene Poole}: unknown mics/recorder > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio master cassettes {from the Gene Poole collection} > two 1979-81 US/European TDK SA C-90 analog audio cassettes > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 1 flac  

Steppenwolf http://steppenwolf.com
  Date Venue - City, State Sound Rating Notes Media  
1. 07/02/70 Royal Albert Hall - London, UK 7.5 Source: BBC FM recording ltd silver cd (no label 1989) EAC > WAV > Flac 1 Flac  
2. 09/15/72 Edmonton Sundown - London, UK A ::: Very fine, clear, low gen. stereo AUD (with almost zero AUD noise!). Check samples for yr own little acid test or to spark yr plugs while waitin' for the digital byte motor to rev up. ::: Warts: Basically none left... Surely I missed a few dullspots, but almost every issue was 100% repairable. ::: The Sundown was better known as the "Edmunton Sundown". ::: The John Kay Band with Jerry Edmonton was presumably the opening act. ::: This was billed as the Steppenwolf "Farewell Tour". They're still going 41 years later! ::: George Biondo (bass) was ex-T.I.M.E. (Trust In Men Everywhere) & Kent Henry (lead guitar on "For Ladies Only" & this farewell tour) was ex-Blues Image. ::: The hall, the Regal Cinema, had closed in July. Steppenwolf was opening night for the new re-vamped arena, renamed the "Sundown". Then local freaks had to deal with the fact that after 2 years of some excellent rock events, it became a bingo hall, then was torn down & the site housed a Safeway & subsequently, in these wondrous economic times, a Lidl. Progress in Britain in a nutshell. Recording Information ::: unknown stereo recorder & microphones -> master stereo tape -> unknown generations of analog tape -> unknown (low) generation cassette, Dolby off. Playback 2013-xx-xx ::: unknown (low) generation cassette on Nakamichi 680ZX cassette deck, Dolby off, azimuth & speed adjusted (pitched!) for individual recording, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 (LPCM 44.10kHz/16bit WAV files) -> computer -> Audacity (normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch / dropout / bump / pop / click / dullspot repairs, taper volume fluctuations adjusted, NO equalisation) -> CD Wave (track splits) -> Trader's Little Helper -> yer ears. First uploaded week of 2013-03-22. Line-up ::: John Kay - electric guitar, harmonica, vocals // Kent Henry - lead electric guitar // George Biondo - electric bass, vocals // Goldie McJohn - keyboards // Jerry Edmonton - drums, vocals. Nothing here ever commercially released to my knowledge. If I'm wrong, please advise & I'll take the offending trax offline. CoolSonics 226 ::: Thanks to the original taper & traders! My copy hails from old Faville, reckon he's still tearin' up the rare psych LP scene somewhere. ::: Corrections welcome ::: Thia band always sounds amazing to me, but a dated kinda hip. By the time I saw them in the mid-70s, Kay's silver sequined body suit & aviator sunglasses on stage looked cool, but he already seemed like something of an anachronism ... They did rock like a motherfucker, though - no complaints. I wish I could say the same for the 80s show I saw. They happened to be opening for another band. Let's just be polite & say the less said the better, what with all the yuppies wansdering around drinking their little $7 3oz plastic cups of pink rosé singing "Born To Be Wild"... Distracting? Oh yeah! Anyway, this '72 show is excellent. VERY fine audience tape for the vintage & I managed to remove almost every distraction so the the thing flows just like it should. Enjoy! Kudos to Zongo for life support, Lochner for mikes&more & Fast Freddie for runnin' Video Dick's Record Emporium with the bathroom office full of tape decks. Thanks to Hanwaker (few among us can keep his pace). Mountains of gratitude to Davmar, D.White, Sanchez, Elliot, The Florida Kid, Kloiber, Zingg, JTW, Bershaw, Boston Gold, Dixon, Moore, Gough & SO many more for all that collecting & sharing... Royal thanks to The Man In The Palace, Doc Tinker, Brinkhoffs, Barely Eatin', Reel Master Gaule, Parrish & all the traders who housed me thru my music acquisition & travel years. Hats off to Brother Kent, Uncle Jake, Little Queenie (& her neighbor Frank) & his honor Ptomaine Thomas. Glasses raised to Byron for musical horizon expansion & much obliged to J & Thurston for keepin' my concert fires burnin' since my continental shift. Thanks to the Mods for keepin' DIME alive. Enjoy, share, give, spread peace. Yers truly, Knees Support the artists! www.steppenwolf.com -- www.goldymcjohn.com 1 flac  
3. 11/18/74 Providence Civic Center - Providence, RI AA Recorded on a BASF cassette that required baking to play. Sony TC-152SD Tape Recorder Sony ECM-99 Stereo Microphone BASF cassette Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Baking oven -> unknown model Tascam cassette deck -> 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger No EQ'ing. 2 flac  
4. 02/16/80 My Father's Place - Old Roslyn, NY A WLIR 92.7 FM > Cassette Master Nakamichi CR-7A Azimuth Adjusted > Korg MR-1 @ 1 Bit 5.6K Rendered to 16Bit/44.1K in Korg AudioGate Recorded By Peter Hedeman (recording Engineer) Transferred by Rich Rothenberg (Volume 1) Sound Forge (tracking) > Wave > TLH [sbe aligned] Flac level 8 Traders Den - January 28, 2023 2 flac  
5. 02/16/80 My Father's Place - Old Roslyn, NY 8 Source: AWESOME PRE FM SOUNDBOARD WLIR 92.7 REALLY NICE SHOW 2/16/80 My Fathers Place, Roslyn NY, Pre FM cassette master>???>cdr 2 Flac  

Steve Earle http://www.steveearle.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 02/01/14 Capitol Theatre - Port Chester, NY 9 Digital Soundboard FLAC >WAV >Audacity (Duplicate Single Monaural One-Track File Into Two Channels, Insert .15 Milliseconds Of Blank Space At Start Of Duplicated Right Channel To Approximate A Stereo Effect, Minor De-Amplification Of Select Music Spikes, Amplify Entire Recording By 10db, Downsample To 16bit/44.1kHz, Index Tracks, Fades) >FLAC (Level 8) + Tags, + Front Cover Artwork By OldNeumanntapr 2 Flac  
2. 04/03/23 The Enmore Theatre, Enmore - Sydney, Australia A Sony PCM10 > Audacity >CDWav >TLH >You philandjenny recordings no.100 (!) 1 flac  

Steve Earle & the Dukes http://www.steveearle.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 03/14/00 The Catalyst - Santa Cruz, CA A source: Neumann KM140s >EAA PSP/2 >Sony SBM-1 >DAT lineage: DAT master >computer >r8brain PRO >CD Wav>FFE >flac16 ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) 2 flac  

Steve Hackett  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/17/80 Old Waldorf - San Francisco, CA AA   2 flac  

Steve Miller  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/08/89 Starlight Theater - Kansas City, MO AA This came to me in a DAT trade, and this was the enclosed documentation: SBD>DAT>VHS HiFi>DAT I then took my DAT clone and converted to shn: My DAT Clone>WAV (SPDIF @44.1 KHz)>SHN (mkw)>CD I suppose there is a pure digital version out there somewhere, but I have never seen this circulate, so I don't know for sure. This sounds pretty good despite the one analog generation. Enjoy and spread the tunes! 2 flac  

Steve Miller Band http://www.stevemillerband.com
  Date Venue - City, State Sound Rating Notes Media  
1. 05/08/74 Music Hall - Boston, MA A- Audience Mono Sony TC-55 with built in condenser mic and auto level control Nakamichi MR-1 > Tascam DA-20 > Tascam CD-RW900 Master Cassette > DAT > CD > EAC > FLAC Azimuth aligned; no noise reduction, processing or EQ Total Time - 63:46 Recorded and transferred by Steve Hopkins 1 flac  
2. 04/12/75 Beacon Theatre - New York, NY A LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1 (w/manual azimuth adjustment)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS EDITS AND VOLUME ADJUSTMENT WAV 16/44.1> TLH FLAC (LEVEL 8) 2 flac  
3. 08/03/77 Capitol Center - Largo, MD a-   2 flac  
4. 06/26/82 Milwaukee Summerfest Main Stage - Milwaukee, WI a- Lineage: Microphones: Sony ECM 33F Tape Deck: Sony TC-D5M Cassettes: TDK MA-90 Metal Bias Recorded with Dolby B but I choose to leave it off on this playback About 7th row front of left bank speakers Master Tape > Sony TC-D5M (ORIGINAL UNIT!!) Run Through the Naim 52 Pre-amplifier To the Philips CDR-101 (Marantz CDR-600) [tracked on the fly] ZERO GAIN SETTING! Using CDR Yaiyo Yuden 74-ZY Gold (The best!) Master CDR ripped on the Naim Unitiserve to WAV FLAC > To You Guys, Enjoy RB 2 flac  
5. 12/17/88 Berkeley Community Theatre - Berkeley, CA A Taper: Unknown - source tape provided by Greg Holtz Taping Gear: Unknown Lineage: 1st or 2nd generation cassette > Tascam 112 MKII > Edirol R-09 (44 kHz/16 Bit) > Sound Studio 3.5.6 > xACT 1.59 > FLAC Transfered & Edited By: Lukas Olsen 2 flac  
6. 07/08/89 Starlight Theatre - Kansas City, MO A   2 flac  
7. 08/09/91 Irvine Meadows Amphitheatre - Irvine, CA A source: fm broadcast-WPLR-New Haven,Ct. recording: fm(wplr) > (CT-7 Carver Preamp-Onkyo ta-2600) > cassM(maxell.XLII.S) transfer: cm > sony tc we305 > pc sndcrd > Audacity(record,snaps,crackles,pops) > wav > CDWav > TLH(flac level 8) > flac16 by miogi Nov. 2013 1 flac  
8. 10/10/92 Shoreline Amphitheatre - Mountain View, CA A CA Nakamichi CM-300s w/CP-2 Omnis >Sony WM-D6C Cassette Master XLIIS Master Transferred: Sony TC-D5M >Tascam DR100mkII (24bit/48khz) (Recorded From Lawn Repeater Stacks, Left) 2 flac  
9. 01/23/10 Fox Theater - Oakland, CA A Schoeps MK4s >RBox >Tascam DR100 (24bit/48kHz) Recorded By DaspyKnows WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntapr Featured Bonnie Raitt, Steve Miller Band, The Doobie Brothers, George Thorogood, Roy Rogers, Charlie Musselwhite and Elvin Bishop. M.C. Wavy Gravy. 2 flac  
10. 08/13/11 NYCB Theater - Westbury, NY A Taper: Joe D'Amico ''AKA'' Joebeacon Editing: Joe D'Amico ''AKA'' Joebeacon AT831 Mics > Sp-Spsb-10 > Korg Mr-2 Soundcard > Cool Edit > Master Files > Adobe Audition > Ozone > Traders Little Helper 2  
11. 09/23/23 Thunder Valley Casino & Resort - Lincoln, CA A Lineage: Audio Technica AT831 Cardioid microphones > Sony PCM M10 24/96 recording by Wes Meyette and tracking using CD Wave Editor 2 flac  

Steve Winwood http://www.stevewinwood.com
  Date Venue - City, State Sound Rating Notes Media  
1. 08/19/78 Rough Hill Festival - Rough Hill, UK A CD-R (unknown lineage) > xAct > Audacity > FLAC 1 flac  
2. 09/04/86 Mann Music Center - Philadelphia, PA A+ Source Info: Master audience recording, with 2 Beyer M160 microphones > Sony TC-D5M (90 minute Maxell Metal Cassettes). Recorded from the 35th row, center - about 120 feet from stage) ---------------------------------------------- Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files --------------- 2 flac  
3. 09/17/86 Blossom Music Center - Cleveland, OH 9 WNEW FM Broadcast 1/1987 This is another old cassette from the attic. This is from my off the air master. There is a split in Valerie and a few seconds lost due to a tape flip. Lineage: FM Broadcast>TDK SA-90>Nak BX-125>Lafayette LR-3030 Receiver>M-Audio Delta AP 24/96 Card>Adobe Audition>WAV>Flac Frontend 6>YOU 2 Flac  
4. 11/17/86 Veteran's Memorial Coliseum - New Haven, CT A Transfer: .wav file > Peak Pro 6 (pre-production) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
5. 07/24/88 Pacific Amphitheatre - Costa Mesa, CA A+ Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > Peak Pro 6 > 16/44 > xACT > FLAC 2 flac  
6. 06/15/91 World Music Theatre - Chicago, IL B++ Source : Audience recording > DAT > low gen cassette (courtesy of M.R. archive) Transfer : Zoom H4n (16/44) > Soundforge (editing) > Wave > TLH (sbe aligned) Flac 8 Traders Den - January 13, 2020 Tracked & Pitched by kingrue upload #2293 2 flac  
7. 05/22/97 Manchester Opera House - Manchester, England A+ Probably recorded from the radio, sound quality very good. - artwork included CD silver>Nero Flac>you 1 flac  
8. 07/23/03 Shepherds Bush Empire - London, UK A Publisher : No Smokers AMSW 2-072303 linenage : cdr trade > easy CD-DA Extractor > Flac 8 > DIME > You 2 flac  
9. 06/21/05 Westbury Music Fair - Westbury, NY A Lineage: Trade CD-R > EAC extraction to my HD > CEP analysis, TLH analysis, encode (FLAC Level 8), checksums and torrent creation > You! I got this in trade many years ago. This is a great sounding set with a killer Low Spark that clocks in at 24 minutes plus and a total of 18 tracks. To my ears it's a soundboard but I have no proof of that, therefore I offer it as a "maybe" soundboard. If you're a Traffic or Stevie fan, this is a great one to have. I have not been able to find any creditable information as to who the members of the touring band were for this show. I'd love to know! Trader's Little Helper shows all tracks as CCDA with 99 - 100% accuracy. I've selected one song from each disc to run through Cool Edit Pro for an analysis graph and they all look good. PLEASE disregard any of the jpeg files in the "Processing Files" folder that show the path with "(Lossy)" at the end of the name. I ALWAYS assume that any ROIO I rip from a trade CD-R is lossy until I run checks and I never want to misrepresent a torrent. Normally, after I've run the checks (but before I make a screen capture of the results) I change the name of the folder. In this cas I forgot. I am, if nothing else, a self-professed moron... No SBE issues (per TLH) and the artwork is included. I recieved this in two cases - discs 1 and 2 in a double case and disc 3 in a single case, hence the artwork being what it is. Here's the setlist: 3 flac  
10. 05/04/08 The Blender Theater at Gramercy - New York, NY A Recorded By: scb Source: DPA (B&K) 4023s > Sound Devices 722 @ 24 bit, 96khz 722 > Apple MacBook Pro > Spark XL 2.8.2 (normalize, tracking, resample to 44.1khz, dither to 16 bit) > xACT 1.64 > flac Location: Dead center about 25 feet from the stage Disc 1 notes: This is a 16 bit, 44.1khz recording for CD. The original 24 bit, 96khz recording exists in flac format compiled by scb on 05/05/2008 2 flac  
11. 08/23/08 Outside Lands Festival, Main Stage - San Francisco, CA A Neumann KM140s > Sound Devices MP2 > Edirol R09 (16/44) WAV > CD Wave > FLAC 1 flac  
12. 08/13/09 Cropredy Festival - Oxfordshire, UK A   2 flac  
13. 07/03/10 Grandview Park - Sioux City, IA A Master Matrix Recorded And Mixed By Mr. Darby! Source 1:AKGC460B/CK68s_Short (DFC/FOB/PAS/7 Feet High) > Lunatec V3 (SPDIF) > Tascam DR-680 @ 24/48 Source 2:AKGC480B/CK62s (DFC/FOB/AB 3Feet/7 Feet High) > Tascam DR-680 @ 24/48 Source 3:50/50 Matrix Of Sources 1 + 2 (Audacity) > HDD > Amadeus Pro (Fades/Tracking/FLAC8) Tracks Renamed With AudioGate Software Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename By Keo 1 flac  
14. 07/14/13 Park des Bayerischen Rundfunks - Nuremberg, Germany A+ lineage: dpa 4061 > Tascam DR-100 MKII > PC (Sound Forge; TLH (sbeok; flac8)) taped, edited & transferred by hhtfp seeded by helm 2 flac  
15. 10/11/14 The Forum - Inglewood, CA A Audience Tape: B+ to A- (Distant, Crowd Noise) Mikes: Schoeps mk4 > Actives > NBox > Recorder: Sony M-10 Transfer: Goldwave (Volume Boost, Compression > Dither to 16b) > Media Monkey (Flac Transfer L8) Location: Right Center 1 flac  

Stevie Nicks https://www.stevienicksofficial.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 12/05/81 Compton Terrace - Tempe, AZ B+   2 flac  
2. 12/12/81 Beverly Wilshire Theater - Los Angeles, CA AA Mike Millard Original Master Tapes via JEMS 1644 Edition The Lost and Found Mike the MICrophone Tapes Volume 29 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2020 Transfer: Mike Millard Master Cassettes > Nakamichi RX-505 (azimuth adjustment; Dolby Off) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > MBIT+ resample to 1644> Audacity > TLH > FLAC 1 flac  
3. 05/30/83 Glen Helen Park - San Bernadino, CA B++ The Wild Heart Tour TV Broadcast recording> DVD-R> Extracted audio> TDK DA-3826 burner w/no compression> CDR > EAC > WAV > xACT > FLAC 1 flac  
4. 06/23/83 The Score - Norfolk,VA, VA B++   1 flac  
5. 06/24/83 Brendan Byrne Arena - East Rutherford, NJ AA   2 flac  
6. 06/27/83 The Spectrum - Philadelphia, PA a- Source: Nakamichi mics > Sony WM-D6 (TDK-MA Metal) (recorded by "Tape Man Joe" vol. 20) Transfer: Kenwood KX-4070 cassette deck > TDK-DA3826 standalone cd burner (44.1 kHz) (transfer by george14k) Editing: Soundforge (tracking) > Wav > TLH (sector boundary aligned) Flac level 8 2 flac  
7. 06/18/98 E Center - Camden, NJ A Source : Schoeps MK4V's > Schoeps VMS02IB > Sony SBM-1 > Sony TCD-D100 Transfer : DAT MASTER > Tascam DA-30MKII > Marantz CDR620 > EAC > FLAC Recorded By Keith Litzenberger from Section 102 Row M. Editing : Sound Forge (volume) > Wave > TLH (sbe aligned) > Flac 8 2 flac  
8. 07/03/98 The Ice Palace - Tampa, FL a- 2nd generation audience tape Above average sound. Standard Enchanted tour set list. 2 flac  
9. 09/23/00 America West Arena - Phoenix, AZ A   2 flac  
10. 10/03/01 Coors Amphitheater - Chula Vista, CA a- Source: Audience Lineage: Oade Brothers mics > Sony DAT PCM-M1 2 flac  
11. 05/14/05 The Colosseum at Caesars Palace - Las Vegas, NV a- Lineage: trade tape > WAV > FLAC Level 8 using Trader's Little Helper. 2 flac  
12. 02/18/06 Rod Laver Arena - Melbourne, Australia a- Source/Lineage: Audience recording (DVD-R)> APX AD-1010W DVD Player> JVC XL-R2010 CD Recorder> CDR>WAV>FLAC>YOU 2 flac  
13. 06/15/07 Tweeter Center At The Waterfront - Camden, NJ a- Source: Audience Lineage: Schoeps MK4V's > NBOX+ > EDIROL R-09(@24/48) > Edirol R-09>WL5(Fades & UH22HR Dithering to 16/44.1) > FLAC Quality: 8 (8.5) 2 flac  
14. 08/24/07 Borgata Event Center - Atlantic City, NJ a- Taper: Torri Post Production: WPPC Productions: Skip R Source/Lineage: Audience recording> Binuaral Mic's>Sony MD Recorder > CDR >conversion: wav > Tracked> FLAC frontend 1. 7. 1 > . flac At 8 2 flac  
15. 10/27/16 Pepsi Center - Denver, CO A Audio Technica SP-CMC-2 Cardioid Mics > SP-SPSB-11 Battery Box (Bass Rolloff set at 96 Hz) > Sony PCM-M10 (96/24) > Sound Forge Pro 10 (Track Splitting, Resample to 44.1/16, fade in/out) > Trader's Little Helper (Fix SBE's, FLAC lvl 8) 2 flac  
16. 11/29/16 Air Canada Center - Toronto, ON A Roland R-05 - Core Sound High End Binaurals Recorded and edited by BurnBoy *** 24 Bit versions of both will be posted at a later date 2 flac  
17. 12/01/16 Madison Square Garden - New York, NY A Source: Zoom H4n w/internal mics (SD card @ 44.1 kHz) Editing: Soundforge (tracking) > Wav > TLH (sector boundary aligned) Flac level 8 Traders Den 7/25/17 - The Ken G. collection vol. 297 Tracked by kingrue upload 1204 2 flac  
18. 04/02/17 Prudential Center - Newark, NJ A Recorded by viper from an upper row in section 111 (see enclosed photo for my view) Source: Nokia Lumia Icon w/built-in HAAC mics > Audio Recorder Pro app > 16/48KHz WAV > Audacity (tracks split) Encoding: Trader's Little Helper > FLAC (Level 8) Length: 2hrs, 23mins, 7sec (143mins, 7secs) 2 flac  
19. 09/19/22 Xfinity Center - Mansfield, MA A Taper : Farve4 Lineage: SP-CMC-8c > SP-SPSB-11 > Sony PCM-A10 > Internal Memory > WAV 48kHz/32-bit 2 flac  
20. 05/24/24 Bottlerock - Napa, CA A Taper: Loughney Location: in front of left stack, 40 feet back Lineage: Schoeps MK4 > BabyNBox > Sony A10 > WAV (48/24) > SoundForge (levels, fades) > CDWAVE (splits) > MP3Tag (tags) 1 flac  
21. 06/21/24 Soldier Field - Chicago, IL a- Source: DPA 4060 => Tascam DR-2d Conversion: WAV => Audio Cleaning Lab => FLAC (16-bit) 2 flac  

Stevie Ray Vaughan http://srvofficial.com
  Date Venue - City, State Sound Rating Notes Media  
1. 07/04/81 Harling's Upstairs - Kansas City, MO AA SONY CF-580 BOOMBOX (best guess) > DAK SA90 cassette tape > cleaned and demagnitzed (each tape) Nakamichi 680Zx > Realtk HD sound card > Sound Forge > > Izotope RX3 noise reduction > Adobe Audition > Izotope Ozone 5 > Flac Frontend Level 8 > Dime 3 flac  
2. 01/03/87 Sunrise Musical Theater - Sunrise, FL A+ Source: Audio Technica 813 microphones > Sony TCD-5 (master) > Nakamichi CR-2 (master) > Nakamichi DR-3 (1st gen copy) Transfer: Nakamichi DR-3 (1st gen copy) > Sound Devices MixPre 6 (24/48) > Sound Forge Pro 11 > CD WAVE 1.98 > FLAC frontend 2.1 Notes: No EQ or Compression used, volume changes mitigated/volume spikes removed/overall volume increased. Final show of the first leg of the Live Alive Tour. I've had this tape in my collection since the show but figured with the popularity of SRV recordings it was already out there and due to the fade ins at the start of each side I ignored it. Recently wanted to listen to SRV and when searching noticed this show has never been circulated - so here it is! Recording by Steve ? Transfer by Dean Grabski completed on March 24, 2020 1 flac  
3. 05/26/89 L.B. Day Amphitheater - Salem, OR A 1st gen aud cassette>nak dr-1>cdr>wav>flac taper jeff radio shack mic>sony d-6 opener? john hiatt transfer by giveitup 2 flac  

Stevie Ray Vaughan & Double Trouble  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/05/88 Red Rocks Amphitheatre - Morrison, CO A Lineage: SBD > ? > CDR Trade > EAC > WAV > FLAC Level 8 2 flac  

Stick Men  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/14/22 Billboard Live - Osaka, Japan A+   1 flac  
2. 10/06/22 Ardmore Music Hall - Ardmore, PA A+   1 flac  
3. 10/10/22 City Winery - Boston, MA A+ SP-CMC-8c===SP-SPSB-4 to Roland R-07 (Mic In)===SDHC SanDisk 32GB Memory Card @ 48/24(Downsampled to 44.1/16 1 flac  
4. 02/14/23 The Ritz - San Jose, CA A Source: Schoeps MK4 > N Box Platinum > Roland R-09 (WAV 16/48) 2 flac  
5. 02/22/23 The Wayfarer - Costa Mesa, CA A Source Zoom F8n 24 bit wav Ch 1&2: Sound Board feed Ch 5&6: MBHO 440 Recorded and Mastered by Joe Logrippo Transfer: SDHC > Laptop > Adobe Audition > Flac 16/48 Tagging: Foobar2000 > Live Show Tagger Photo Credit: Joe Logrippo 1 flac  
6. 02/22/24 Woodlands Tavern - Columbus, OH A+   2 flac  
7. 02/26/24 Lincoln Theater - Raleigh, NC A+   2 flac  

Stomu Yamashta's Go  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/29/76 Royal Albert Hall - London, UK A A relic from the prog-rock years, Stomu Yamashta’s Go was quite a superstar band of its time in 1976. It had Steve Winwood, dragged out from hibernation following the collapse of Traffic, Michael Shrieve the drummer from Santana, Al DiMeola the hot guitarist from Chick Corea’s Return To Forever and the German electronic musician Klaus Schulze [Tangerine Dream, Ash Ra Temple]. How on earth they all gathered to report to work under Japanese jazz-rocker Stomu Yamashta is probably buried under a mountain of mouldy UK music weeklies. This concert, said to be recorded on May 29, 1976 at London’s Royal Albert Hall, was probably the first public performance of Go. Nobody is certain whether this date or venue is correct. This recording appeared in the late '80s/early '90s on a bootleg label Kiss Deluxe. They claimed the year as 1976 in Europe. Hardly helpful but the sound quality is exceptional and from the stereo soundboard. As The Guardian’s Robin Denselow wrote in April 1976, the Go album is a rock-classical hybrid with a rock opera thrown in. To complicate matters, the story actually starts on side two of the LP. This concert opens with the album’s side two - Ghost Machine, Surf Spin, Time Is Here, Winner-Loser then heads over to side one with Crossing The Line. It’s about a cosmic battle between Kurata and Fu-shen and we presume an abstract of the old good versus evil rivalry since the beginning of time. Set in the cosmos, the story gives lots of space for the musicians to exercise their imagination. Note the number of percussionist and keyboard players in the group. Yamashta himself was a student at Boston's Berklee School of Jazz where he studied jazz drumming. But it was not to be. Like all the bands from this period, it was a struggle to find the right balance between commercial appeal and artistic endeavour. While Go wanted to be artistic, the results are mixed. Ghost Machine really is hand-me-down Traffic with Winwood a bit lost about what it’s about. He sounds a bit more himself on Winner-Loser, the only song on Go that he composed. Otherwise, the rest of the rock-hybrid songs [Time Is Here, Crossing The Line and Man of Leo] all have Al DiMeola’s jazz-rock touch also known as the Mahavishu approach to fusion. The 15- minute long Crossing The Line attempts at Pink Floyd’s majestic Dark Side with singer Karen Freedman doing her best Clare Torry imitation. The only track here that goes to outer space is Surf Spin which has Klaus Schulz and Yamashta’s ambient techniques for a brief six minutes. Here was probably what Go should have had more of. The contest between Schulz’ spiralling synth and Yamashta’s revving sounds are much more interesting than the rest of the performances cliched rockisms. But cliched rockisms are what’s still required for that standard record contract. Interesting music will always start at the fringes of the scene. As you will hear in this short series, prog rock could hardly break away from the sound established by Yes, Pink Floyd and ELP. The further they tried to "progress", the more they sounded the same. All the songs on Go are composed and arranged by Stomu Yamashta with lyrics by Michael Quartermain. Steve Winwood only wrote one. 1 flac  
2. 09/21/77 Roxy - Los Angeles, CA a- Lineage: TDK C90 tape > Tascam 302 > Tascam CDRW-750 > ASUS DRW-24B1ST > 16 bit files > Audacity for volume adjustment and splices > CD Wave Editor V. 1.98 for tracking > converted to FLAC 8 using Trader's Little Helper V2.8.3.182. Tape, conversion and editing by Michael Cariola. 1 flac  
3. 09/26/77 Greay American Music Hall - San Francisco, CA A+ Transfer: Low Gen cassette > CDR > .wav > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC We are pleased to kick off a series of releases from a long time West Coast taper/collector that recently passed away. He transferred his extensive archives to CDR years prior to his passing and then passed it to a close friend. His friend has been involved in the West Coast music scene for the last five plus decades and understands the importance of getting these historic shows out to the collector’s community. We are working closely reviewing the shows and researching current circulation as well as possible upgrades. Our eighth release features a wonderful FM broadcast from Stomu Yamashta's Go captured at the Great American Music Hall in San Francisco on the 1977 tour in support of the excellent "Go Too" release. This is the last night at the Music Hall of a two night stand playing two shows a night at 9 and 11:30. We’ve included newspaper ads and a review of the show, with the headline "A jazz onslaught of indescribable volume and style", the review is positive stating "...the overall concept of Yamashta's music, and his direction, made for some of the best-ever Great American Music Hall listening." The review mentions it being a 10-piece band, we have confirmed 9 of the 10 members if that is correct. There are a number of folks we are indebted to for access to this exciting new archives, the anonymous West Coast collector, may he rest in peace, his friend that had the motivation and understands the need to get these historically important shows into circulation before they were lost forever and a huge thanks to dime member “davmar77”. He did not currently have the bandwidth to facilitate such an undertaking at this time and put us in touch...this is how dime should work. Also, a big thanks to Goody, our pitch master, for not only getting this historically important show at the correct speed as well as helping tidy up the setlist. Dimers don't wait until it's too late to get those archives out into circulation. mjk5510 1 flac  
4. 10/10/77 Ivanhoe Theater - Chicago, IL A- Lineage: TDK-SA C90 tape > Tascam 302 > Sony PCM M-10 at 96/24 Wave files > Audacity for volume adjustment > CD Wave Editor V. 1.98 for tracking > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape and conversion and editing by Michael Cariola 1 flac  

Strawbs  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/04/74 Ebbet's Field - Denver, CO A I received this Broadcast recording in a cassette trade around 1978. The sound quality is Excellent. Lineage: TDK-D C90 tape > Tascam 302 > Sony PCM M-10 at 96/24 Wave files > Audacity for volume adjustment > CD Wave Editor V. 1.98 for tracking > 96/24 and converted to FLAC 8 using Trader's Little Helper V2.8.3.182. Tape copy, conversion and editing by Michael Cariola. 1 flac  
2. 03/24/74 Performance Center - Cambridge, MA A   2 flac  
3. 03/28/74 The Bottom Line (Early Show) - New York, NY A source: aud 1st gen reel taped by Jerry Moore lineage: aud>akg d1000e>sony tc-110a, tdk sd's cassette masters> 7" reel @ 3.75 ips, dolby b sony tc-850>teac an-180/b>sbm1>cd-rw4u cdr, eac>adobe audition 2.0>cd wave>flac reel transfer/seeded by Rob Berger '99/2011-03-28 1 flac  
4. 03/28/74 The Bottom Line (Late Show) - New York, NY A source: aud 1st gen reel taped by Jerry Moore lineage: aud>akg d1000e>sony tc-110a, tdk sd's cassette masters> 7" reel @ 3.75 ips, dolby b sony tc-850>teac an-180/b>sbm1>cd-rw4u cdr, eac>adobe audition 2.0>cd wave>flac reel transfer/seeded by Rob Berger '99/2011-03-28 1 flac  
5. 03/02/75 Beacon Theater - New York, NY AA   1 flac  
6. 07/04/04 Hugh's Room - Toronto, ON A Sony Minidisc > core sound cardiod mics > soundblaster live > pc Cdwave to split soundforge 7 to master convert with Flacfrontend to FLAC. Taped by BurnBoy Transfered by BurnBoy 2 flac  
7. 10/20/04 York Hill Farm - Shenandoah, WV a- Recording Equipment: Internal Mic>Panasonic RX-SR29 Tape Deck>(2)Memorex CD2 90>Alesis TapeLinkUSB>Audacity>WAV>FLAC Taper: Lostbrook Mastering: CQ 1 flac  
8. 10/19/05 Satalla - New York, NY 9 Dave Cousins, acoustic guitar, banjo, lead vox Dave Lambert, acoustic lead guitar, vox Chas Cronk, acoustic guitar and bass, bass pedals, background vox special guest original band member John Hawken on piano After the Strawbs played the John Ford Band played Recorded using DPA 4060s on brim of hat seated at table in rear of florr, 3' high dfc > Sony D8 > (48k) DAT master by nylifer@aol.com Master DAT playback - Sony A7 > SB Live (48 > 44.1 conversion) > Cool Edit Pro 2 and single wave was normalized to 100% not equal L/R. Editing - Much applause was lowered and then the waves were normalized again. Set 1, track 1, 2, and start of 3 was raised 6 db to match rest of show due to level change while recording. Tracked using CD Wave 1.71. Encoding - FLAC front-end 1.1.0 set to Level 8 with verify. 2 Flac  
9. 06/18/08 Shank Hall - Milwaukee, WI A Source: Audience capture from Mini-Disc Master: Transfer: SONY MZ-2P (Optical out) >TASCAM CD-RW5000 PRO.(CDRW) > EZ CD Audio Converter /extraction > FLAC > TLH checksums & torrent. 2 flac  
10. 06/27/09 Shank Hall - Milwaukee, WI A+ Recorder: SONY MZ-R50 MD mini disc Mic: SONY ECM 717 stereo Transfer: SONY MXD-D40 analog out > to SONY- ICD-SX750 PCM recorder > USB to desktop > CDWAV (track split) > Stamp ID3 Tag Editor > TLH checksums & torrent. 1 flac  
11. 11/25/10 Boom Boom Club - Surrey, UK A Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording Could use a volume adjustment 2 flac  
12. 05/17/16 Rams Head On Stage - Annapolis, MD AA Source: AT822 > Sony M10 (24/96) Taper: Stealth Productions Transfer: Sony M10 (24/96) > Micro SDHC > PC > Flash Drive > ProTools (EQ, Compression, Dither) > WAV 16/44.1 > Sound Forge 10 (Tracking) > Trader's Little Helper > FLAC (Level 8) 2 flac  
13. 10/25/17 Backstage at the Green Hotel - Kinross, Scotland AA Source - CA 11 Cardoids - CA 9200 - Tascam DR-100 - Magix Audio Lab for track splits - TLH recorded by andygs 2 flac  
14. 11/20/17 Jammin Java - Vienna, VA AA Transfer: Sony M10>Micro SDHC>PC>>Sound Forge 10>WAV 16/44.1>Trader's Little Helper>FLAC(level 8) 2 flac  
15. 11/19/18 Unknown - Harpenden, England AA Lineage: Zoom H2n (built in mics) > USB > HD > Sound Studio (tracking, fades) > xACT (sector boundary alignment, encoding, tags 2 flac  
16. 02/19/19 Pool Stage - Royal Carribbean, Bahamas AA Source: CA11(cards)>SPSB-12>Sony M10(24/48) Location: 25' center Transfer: Sony M10>Micro SDHC>PC>Sound Forge 10>WAV 16/44.1>Trader's Little Helper>FLAC(level 8) 1 flac  
17. 04/15/19 Jammin Java - Vienna, VA A Source: CA11(cards)>SPSB-12>Sony M10(24/48) Location: 12' center Transfer: Sony M10>Micro SDHC>PC>Sound Forge 10>WAV 16/44.1>Trader's Little Helper>FLAC(level 8) Taper/Transfer: Lostbrook Covers: ethiessen1 2 flac  

Stray  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/21/02 Brierly Hill - Unknown, UK AA   1 flac  
2. 01/31/16 Butlins - Minehead, UK A Source: Master Audience Recording, Zoom Q3 (wav), +9db, EAC (uncompressed), CD, Flac 8, Dime. 1 flac  
3. 11/29/19 The Lub100 C - London, UK AA Source1: AT853C > CA9100 preamp > Sony PCM-M10 @ 24/48 Source2: SBD > iRiver H108, rockboxed, CF mod @ 16/44.1 Transfer: M10/H108>Audacity(fade in, volume boost source 1 +10.3/10.3dB, source 2 -1.7dB, change speed source 2 +0.0132, Fade out>dither to 16/44.1)>CD Wave>FLAC Location: DIN, Centre, on stand at 8.5' Recorded, transferred, and FLAC'd by Humbug. 2 flac  

The Streets  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/28/83 Entertainment City - Pittsburgh, PA 8.5 Notes: FM. Extracted using EAC from my store-bought CD. King Biscuit Flower Hour 1 Flac  
2. 12/05/83 Baccanal Theater - San Diego, CA 8 Pre-FM vinyl > CDR > Trade > EAC > FLAC 1 Flac  

String Driven Thing  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/73 unknown - London, UK A+ CD Title: - It's A Game Source: - Pre FM Transcription Discs Quality: - Excellent Artwork: - Yes Lineage: - Silver Pressed CD - EAC (Secure Mode) - Flac These BBC In Concert performances were ripped direct from my Silver CD copy. Both the quality and the musical content of this CD are both superb. This is progressive rock at it's best. If you are into this band you will know what I mean, if you have not heard them before give them a go, you will not regret it. This is the first time I have ever posted this and I've never seen it posted anywhere before. I don't think I have ever seen any String Driven Thing posted anywhere before. If you have any please post it as I would love to get more. There are some official live releases around but this is the only boot recording that I have been able to find. 1 flac  

Styx  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/07/76 Chicago Stadium - Chicago, IL 9 Incredible sound for 1976. Soundboard cause you can barely hear any crowd didn't come with lineage 1 Flac  
2. 02/07/76 Chicago Stadium - Chicago, IL 9 Incredible sound for 1976. can barely hear any crowd didn't come with lineage I was able to detect slight mic bumps 1 Flac  
3. 03/26/76 Paramount Theater - Seattle, WA A LINEAGE FM BROADCAST REEL MASTER @ 3 & 3/4 IPS>AKAI GX 4000-D REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS EDITS AND VOLUME ADJUSTMENT>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  
4. 04/02/76 Winterland - San Francisco, CA A SOUNDBOARD 50 minutes CDR TRADE > EAC > FLAC 1 flac  
5. 04/18/76 Massey Hall - Toronto, ON A Transferred by eve1976 CASSETTE TAPE (TDK D90) --> TECHNICS RS-T20 --> AUDACITY --> WAV --> FLAC 1 flac  
6. 11/29/76 Ford Auditorium - Detroit, MI A- Lineage: Master Cassette>Nakamichi 670 azimuth-adjusted playback deck>Nakamichi outboard Dolby B Unit>Wavelab 96/24 1ch mono>Sox 44.1/16 2ch mono>flac Taping Gear: Teac M-100>Sony 153-SD Cassette Deck(Dobly B on) Taped and transferred by JEMS The absolute best that I have seen from the Crystal Ball Album definitely a must 1 Flac  
7. 01/27/77 Massey Hall - Toronto, ON B++ This recording is recommended for diehard fans only. I Think it´s the most complete show from "Crystal Ball Tour". It includes 6 of 8 songs from "Crystal Ball" album. 1 flac  
8. 08/14/77 Warnors Theatre - Fresno, CA A- CDR > EAC > flac (Trader's Little Helper) 1 flac  
9. 09/23/77 Auditorium Theater - Chicago, IL A+ KISW FM Broadcast Aired 1978-02-25 From The JEMS Archive Transferred and Presented By Krw_co LINEAGE FM BROADCAST REEL MASTER @ 3 & 3/4 IPS>AKAI GX 4000-D REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS EDITS AND VOLUME ADJUSTMENT>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) For how old it is this is an excellent recording 1 flac  
10. 11/04/77 Orpheum Theater - Boston, MA A Nakamichi 550 Tape Recorder Two Nakamichi CM-300 Microphones Maxell cassettes Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger Dan Lampinski 1 flac  
11. 12/04/77 Jai Alai Arena - Miami, FL a- Source : Audience Recording (unknown deck/mics) > unknown gen cassette (Boedi-taper & Wes Meyette copies) Boedi-taper transfer : Sony TC-D5M Cassette Deck > Edirol R-09 HR > CD Wav Editor > Wave > TLH (sbe aligned) > Flac 8 Wes Meyette transfer : Nak Dragon > Sony PCM-M10 > CD Wave Editor (tracking) > Wave > TLH (sbe aligned) Flac 8 Traders Den - February 8, 2020 edited & posted by kingrue upload #2341 2 flac  
12. 01/27/78 Long Beach Arena - Long Beach, CA A Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 78 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 1 flac  
13. 01/28/78 Winterland - San Francisco, CA A CDR TRADE > EAC > FLAC (LEVEL 6) 2 flac  
14. 05/11/78 Apollo Theatre - Manchester, England A- Transferred by eve1976 My CASSETTE TAPE (unknown Gen) --> TECHNICS RS-T20 --> AUDACITY --> WAVE --> CDWAVE (split) --> FLAC 1 flac  
15. 09/02/78 Place des Nations - Montreal, QC B++ Transferred by eve1976 CASSETTE TAPE (MAXELL XLII90) --> TECHNICS RS-T20 --> AUDACITY --> WAV --> FLAC (LEVEL6) 2 flac  
16. 10/19/78 Oakland Coliseum Arena - Oakland, CA B++ Cassette > CDR > EAC > CD Wave Editor (track splitting) > FLAC (Trader's Little Helper) Tape transfer by luciferburns, all editing and track marking done by myself 2 flac  
17. 12/18/78 Chicago Stadium - Chicago, IL A- Lineage - silver disc > WAV (EAC in secure mode) > FLAC (TLH @ level) > Dime 1 flac  
18. 08/20/81 Brendan Byrne Arena - East Rutherford, NJ B++ Transferred by eve1976 MY CASSETTE TAPE (MAXWELL) --> TECHNICS RS-T20 --> AUDACITY --> CDWAVE (split) --> FLAC 2 flac  
19. 10/31/81 Scandinavium - Gothenburg, Sweden a- SOURCE : EX low gen (2nd ?) audience tape. (some occasional unverload) LINEAGE : unknown (but great) recording gear -> low gen Maxell UD Type I cassettes -> Nakamichi Dragon dolby off, auto azimuth, for playback -> Pioneer PDR 609 stand alone CD burner -> WAV -> EAC V0.99 prebeta 4 -> Goldwave v.5.08 for tracks splitting, edits -> Flac Frontend 1.7.1 -> FLAC level 8 align on sector boundaries. 2 flac  
20. 12/02/81 ICC - Berlin, Germany a- Transferred by eve1976 My Cassette Tape --> TECHNICS RS T-20 --> PHILIPS CDR 785 --> CDR --> WAV --> FLAC (Level 6) it has some static but still a solid recording 2 flac  
21. 01/13/82 Budokan Hall - Tokyo, Japan A "The Live Illusion" [Fire Power FP-019. Liberated Bootleg CD. Original Silver Disc. CD --> EAC --> FLAC (Level 6) 2 flac  
22. 04/09/83 Saenger Theater - New Orleans, LA A FM > unknown > CDR > Exact Audio Copy > Wav > FLAC Frontend This one has Tommy's "Cold War" (I believe with extra verse) and of course the amazing "Haven't We Been Here Before" which is my all time favorite song from Kilroy Was Here. 1 flac  
23. 06/11/83 Omni Theater - Atlanta, GA A-   2 flac  
24. 06/11/83 Omni Theater - Atlanta, GA 9 Recorded By: unknown local taper with unknown equipment Source: Analog Master > 1st Gen (TDK-AD) Langdon Master Series Vol. 35 Transfer: Nak BX-300 > Sony PCM M10 (24/48) > AVS Audio Editor > CD Wave Editor > Transferred & tracked by Wes Meyette Uploaded By; "Lucifer Burns" 1 Flac  
25. 06/22/91 Marcus Ampitheatre - Milwaukee, WI A-   2 flac  
26. 06/29/91 The Fabulous Fox Theatre - St. Louis, MO B++ Tape supplied by: Belexes Transfer info: cassette > JVC KD-V6 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC Transfer: luciferburns Editing and tracking: tonsofsobs Artist: Styx Source: Fox Theatre, St. Louis, MO. June 29th 1991 Time: 115:43 2 flac  
27. 08/19/91 Forum de Montréal - Montreal, QC A   2 flac  
28. 07/11/96 Walnut Creek Amphiteater - Raleigh, NC A Source: FOB (11th row center) Schoeps CMBI w/ MK4 caps > HHB1000 by Barry Berman (likely) > DAT(1) via Dr. B. Fried Transfer: Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, levels, remove DC offset, glitch repair) > FLAC 1648 Thanks to Doc. Fried for lending his tape to be transferred and shared, and to Dan Rogosa for facilitating 2 flac  
29. 07/14/96 Jones Beach Theater - Wantagh, NY A Transfer info: DAT master > Sony DTC-A6 DAT deck > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC This transfer was done by luciferburns. 2 flac  
30. 06/13/97 Riverport Ampitheater - Maryland Heights, MO B++ Transfer info: 1st gen cassette > JVC KD-V6 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC This transfer was done by luciferburns. Tracking and edits were done by myself. 2 flac  
31. 05/06/12 Greek Theatre - Los Angeles, CA A- DSM6 -> PACLC -> R-09HR -> Soundforge -> FLAC 2 flac  
32. 06/25/21 Sandstone Amphitheater - Bonner Springs, KS A light rain stopped after a couple of songs; occasional wind noise recorded from row 31, center, in front of mixing desk; outdoor amphitheater recorder: Ed Broll lineage: SP-CMC-9 (Audio Technica 898) > Roland R-07 (24bit/48kHz Wav) > CoolEditPro/GoldWave/CDWave > FLAC duration: 102mins 2 flac  
33. 07/22/21 Sweetwater Performance Pavilion - Fort Wayne, IN A Schoeps MK41s > Nbob Actives > Baby Nbox > Sony A10 > 16 bit, 44.1 kHz, 1,536 kbps > TLH (flac level 8) recorded by guitard running time: 1 hr 52 mins 8 secs 2 flac  
34. 10/17/21 Buddy Holly Hall, Helen Devitt Jones Theater - Lubbock, TX A- Taper: F2walsh Art: Toe-Knee Tracking: dandrew Lineage: Zoom H1 (wav/16-44) > audacity > TLH (flac) 2 flac  
35. 05/13/23 Premier Theater at Foxwoods - Mashantucket, CT A Source info: Sennheiser ME-104's> Roland R-07 (16/44.1) >USB> PC> GoldWave v6.23> CDWaveEditor v1.96 (track split)> TLH> Flac (6) Taper: Ringfedder 2 flac  
36. 09/29/23 Nugget Event Center - Sparks, NV a- Lineage: Audio Technica AT831 Cardioid microphones > Sony PCM M10 24/96 recording by Wes Meyette and tracking using CD Wave Editor 1 flac  
37. 01/24/26 The Venetian - Las Vegas, NV 9.5 AT853 to SONY A-10 -> Soundforge -> FLAC Master wav sent to me via anonymous source 2 Flac  

Sugarloaf  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/15/75 Ebbets Field - Denver, CO AA soundboard reel > dat > hhb 850 > cdr > nero > wav > flac 1 flac  

Supertramp  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 A Night On The Road - Unknown, Unknown 9 I've managed to remove most of the ticks and crackle. An occasional pop still crops up here and there, but it's not too annoying. Only exception is the start of Hide in your shell. Some ticks there just wouldn't go away. So be it. Commercials, dj talk and interviews have been left out. I created a short fade-in or fade-out where necessary. This is offered here a I made it for my own enjoyment. Great sound and great tracklist. This is sourced originally from a 3LP set sent out to radio stations. It was made in may 1982, but I think the recordings go back to the big tour Supertramp did in 1979. The LP's were sent out in spring 1982 to generate interest for the upcoming new album. A big thansk to tortwister for sharing this beatutiful recording. Venue: unknown Source: Radio Transcription LP Sound: A+ 2 Flac  
2. 04/03/72 Festhalle - Bern, Switzerland A- Hitachi Low Noise Master Cassettes>Nakamichi 682 ZX Cassette Tape deck(normal eq/no noise reduction)>Tascam FireOne>iMac 3.06 GHz Intel Core Duo>Audacity>normalize>FLAC>TTD 1 flac  
3. 09/24/74 Hammersmith Odeon - London, England A BBC recorded live at Hammersmith 1 flac  
4. 01/02/75 Wembley Arena - London, UK A Excellent BBC stereo broadcast 1 flac  
5. 02/26/75 Le Bataclan - Paris, France A   1 flac  
6. 03/09/75 Hammersmith Odeon - London, England A Excellent soundboard 2 flac  
7. 03/05/76 Orpheum Theatre - Boston, Ma A Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger 2 flac  
8. 03/07/76 Public Auditorium - Cleveland, OH A (Vinyl - OH BOY 1-9106 Dreamers) 1 flac  
9. 03/20/76 Santa Monica Civic Center - Santa Monica, CA A Lineage: Bootleg LP----TECHNICS SL-BD3 Turntable---PC-Audio Soundcard---MAGIX Audio Clean Lab----Wave---TLH---Flac 1 flac  
10. 03/20/76 Santa Monica Civic Center - Santa Monica, CA A Speed adjusted -4.50% Added time to text file converted text file to asci Fixed SBE's Made ftp and md5 Added metadata to flac files ------------------------------ orginal text: Supertramp 1976-03-20 Santa Monica Civic Center, Santa Monica, CA liberated bootleg "Alien", Saturated Recordworks source: vinyl LP --> Mac --> CDR --> flac (level 6) with xACT 1 flac  
11. 03/31/76 Civic Auditorium - Santa Monica, CA 8.5 Barry Goldstein Master Series Volume 19 via JEMS Recording Gear: Sony TC-55 portable cassette recorder JEMS Transfer: Barry Goldstein Master Cassettes > Nakamichi RX-505 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX10 Advanced and Ozone 9 > FLAC 1 Flac  
12. 02/05/77 Royal Albert Hall - London, UK AA   1 flac  
13. 02/05/77 Royal Albert Hall - London, UK A LINEAGE K.B.F.H. WXCD/CD 94.7 CHICAGO FM BROADCAST DAT MASTER(48KHZ)>SONY PCM R-300 DAT> FIBER OPTIC>CREATIVE SOUNDBLASTERX-FI HD MODEL #SB1240 WAV (16/48KHZ)TO MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS >WAV AND EDITS 16/48> TLH FLAC (LEVEL 8)NO EQ OR OTHER TAMPERING ALL ADS HAVE BEEN REMOVED 1 flac  
14. 04/20/77 Seattle Center Arena - Seattle, WA A   3 wav  
15. 06/12/77 Orpheum Theatre - Boston, MA A+ Nakamichi 550 Tape Recorder Two Nakamichi CM-300 Microphones Maxell cassettes Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger No EQ'ing. 2 flac  
16. 10/11/77 Jaap Edenhal - Amsterdam, The Netherlands a- Trade FLACs-->Audacity (gap removal, speed-correction, tracking, tags)-->FLAC 8 2 flac  
17. 11/10/77 Queen Mary College - London, UK A+ Sources: 1,3,5,8: WW1 Superstar Concert Series #93-29 (pre-FM CD) 4,7,10: WW1 Superstar Concert Series #98-23 (pre-FM CD) 2: WW1 BBC Classic Tracks #93-01 (pre-FM CD) 6: London Wavelength BBC Rock Hour #343 (pre-FM LP) 9: BBC4 TV broadcast 10Nov06 1 flac  
18. 11/19/77 Queen Mary College - London, England A FM > Cassette > Audacity - track split & convert to FLAC Level 8 > TDD A bit of interference present on the broadcast in a few of places, and some hiss during the quiet bits, otherwise a good recording. Recorded by harryh using a Phillips cassette recorder. 1 flac  
19. 03/22/79 Milwaukee Arena - Milwaukee, WI A ANALOG RB PRODUCTION A super classic here! Second night of two shows. 10th row right center main floor Maxell XLI-S first tape Maxell UD-C45 second Tape DECK: Technics RS-686DS MICS: Teac ME-80's (CM-300 Naks) Dolby On for recording. Tape master played back on original unit. Dolby off for playback! Using Chord Company cables from Naim... Played through the Naim Audio NAC-52 pre-amp to the Teac CDR-2000 Mastered to Taiyo Yuden 74-ZY CDR's PC drive.....Plextor UltraPlex40max CDR-Rom SCSI W/adaptec 2930 EAC>FLAC>YOU GUYS 2 flac  
20. 04/04/79 The Fabulous Forum - Inglewood, CA A Mike Millard First-Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 229 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2024 Transfer: Mike Millard First-Generation Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX8 Advanced and Ozone 10 > MBIT+ resample to 16/44.1 > xACT 2.50 > FLAC 2 flac  
21. 05/05/79 Coliseum - Houston, TX a-   2 flac  
22. 06/18/79 Alpine Valley Music Center - Troy, WI A Source: Audience capture / from 1st gen Cassette Transfer: cassette in Tascam CC-222 MK II > analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > Stamp ID3 Tag Editor > TLH checksums & torrent 2 flac  
23. 11/29/79 Paris Pavillion - Paris, France A+   2 flac  
24. 06/10/83 Showground Festival - Werchter, Belgium A Lineage: Unknown analog recording > ??? > CD > Audacity > FLAC (level 8) Speed-correction by ghostfromsparta Source: Audience Quality: VG 2 flac  
25. 06/23/83 Waldbuhne - West Berlin, Germany a- seeded by Vortex242 lineage: MaC or 1stgenC > CD-R recieved in a CD-R-trade early 90s CD-Rs > EAC (logs included) > WavMerge > Adobe Audition CS6 > CDwave > TLH > flac Fans talking near recorder 2 flac  
26. 07/03/83 Hippodrome de Parilly - Lyon, France a- Source : Audience Recording > unknown gen cassette (courtesy of M.R. archives) Editing : Zoom H4n (16/44) > Sound Forge (volume & tracking) > Wave > TLH (sbe aligned) Flac 8 Traders Den - May 27, 2020 tracked & posted by kingrue upload #2542 2 flac  
27. 07/23/83 Olympiahalle - Munich, Germany A EXC preFM source, 2 CD. CD---EAC---FLAC 2 flac  
28. 08/09/83 Brendan Byrne Arena - East Rutherford, NJ A-   2 flac  
29. 08/11/83 Memorial Auditorium - Buffalo, NY a- Talking by the taper gave it a lesser grade 2 flac  
30. 08/24/83 Canadian National Exhibition (CNE) Grandstand - Toronto, ON a-   2 flac  
31. 09/02/83 Center Coliseum - Seattle, WA A Taper: Unknown Source: Audience Transfer: CD-R from trade > EAC > FLAC Level 8 > you Sound Quality: A- in my rating and ears.... 1 flac  
32. 09/02/83 Center Coliseum - Seattle, WA 9 Osborn Master Series Vol. 5 Recorded with Sony Walkman Pro D6-C with Aiwa CM-30 Mic Source: TDK-SA Analog Master Transfer: Nak BX-300 > Sony PCM M10 (24/48) > CD Wave Editor Transferred & tracked by Wes Meyette Uploaded By; "Lucifer Burns" 2 Flac  
33. 09/16/83 Lloyd Noble Center - Norman, OK A   2 flac  
34. 01/22/86 Patinoire De Meriadeck - Bordeaux, France B++ Lineage : Tape > TEAC W600R > minidisc MZ-NH700 > Sonicstage > wav > DBpoweramp > flac 2 flac  
35. 02/07/88 Bercy - Paris, France 9 Source: Audience Transfer: CD-R from trade long time ago > EAC > FLAC Level 8 > you 2 Flac  
36. 03/24/88 Palacio De Deportes - Madrid, Spain A Source: Soundboard Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you Sound Quality: A in my rating and ears.... ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) 2 flac  
37. 10/06/97 Patinoire De Meriadeck - Bordeux, France a- Taper : TREKK Materiel : Micro Aiwa > Magnéto AIWA HS-JS245 Transfer: Tape > TEAC W600R > minidisc MZ-NH700 > Sonicstage > wav > DBpoweramp > flac MY BOOTLEG LIST IS AT THIS URL : http://db.etree.org/trekk 2 flac  
38. 05/02/02 Patinoire De Meriadeck - Bordeaux, France a- Taper : TREKK Materiel : Micro Aiwa > Magnéto AIWA HS-JS245 Transfer: Tape > TEAC W600R > minidisc MZ-NH700 > Sonicstage > wav > DBpoweramp > flac MY BOOTLEG LIST IS AT THIS URL : http://db.etree.org/trekk 2 flac  
39. 09/07/10 Arena di Verona - Verona, Italy 8 Recording: Sony ECM717 > Sony MZ-R700 MD Transfer: MD Master .wav File > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC 2 Flac  

Sutherland Brothers  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/01/76 Apollo - Glasgow, Scotland B++ Recently rediscovered in the GW vaults. Recorded by myself in the front row of the circle using Sanyo cassette with inbuilt mike. Sanyo Cassette - Akai Tape Deck - PC - Adobe - Audacity - TLH Once on my PC I put the raw file through Adobe Audition to tweak the sound slightly I then tracked using Audacity before converting to FLAC using TLH. Unfortunatly, at some point in the past 45 years, the first 4 songs of the recording were lost. As the recording progresses it sounds like the batteries were running out but it is what it is. 1 flac  

Suzanne Vega  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/15/84 Iron Horse Music Hall - Northampton, MA AA Source: soundboard > cassette master > cassette > DAT (16bit, 48khz) > DAT clone; no further info Transferred by stevemtl: DAT > Sony R500 > Roland R44 (16/48) > SD chip > HD Mastered by stevemtl: HD > Soundforge (L2 dither > 24/48: L2 level adjust, trim, edit, fades) > r8brain (VHQ downsample > 24/44.1) > Soundforge (L2 dither > 16/44.1) > CDwave (track cut) > TLH (flac level 8, ffp, md5) > TLH (torrent marker) Circulated by stevemtl: torrent marker uploaded to DIME on 2020-05-17 2 flac  
2. 01/13/85 Mixed Bag FM - New York, NY A+ FM>cassette(m)>cdr(0)>eac>flac>you 1 flac  
3. 07/11/85 Rockefellers - Houston, TX A   2 flac  
4. 09/14/85 Pier 84 - New York, NY A+ (Nakamichi cm-700's) The Recording: Master - nakamichi cm-700 mics > sony TCD-5M cassette (front / center orchestra) Copy - master cassette > 1st gen cassette 1st gen cassette > Nakamichi CR-7A > sony sbm-1 > HHB CDR recorder 1 flac  
5. 03/16/87 Wiltern Theater - Los Angeles, CA A+ 2 flac  
6. ??/??/87 Gouacher College - Baltimore, MD AA The Recording: Master - soundboard > unknown cassette deck Copy - cassette master > 1st gen cassette (unknown equipment) 1st gen cassette > Nakamichi cr-7a > sony sbm-1 > HHB CDR recorder ;flac fingerprints generated by xACT 2.49 on 2020-06-05 14:51:11 +0000 2 flac  
7. 05/12/90 Stadtpark - Hamburg, Germany A+ LINEAGE: Analogue Tape (FM-Master) > Edirol R-09 (WAV) > audacity (level adjustment / fades) > CD wave (track splits) > FLAC (level 8) 2 flac  
8. 12/14/90 Philipshalle - Duesseldorf, Germany AA   2 flac  
9. 12/15/90 Centre Sportif - Luxembourg, Luxembourg AA   2 flac  
10. 03/20/93 Theater Of Living Arts - Philadelphia, PA AA   2 flac  
11. 08/02/96 Starlight Bowl - Burbank, CA A+ Sonic Studios DSM-6 (AA battery powered) > Sony TCD-D3 DAT master @ 48kHz 7th row, left center DAT master on Fostex D-5 > digital coax > M-Audio Fast Track Pro > USB > Adobe Audition 3.0 (light compression, fades, 48>44.1) > CDWAV 1.98 > Trader's Little Helper 2.7.0 > FLAC 2 flac  
12. 09/19/96 Gene Autry Museum - Los Angeles, CA A+ KSCA FM Broadcast > Sony ST-JX380 tuner > Fostex D-5 DAT master @ 16-bit/48 kHz DAT master on Fostex D-5 > AES/EBU > Marantz PMD580 Solid State Recorder > SD Card (via CF Card Adapter) SD card > Adobe Audition 3.0 (minor editing, fades, normailzation, conversion to 44.1kHz) > CD WAVE 1.98 (tracking) > Trader's Little Helper 2.7.0 > FLAC 2 flac  
13. 11/02/96 Flynn Center - Burlington, VT A Recorded by stevemtl: Sennheiser MKE2002 > Denon DTR80P (DAT: 16/48) Transferred by stevemtl: DAT > Sony R500 > Roland R44 (16/48) > SD chip > HD Mastered by stevemtl: HD > Soundforge (L2 dither > 24/48: L2 level adjust, trim, edit, fades) > R8brain (VHQ downsample to 24/44.1) > Soundforge (L2 dither > 16/44.1) > CDwave (track cut) > TLH (flac level 8, ffp, md5) > TLH (torrent marker) Circulated by stevemtl: torrent marker uploaded to DIME on 2020-04-09 2 flac  
14. 10/03/97 Knitting Factory - New York, NY A+ Source: DAT master > my clone (DAT: 16bit/48khz) Transferred by stevemtl: DAT > Sony PCM-R500 > Roland R44 > SD chip > my fingers > slot on computer > HD Mastered by stevemtl: HD > Sound Forge (L2 dither > 24/48: L2 overall level adjust, edit, L2 applause and talk level adjust, fades) > r8brain (vhq downsample > 24/44.1) > Sound Forge (L2 dither > 16/44.1) > CDwave (track cut) > TLH (flac level 6, ffp, md5) > TLH (torrent marker) Circulated by stevemtl: Torrent marker uploaded to DIME on 2021-01-24. Support Suzanne Vega by attending gigs if and as available and purchasing official releases and other merchandise. Please pass on in a lossless format only; reserve mp3 and other degrades for your own use exclusively. Do not profit in any material way from this recording. 2 flac  
15. 02/17/02 Iron Horse Music Hall - Northampton, MA A+ Source: DAT master > ? clone > my clone (16bit, 44.1khz); no further info Transferred by stevemtl: DAT > Sony PCM-R500 > Roland R44 > SD chip > my fingers > slot on computer > HD Mastered by stevemtl: HD > Sound Forge (L2 dither > 24/44.1: L2 overall level adjust, edit, fades; L2 dither > 16/44.1) > CDwave (track cut) > TLH (flac level 6, ffp, md5) > TLH (torrent marker) Circulated by stevemtl: Torrent marker uploaded to DIME on 2021-02-17; nineteen years ago to the day. 2 flac  
16. 03/12/02 Koningin Elisabethzaal - Antwerp, Belgium A+ Notes: incomplete due to dying batteries, opener "Bob Hillman" Source: Core Sound Binaurals (on chest under T-Shirt) > Battery Box with Bass-Roll-Off filter > Aiwa AM-F65 (Mic-Sens: Low, AGC) > MD Lineage: Sony MDS-JE 500 > Optical Toslink > Zoltrix Nightingale (bitacurate) > Cool Edit 1.53 > WAV > HD > Audacity (SBE save track split, minor volume adjustments, amplification, fades) > WAV > Flac(8) > foobar2000 (tags) 1 flac  
17. 07/21/02 Penn's Landing - Philadelphia, PA AA   2 flac  

Sweet  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/02/76 Unknown - Odense, Denmark A- wav>traders little helper>flac 8>you They had 3 dates in Denmark so we are not sure so I picked this one 1 flac  
2. 02/27/76 Masonic Auditorium - Detroit, MI A- wav>traders little helper>flac 8>you 1 flac  
3. 05/16/76 Eissporthalle - Berlin, Germany A wav>traders little helper>flac 8>you 1 flac  
4. 02/04/78 Philipshalle - Duesseldorf, West Germany A- Source: audience recording - flac with dpPoweramp - you 1 flac  
5. 02/15/78 Gota Lejon - Stockholm, Sweden A   2 flac  
6. 03/10/81 Top Rank Club - Cardiff, Wales A- Source: Audience Lineage: Audience> Cassette Philips UF*I 90> Pioneer CT-656> WaveLab> Wave> Pan and Level Normalizer Love is like Oxygen there waas a tape flip thus the a- 1 flac  
7. 04/21/89 Americahal - Apeldoorn, Netherlands A Source: FM Lineage: FM> ?> Cassette> Pioneer CT-656> WaveLab> Wave> Pan and Level Normalizer Notes: It's a live recording from the Dutch radio station Veronica from 21th of April, 1989. The Sweet were playing on the Golden Oldies Festival 'Goud Van Oud' in Apeldoorn. 1 flac  
8. 12/15/90 Jim Thorpe Theater - Jim Thorpe, PA 8.5 LINEAGE AUDIENCE ANALOG MASTER CASSETTE~NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)~ CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)~MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS~WAV(16/44.1KHZ)~TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 Flac  
9. 06/12/91 Grottan Cabaret - Falkenberg, Sweden A Source: Audience Generation: 1st Tape: Maxell UD II (type II) Taper: KK Tape transferred and edited by mats666 (2021-02-06) From my old collection Lineage: Maxell UD II > Technics BX-747 (Azimuth Corrected) > Zoom h2n (wav 24/48) > sandisk > usb > Pc > Audacity (edits) > dBpoweramp music cenverter wav 16/44 > TLH (fixing SBE`s) > CD wave editor (cue sheet) > dBpoweramp music converter > FLAC (level 8) 2 flac  
10. 04/01/93 Trocadero Theatre - Philadelphia, PA A- G2 MASTER AUDIENCE RECORDING SONY D3 MASTER CASSETTE>STAND ALONE BURNER>WAV>FLAC 2 flac  
11. 07/02/04 Vattenfestivalen - Motala, Sweden A Lineage: Master DAT Recording> PC> Light EQ, Track Split> CD> CD Ripp> Flac 2 flac  
12. 05/17/19 Kulturfabrik - Krefeld, Germany AA Lineage: SP-CMC-25 with SP-EMC-1 Croakie Mount Option > SP-PREAMP - Sound Professionals - Low Noise Gain-Selectable Portable Stereo Preamp (0db gain) > Edirol R-09HR (16 bit, 44.1 kHz) > WAV to FLAC conversion with Foobar2000 - md5 checksum with Traders Little Helper - Torrent file with µTorrent MD5 Checksum included Audience Recording on SDHC Card NOTES: Special thanks to metamarc for remastering my original file: equalized with Har-Bal; tweaked with Adobe Audition 2.0; cleaned and enhanced with iZotope RX3 2 flac  
13. 09/07/19 Riviera Theater - North Tonawanda, NY A Taper: Poignant Pros (binko) Gear: CA14s > Tascam DR-08 Mastered by }{eywood Lineage: DR-08 (recording to 24/48 .wav) > USAB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > xrecode II (conversion to 16/44.1) TLH (sector alignment, flac 8) 2 flac  
14. 12/10/22 Academy 2 - Manchester, UK a- Olympus LS-P5 - Internal Mics - Audition - FLAC 24/48 1 flac  
15. 12/15/23 Academy 2 - Manchester, UK a- SP-BMC-12 > SP-SPSB-10 Sony PCM-A10 > Audition > CD Wave - Split Tracks > TLH 24/48 2 flac  
16. 12/12/25 Penns Peak - Jim Thorpe, PA 9 Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Sony A-10 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 1 Flac  

Swing Shift  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/21/00 SLO Vets' Hall - San Luis Obispo, CA AA Mackie 24 Channel Mixer Board> Tascam DA-P1 (16bit/44.1khz) DAT Master Transfer: DAT(m) > Sony PCM-R500 > S/PDIF > Tascam HD-P2 > CDWave WAV >Audacity (Minor De-Amplification Of Select-Frequency Drum Spikes, Track Splits, Fade Out Last Track When DAT Ran Out) >FLAC (Level 8) + Tags Via xACT 2.47 Recorded, Audacity, FLAC, & Tags By OldNeumanntapr Transfer by Terry Watts Set I: 01. 02. 03. 04. 05. 06. 07. 08. 09. 10. 11. 12. 13. Set II: 01. 02. 03. 04. 05. 06. 07. 08. 09. 10. SLO Blues Society 2 flac  

Talking Heads  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/27/76 My Fathers Place - Old Rosalyn, NY A Source: CB Master Cassette via JEMS, Recording Gear ??? JEMS 2020 Transfer: CB TDK SA 90 Master Cassette Reshelled > Nakamichi CR-7A (azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX restoration and Ozone mastering > .wav1644 > Wavelab (small edits & speed adjustment by nfagdtrfb) > CD-Wave > TLH > FLAC 1644 (tagged). 1 flac  
2. 01/14/78 Paradiso - Amsterdam, The Netherlands A+ Source: FM Lineage: cassette > Nakamichi Dragon > Audacity > WAV > FLAC@blog > Audacity (splitting, fades) > TLH flac 8 > you 1 flac  
3. 12/12/78 Opry House - Houston, TX A source : fm taper : mystical crow transfer : markp 2 flac  
4. 08/24/79 Berklee Performance Center - Boston, MA A+ SBD > WBCN Pre-FM reel > DAT @ 48 kHz > WAV > FLAC Number of reel and DAT generations unknown. 48 kHz DAT read on White Box Enterprise Linux 3 with kernel 2.4.21-27.0.2.EL * read_dat 0.2 using DAT DDS ARCHIVE Python 01931-XXX firmware 5.63 * sndfile-resample using libsamplerate-0.1.2 libsndfile-1.0.11 and fftw-3.0.1 44.1 kHz WAV edited on Windows XP SP2 * Sound Forge 6.0e Build 237 fade out + mute end of set fade out + mute end of encore * CD Wave 1.93.3 removed pre show, pre encore and post encore cruft track splits * FLAC 1.1.1a with FLAC Frontend 1.7.1 level 7 1 flac  

Tangerine Dream  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/30/18 Bochum Zeiss Planetarium early show - Bochum, Germany A Audience HD Recording Zoom H2 > Sony ECM 717 (48/24) > GoldWave (44.1 /16) > iZotope remaster by Metamarc 2 flac  

Ted Nugent  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/14/75 Illinois Institute of Technology - Chicago, IL a- This has Papa's will on it a KSHE CLASSIC. Ted didn't play this after 1976 and maybe earlier enjoyt that. 2 flac  
2. 05/03/75 Tower Theatre - Upper Darby, PA B++ Lineage: Unknown Generation Memorex MRX2 Oxide Cassette Tape > Deck to PC Transfer > Magix Audio Lab Tracking/Trimming > TLH FLAC 8 > Dime nelsonm55 March 10, 2018 1 flac  
3. 10/31/75 Electric Ballroom - Dallas, TX A fm broadcast 1 flac  
4. 07/28/76 Sam Houston Coliseum - Houston, TX 8 Lineage: Soundboard Master > 1st Generation Cassette > Cool Edit Pro (Indexing) > CDR > Flac 1 Flac  
5. 09/10/76 Hammersmith Odeon - London, UK 8.5   2 Flac  
6. 01/22/77 Freeman Coliseum - San Antonio, TX A If you ever heard Hibernation well you are old too. Generally I have wrote Ted off but I did see him several times in the 70's and he was as advertised, electric. CDDA > FLAC > FFP Trader's Little Helper micro glitch: Wang Dang Sweet Poontang @ 00:55 Not my rip, just sharing the goodies 2  
7. 09/11/80 Civic Arena - Pittsburgh, PA a- LINEAGE KBFH PRE FM LP'S TO CDR CLONE 1 TO EAC WAV 16/44.1 TO AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS TO WAV 16/44.1 TO TRADERS LITTLE HELPER FLAC LEVEL 8 NO EQ OR OTHER TAMPERING 1 flac  
8. 03/23/88 Sheffield Arena - Sheffield, England A Lineage: Unknown Generation Soundboard FLAC files received from tonsofsobs > Adobe Audition CC(repairing micro glitches & Channel Volume balance) > Magix Audio Lab (Retracking - NO EQ Tampering) > Back at you 2 flac  
9. 12/31/90 Cobo Hall - Detroit, MI A FM Radio in FLAC Level 8 1 flac  

Ted Nugent & The Amboy Dukes  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/19/74 Richards Nightclub - Atlanta, GA A LINEAGE: MASTER SBD?>?>Fujifilm CDR Audio(trade)>WAV(EAC)>FLAC(7)>You NOTES: A KILLER set ! It seems to be complete. Could be a great audience recording near the SBD console or a 1 flac  
2. 04/22/74 Agora Ballroom - Cleveland, OH A+ Lineage: Unknown CDR received in trade years ago > Traders Little Helper > FLAC Level 8 > Dime on 11/20/14 Excellent Sounding show which appears to be a live FM radio soundboard broadcast from Cleveland's WMMS This is incomplete but what is here is great 1 flac  

Tedeschi Trucks Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/24/19 Lockin' Festival - Arrington, VA A+ No notes or lineage but its a great one 2 flac  
2. 10/02/19 Beacon Theater - New York, NY 9 source : schoeps mk41v > nbob actives > babynbox > a-10 > 24/48 wav adobe audition > ozone 8 advanced > xact 2.45 > flac 16/44.1 taper : edtyre location : loge dead center first row 2 Flac  
3. 07/03/21 Frederick County Fairgrounds - Fredrick, MD A Source: AKG C460Bs/CK 63-ULS (FOH, DFC, ~10' on stand)->Kind Kables->Naiant LittleBox->Segue Dogstar Silver-Clad Interconnect->Edirol R-09HR (24 bit/48 kHz) Transfer: SDHC -> PC Processing: Fade in, fade out & tracking using SoundForge 11.0 Conversion: WAV -> Flac Level 8 using Trader's Little Helper Recorded by: Tim Brown 2 flac  
4. 10/05/21 Beacon Theater - New York, NY A+ T853.1644 Lineage SD Card > Adobe Audition > Rx7 > Audacity > mp3tag Mics AT853 cards Source AT853 cards (A-B/PAS)>4.7k mod>Zoom H6 (Row A Loge 1) 2 flac  
5. 02/19/22 Warner Theater - Washington, DC A+ Source: Microtech Gefell M21 > nBob actives > Sound Devices MixPre-6 (24/48) Transfer: MP6 > iMac. Tracked via Sound Studio, FLAC via xACT 2 flac  
6. 02/22/22 Ryman Auditorium - Nashville, TN A+ Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44.1) FOB/DRFC/KFC/ZFC/ADA/AARP Section 3, Row K, 7 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man A Team Dirty South Recording 2 flac  
7. 07/15/22 Fox Theater - Atlanta, GA A Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44.1) FOB/DFC/KFC/ZFC/AARP Orchestra Center Section, Row Z, Seat 107, 7 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man A Team Dirty South Recording 2 flac  
8. 08/24/22 Cuthbert Amphitheater - Eugene, OR A WAV >Audacity (Balance Levels, [Amplify Right Channel +1db],Track Splits, Minor Edits, [Obnoxious Crowd Noise], De-Amplify Loud Close-Proximity Hand Claps, Down Sample To 16 Bit / 44.1kHz) Fix SBE's >FLAC (Level 8) + Tags Via xACT 2.50 Recorded By DATCC Processed By OldNeumanntapr 1 flac  
9. 03/20/26 Beacon Theatre - New York, NY 9 ** 24 BIT ** Source: Schoeps MK4V radial cardioids (in a Kangol hat) > Nbob actives > Nbox Platinum > Roland R-05 @ 24 bit/48 kHz Mastering: .WAV's > iZotope RX11 Advanced v11.0.1.3871 (De-Click) > Sound Forge Pro 18.0.0 Build 21 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.20 (tagging) Location: Front row, lower balcony, right of center Recorded by: Jim Kelly (musicjaime) Mastered by: Dennis Orr 2 Flac  
10. 03/21/26 Beacon Theater - New York, NY 9 ** 24 BIT ** Source: Schoeps MK4V radial cardioids (in a Kangol hat) > Nbob actives > Nbox Platinum > Roland R-05 @ 24 bit/48 kHz Mastering: .WAV's > iZotope RX11 Advanced v11.0.1.3871 (De-Click) > Sound Forge Pro 18.0.0 Build 21 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.20 (tagging) Location: Front row, lower balcony, right of center Recorded by: Jim Kelly (musicjaime) Mastered by: Dennis Orr 2 Flac  
11. 03/25/26 Beacon Theater - New York, NY 9 ** 24 BIT ** Source: Schoeps MK4V radial cardioids (in a Kangol hat) > Nbob actives > Nbox Platinum > Roland R-05 @ 24 bit/48 kHz Mastering: .WAV's > iZotope RX11 Advanced v11.0.1.3871 (De-Click) > Sound Forge Pro 18.0.0 Build 21 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.20 (tagging) Location: Front row center, lower balcony Recorded by: Jim Kelly (musicjaime) Mastered by: Dennis Orr 2 Flac  

Ten Years After  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/21/05 Fete de la Musique - Marq-en-Baroeul, France A Rec. Info: Aiwa CM-TS55 mic -> Sony MD-Recorder (@ WAV 16/44) -> SDcard -> HD -> Transfer -> my HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> YOUR EARS AND MIND... Recorded by dear Lylian close to the stage edge. A lot of loud chatters and clap-along(s) disturb this otherwise nice recording a bit. So this needed a bit of surgery, but I left most of the show untouched. Sorry, no pics, no setlist scan, but there two nice blogs on the net (in french language) with nice pics. Spacey's notes: I've seen this lineup of TYA twice before this show, on Burg Herzberg 2003 (or better Eckhardtshausen) and at an indoor-festival on 5th of May 2005 where TYA were clearly the macht winners, surpassing lame (or lamest) performances from Canned Heat and Iron Butterfly (In-a-gadda-nie-wieder - the famous joke of my late friend Meikel). I really liked this version of TYA - though I can't compare with the current after Leo Lyons and Joe Gooch left. Nothing too sensational here, but a good-fueled bluesrock-machine. Enjoy! 2 flac  
2. 08/30/09 Square Bayard - Charleville-Mezieres, France a- Rec. Info: Aiwa CM-TS55 mic -> MD MZR700 (@ WAV 16/44) -> HD -> Transfer -> my HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> YOUR EARS AND MIND... Recorded by dear Lylian close to the stage edge. This was hell to rework and I wouldn't rate it as a very good recording. Not the fault of the taper, but there are some very annoying disturbances found here. First of all, it was an outdoor event, most likely the headliner or closing show, so everybody was - as we say in german - "voll wie die Eimer" (totally drunk), so there's some very "agressive" screaming, hollering and clapping as well as the usual poor attempts to sing along (try this only when you know the lyrics). The audience enjoyed themselves more than the show... Anyway, here it is, warts and all, no pics this time. some hand clapping and other crowd noises still a solid one 1 flac  
3. 11/29/09 Cental Cultural Center - Lessines, France A Rec. Info: Aiwa CM-TS55 mic -> MD MZR700 (@ WAV 16/44) -> HD -> Transfer -> my HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> YOUR EARS AND MIND... Recorded by dear Lylian close to the stage edge. This was also a pain in the ass to rework, for different reasons as the 2009-08-30 show. This time the following mean disturbances appeared: The tape sounded muffled. Also the vocals and partial the instruments are distorted. I'd also removed a cut here and there (that was not too serious) and towards the end of the show, the sound got way better... Curious why? Me, too. Anyway, another "warts and all" recording, but a big bunch of fine pics are included here...Enjoy or not. SB 2 flac  
4. 01/07/20 Crossover Music Club - Gent, Belgium A+ Rec. Info: Aiwa CM-TS55 mic -> Zoom H2 (@ WAV 16/44) -> SDcard -> HD -> Transfer -> my HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> YOUR EARS AND MIND... Recorded by dear Lylian close to the stage edge. Superb recording, almost no screams, hollers and claps. Instruments and vocals are clear in the mix. Punchy mix, indeed. Enjoy! A bunch of pics are included as well. 2 flac  

Terry & The Pirates  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/06/85 Chi Chi Club - San Francisco, CA a-   2 flac  
2. 08/26/88 Morty's - San Francisco, CA a-   2 flac  

Thin Lizzy http://www.thinlizzy.org/
  Date Venue - City, State Sound Rating Notes Media  
1. 11/15/76 Hammersmith Odeon - London, England A   1 flac  
2. 10/20/77 Tower Theater - Philadelphia, PA A Live and Dangerous Box set 2 flac  
3. 10/21/77 The Tower Theatre - Upper Darby, PA A Live and Dangerous box set 2 flac  
4. 08/16/78 The Forum - Inglewood, CA A Mike Millard Original Master Tapes via JEMS 2496 Edition The Lost and Found Mike the MICrophone Tapes Volume 26 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2020 Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > Audacity > TLH > FLAC 1 flac  
5. 09/05/78 Paradise Rock Club - Boston, MA B++ Lineage -- FM (1-14) Soundboard (15-17) >> Silver boot CD >> WAV [using EAC in secure mode] >> Flac [using TLH @ level 8] 2 flac  
6. 04/15/79 Apollo - Glasgow, Scotland a-   2 flac  
7. 09/25/80 Nakano Sunplaza - Tokyo, Japan B++ Lineage - original bootleg silvers > WAV (EAC in secure mode) > FLAC (TLH @ level 8) > Dime 2 flac  
8. 11/26/81 Hammersmith Odeon - London, England A- Lineage: received in trade (unknown generation) - EAC - flac level 8 - you 2 flac  

Think Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/04/17 Capitol Theater - Horsham West Sussex, UK AA Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
2. 03/03/18 Harlequin theater - RedHill Surrey, UK AA Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 2 flac  

Think Floyd USA  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/06/16 St. Albans Arena - Unknown, UK AA Zoom H2n > SD > minor Goldwave tweaks > CDR Nice recording, middle near the front 2 flac  

Three Dog Night  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/19/83 The Starry Night - Portland, OR a- source: analog sbd recording gen: 2nd taper: ? cassette provided by: jormajeff transfer: cassette -> Onkyo TA 2051 -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2023-10 (24-48) 1 flac  
2. 10/08/83 Street Scene Festival - Los Angeles, CA B++ Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC 1 flac  
3. 11/17/85 Rockefellers - Houston, TX AA Lineage: SBD > 1st gen cassette > CDR > EAC > WAV > Editing (below) > FLAC Frontend > FLAC 2 flac  
4. 07/17/10 Ulrich City Centre - Lockport, NY 8 A Luvsufo HDR Master @ 16/44.1 Transferred and Presented By Krw_co LINEAGE AUDIENCE HDR MASTER SANS DISC SD CARD WAV @ 16/44.1 TO AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS TO WAV 16/44.1 TO TLH FLAC LEVEL 8 1 Flac  
5. 05/27/12 Billy Bob's - Ft. Worth, TX a- Recorded from the front row slightly right of center SP Core Mics> Battery box with Bass Rolloff at 16Hz> Zoom H4n 16 bit 44.1htz >HDD>Goldwave to split the file > traders little helper flac level 7 1 flac  
6. 08/26/18 Conoco Phillips Borealis Theater - Palmer, AK A Source: Sonic Studios DSM-6P w/3-way lo-cut filter (@ 80hz, middle setting) > Tascam DR-2d @ 16 bit/44.1 kHz Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > iZotope RX6 Advanced v6.00.1210 (de-wind) > CDWav tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging) Location: Left side of the soundboard on the front of the lawn Recorded by: Steve "ballsdeep" Hagar Mastered by: Dennis Orr 2 flac  
7. 07/05/22 Riviera Theater - North Tonawanda, NY a- A Poignant Pros recording by Binko Gear / Lineage: CA11s > Tascam DR-08 > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
8. 03/13/26 Genesse Theater - Waukegan, IL 9 Mics: DPA 4022 Recorder: Nagra Seven Location: My Favorite spot. SD Card Reader: Prograde Dual Slot SD Sound Forge to track 2 Flac  

Three Man Army https://www.allmusic.com/artist/three-man-army-mn0000925947/discography
  Date Venue - City, State Sound Rating Notes Media  
1. 01/19/74 BBC Studio - London, England B++ Lineage: Sony LN C90 > Tascam 302 > Sony PCM M-10 at 96/24 Wave files edited with CD Wave Editor V. 1.98 > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape covertion and editing by Michael Cariola 1 flac  

Time Traveller  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/03/24 Woodbridge High School - Woodbridge, NJ A Lineage: Zoom H2n (MS pattern, 120 degrees) > WAV (onto SD card) > Nero wave editor (trim & fade end tracks) > CD Wave (to split tracks) > Cool Edit Pro (balanced channels, then volume boost, hard limited to -0.1dB) > Trader's Little Helper (sb-aligned) > FLAC 2 flac  

Todd Rundgren http://www.tr-i.com
  Date Venue - City, State Sound Rating Notes Media  
1. 04/25/74 Fox Theater - Atlanta, GA A The is from the ÒRetrorockÓ Radio Broadcast which aired in the early '80's. The Radio Show's tag was Òputting the present into perspectiveÓ so it includes the songs included here plus host Meg Griffin informing us of a little of what TR was up to at the time. Not much actual information, but the songs are fantastic. Made from the transcript LP on a great turntable > DAT > CD (with digital editing by Sandra Winters to rid the CD of clicks and pops). This is sourced from a Bubnick CDR, one of the few where sticking a label on it didn't warp the disc enough to ruin it. 1 flac  
2. 11/14/79 Westchester Theater - Tarrytown, NY A lineage: WCOZ Boston 94.1 FM radio > Sansui 8 reciever with wire FM antenna > Teac reel to reel recorder (unknown model #, no dolby) > Maxell UD 35-90 master reel (normal bias) rec. @ 3.3/4 ips > played on Akai GX-77 reel deck into soundforge (wav) > flac (sb's aligned) > torrentially yours. 2 flac  
3. 06/23/00 Westbury Music Fair - Westbury, NY a- source/lineage-liberated boot of presumed DAT recording> EAC> Audacity> TLH> TTD 2 flac  

Todd Rundgren & Ian Hunter  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/20/80 The Agora - Akron, OH A Somewhere between an A and A+ but man they were smoking 2 flac  
2. 10/15/80 Orpheum Theatre - Boston, MA A- unknown mikes > Sony 152 stereo cassette deck (dolby off) > TDK-SA 90 min. master cassettes (high bias) > 1st gen. copy (same) > played on Nak, 300 into soundforge (wav) > flac (sb's aligned) > torrentially yours. 2 flac  
3. 10/20/80 Agora Ballroom - Cleveland, OH a- Trade CD-R--->EAC--->FLAC8 2 flac  

Tom Constanten https://tomconstanten.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 02/09/06 State Theater - Falls Church, VA A AUD > ? > CDR > FLAC 1 flac  

Tom Petty http://www.tompetty.com
  Date Venue - City, State Sound Rating Notes Media  
1. 01/14/97 Filmore West - San Francisco, CA A- Traded this audience recording (via 2 CDs of wav files) over a decade ago and so don’t have the information. Please do not sell. Converted from WAV to FLAC. Though the recording isn’t the greatest, it’s notable for many reasons: first, it’s one of the first few live performances of “Walls,” and in contrast to later Fillmore shows which would do acoustic renditions of this song, this one is electric; second, “Climb that Hill” was only played at this show; third, the appearances of rarities like “On the Street,” “Trailer,” and “Keeping Me Alive.” 2 flac  

Tom Petty & The Heartbreakers http://www.tompetty.com
  Date Venue - City, State Sound Rating Notes Media  
1. 07/24/79 Civic Auditorium - Santa Cruz, CA A+   2 flac  
2. 06/30/81 Forum - Inglewood, CA a- Tom Petty and the Heartbreakers The Forum Inglewood, CA June 30, 1981 Mike Millard Master Tape via JEMS The Lost and Found Mike the MICrophone Tapes Volume 67 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 01 American Girl 02 Listen To Her Heart 03 A Thing About You 04 Here Comes My Girl 05 The Waiting 06 I Need To Know 07 Cry To Me (Solomon Burke cover) 08 Don't Do Me Like That 09 Even The Losers 10 Don't Bring Me Down (The Animals cover) 11 A Woman In Love (It's Not Me) 12 Insider (with Stevie Nicks) 13 Needles and Pins (The Searchers cover with Stevie Nicks) 14 King's Road 15 Breakdown 16 Refugee 17 Shout (Isley Brothers cover) Known Issues: -None Introduction to the Lost and Found Mike the MICrophone Series Welcome to JEMS’ Lost and Found Mike the MICrophone series presenting recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin done in and around Los Angeles circa 1975-77. For the complete details on how tapes in this series came to be lost and found again, as well as JEMS' long history with Mike Millard, please refer to the notes in Vol. One: http://www.dimeadozen.org/torrents-details.php?id=500680. Until 2020, the Lost and Found series presented fresh transfers of previously unavailable first-generation copies made by Mike himself for friends like Stan Gutoski of JEMS, Jim R, Bill C. and Barry G. These sources were upgrades to circulating copies and in most instances marked the only time verified first generation Millard sources had been directly digitized in the torrent era. That all changed with the discovery of many of Mike Millard’s original master tapes. Yes, you read that correctly, Mike Millard’s master cassettes, long rumored to be destroyed or lost, have been found. Not all of them but many, and with them a much more complete picture has emerged of what Millard recorded between his first show in late 1973 and his last in early 1992. The reason the rediscovery of his master tapes is such a revelation is that we’ve been told for decades they were gone. Internet myths suggest Millard destroyed his master tapes before taking his own life, an imprudent detail likely concocted based on the assumption that because his master tapes never surfaced and Mike’s mental state was troubled he would do something rash WITH HIS LIFE’S WORK. There’s also a version of the story where Mike’s family dumps the tapes after he dies. Why would they do that? The truth is Mike’s masters remained in his bedroom for many years after his death in 1994. We know at least a few of Millard’s friends and acquaintances contacted his mother Lia inquiring about the tapes at the time to no avail. But in the early 2000s, longtime Millard friend Rob S was the one she knew and trusted enough to preserve Mike’s work. The full back story on how Mike’s master tapes were saved can be found in the notes for Vol. 18 Pink Floyd, which was the first release in our series transferred from Millard’s original master tapes: http://www.dimeadozen.org/torrents-details.php?id=667745&hit=1 http://www.dimeadozen.org/torrents-details.php?id=667750&hit=1 Tom Petty and the Heartbreakers, The Forum, Inglewood, CA, June 30, 1981 Hello again, TTD. The Lost and Found series moves here exclusively this week to release a fine Tom Petty show from the Hard Promises tour. As Jim notes below, this period marked an early peak in popularity for Petty broadly and even more so in Southern California. Petty's set draws heavily from his then new album, led by the undeniably catchy single "The Waiting, which received heavy airplay on AOR stations around the country. Stevie Nicks makes a guest appearance on stage, dueting on "Insider" from Hard Promises as well as The Searchers' "Needles and Pins." Less than a month after this show, Petty would return the favor on Nicks' single "Stop Draggin' My Heart Around," which became a pop hit. Petty also served as co-producer for the album it came from, Bella Donna, which launched Nicks' solo career. The rest of set includes long versions of Petty classics like "Breakdown" and "Refugee," plus a couple of other familiar Petty covers, The Animals' "Don't Bring Me Down" and the Isley Brothers' "Shout" to end the show. As explained by Jim R, he and Mike were seated in front of their sweet spot for taping, so close to the stage that Mike's recording gets more amp and monitor sound than PA mix. Those of you following the Lost and Found series closely know this phenomenon has happened to other Millard captures, usually resulting in low vocals and moments of uncannily close guitar or other instrumentation. In mastering, we've done our best to rebalance the soundscape. The issue isn't as pronounced as it is on the Springsteen Sports Arena show we recently released, recorded the same year, but not dissimilar either, though I find the final Petty audio superior. Samples provided. Here's what Jim R recalled about the Petty show: I went with Mike Millard to the Tom Petty concert at The Fabulous Forum on June 30, 1981. We both got our equipment in. Sound and pictures. Our ticket stubs say Section B Row 4 (fourth row center), but they removed the first two rows of Section B so we actually sat second row center. They did this to extend the stage. Second row is obviously a great location to see a concert, but a little too close for taping purposes. Security is less than ten feet away. Yikes!!! The odds of getting busted go up dramatically. The stage lighting would reflect off of Mike's mic heads, so I had to check them frequently to make sure they were tucked well into his hat. In addition to tucked-in mics, sitting second row means the PA was mostly over our heads. All of this contributed to Petty's vocals sounding on the thin, hollow side. If only they left in the first two rows, I think the sound would have been better. But what can you do? As we knew about the stage set up a few days before, we had the pleasure of telling our friends also sitting in section B that they were moving up two rows. This tour marked a surge in popularity with Petty playing three nights at The Forum. The year before he played only one. It was a fun concert overall especially given the set list and some of Tom's comments to the crowd. Stevie Nicks showing up was an added bonus. I hope you enjoy the show and my pictures as much as Mike and I did. ### JEMS is proud to join with Rob, Jim R, Barry G, Ed F and others to release Millard's historic recordings and to help set the record straight about the man himself. We can’t thank Rob enough for reconnecting with Jim and putting his trust in our Millard reissue campaign. He kept Mike’s precious tapes under wraps for two decades, but once Rob learned of our methods and stewardship, he agreed to contribute the Millard DATs and cassettes to the program. Our releases would not be nearly as compelling without Jim’s memories, photos and other background contributions. As many of you have noted, the stories offer an entertaining complement to Mike’s incredible audio documents. Special thanks to Professor Goody for pitching checking this week's release and to mjk5510 for his essential work on the post-production side of JEMS. Finally, cheers to the late, great Mike the MICrophone. His work never ceases to impress. May he rest in peace. BK for JEMS 2 flac  
3. 06/01/87 Reunion Arena - Dallas, TX A Recording: 2 x Sony ECM 33F Mics > Marantz PMD 430 (DBX Encoded) Transfer: mjk5510 Master > Nakamichi DR-01 (DBX decoded / azimuth adjusted) > Audacity (24/96) > Peak Pro 6 (pitch adjusted +35 cents) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > 16/44 > xACT 2.39 > FLAC 2 flac  
4. 06/23/87 Blossom Music Center - Cleveland, OH A Likely but unverified recording gear: AKG 460 mins > Sony PCM-F1/beta Deck Transfer/Lineage: Beta Masters > Sony Beta Deck (model unknown) > Panasonic SV 3700 DAT > DAT rip to 16/44.1 .wav 2 flac  
5. 07/29/89 Universal Amphitheatre - Los Angeles, CA A+ Mike Millard First-Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 106 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2021 Transfer: Mike Millard First-Generation Cassettes > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC ************************************************************************* FLAC Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
6. 08/19/89 Brendan Byrne Arena - East Rutherford, NJ A Transfer: Low Gen Tape from KS archives > Nakamichi DR-01 (azimuth adjusted) > Audacity > iZotope RX / Ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
7. 09/13/89 Dean Smith Center, University Of North Carolina - Chapel Hill, NC A Comments: Sourced from FM Broadcast; mostly very clean, excellent performance all around. CD -> WAV -> FLAC 1.1.2 2 flac  
8. 03/03/90 Pacific Amphitheater - Costa Mesa, CA AA Tom Petty and the Heartbreakers Pacific Amphitheatre Costa Mesa, CA March 3, 1990 Mike Millard Original Master Tapes via JEMS 1644 Edition The Lost and Found Mike the MICrophone Tapes Volume 25 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2020 Transfer: Mike Millard Master Cassettes > Nakamichi RX- 505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > MBIT+ resample to 1644 > Audacity > TLH > FLAC 01 Love Is A Long Road 02 A Mind With A Heart Of Its Own 03 Breakdown 04 I Won’t Back Down 05 Free Fallin’ 06 Down The Road Apiece (Will Bradley Trio cover, sung by Stan Lynch) 07 Lonely Weekends (Charlie Rich cover) 08 Ben’s Boogie 09 Don’t Come Around Here No More 10 A Face In The Crowd 11 Listen To Her Heart 12 Something In The Air (Thunderclap Newman cover) 13 Alright For Now 14 Yer So Bad 15 Mr. Tambourine Man (Bob Dylan cover with Roger McGuinn) 16 Turn! Turn! Turn! (Pete Seeger/The Byrds cover with Roger McGuinn) 17 Eight Miles High (The Byrds cover with Roger McGuinn) 18 You Got Lucky 19 Rebels 20 What Are You Doin’ In My Life? 21 Refugee 22 Runnin’ Down A Dream 23 The Waiting 24 Straight Into Darkness 25 How Many More Days 26 Don’t Do Me Like That 27 Even The Losers Known Flaws: cut/tape change at the start of “Refugee” Intro to the Lost and Found Mike the MICrophone Series Welcome to JEMS’ Lost and Found Mike the MICrophone series presenting recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin done in and around Los Angeles circa 1975-77. For further details on how tapes in this series came to be lost and found again, as well as JEMS' history with Mike Millard, please refer to the notes in Vol. One: http://www.dimeadozen.org/torrents-details.php?id=500680 Until this year, the Lost and Found series presented fresh transfers of previously unavailable first-generation copies made by Mike himself for friends like Stan Gutoski of JEMS, Jim R and Barry G. These sources were upgrades to circulating copies and in most instances marked the only time verified first generation Millard sources had been directly digitized in the torrent era. That all changed with the discovery of many of Mike Millard’s original master tapes. Yes, you read that correctly, Mike Millard’s master cassettes, long rumored to be destroyed or lost, have been found. Not all of them but many, and with them a much more complete picture has emerged of what Millard recorded between his first show in late 1973 and his last in early 1992. The reason the rediscovery of his master tapes is such a revelation is that we’ve been told for decades they were gone. Internet myths suggest Millard destroyed his master tapes before taking his own life, an imprudent detail likely concocted based on the assumption that because his master tapes never surfaced and Mike’s mental state was troubled he would do something rash WITH HIS LIFE’S WORK. There’s also a version of the story where Mike’s family dumps the tapes after he dies. Why would they do that? The truth is Mike’s masters remained in his bedroom for many years after his death in 1994. We know at least a few of Millard’s friends and acquaintances contacted his mother Lia inquiring about the tapes at the time to no avail. But in the early 2000s, longtime Millard friend Rob S was the one she knew and trusted enough to preserve Mike’s work. Here is Rob’s account of how Millard’s master tapes were saved: After Mike left us, I visited his mom Lia occasionally, usually around the holidays. She’d talk about the grandkids and show me pictures. She had no one to help out around the house so I did some minor improvements like fixing a kitchen shelf that collapsed and another time a gate that hadn’t worked for years. After a few visits, I explained to Lia how the tapes were metal, up to 25 years old already and would eventually deteriorate. She agreed to let me take the tapes and make copies. We went into Mike’s bedroom and it was exactly like I remembered it when I was there years before. I loaded up every tape I could find and went to work copying them. Oldest first, some requiring “surgery.” Months later when I was done copying, I compared what I had copied to a list Mike had compiled of his masters and realized there were many shows missing. I returned the tapes and asked Lia if we could see if there were any more somewhere else in the house. We went into a back bedroom and found a bunch of boxes filled with more original master tapes. I loaded them up, thanked Lia and left. This was the last time I would see her. I copied the rest of the tapes and stored the masters in a cool dry place until late last year when Jim R. reached out. We had known each other through Mike. After speaking with Jim and later BK who had tracked him down, I knew their partnership was the “right way” to get this music out to everyone who wanted it. I’m sure Mike would agree. ### Initially, Rob copied a large batch of Millard’s master cassettes to DAT and returned them to the house. The second time around, he was given a large portion of the cassette collection, different from what he had copied to DAT. The first round of DAT transfers features some of Millard’s most famous recordings of Led Zeppelin, ELP, the Rolling Stones and Jethro Tull. The second traunch of actual cassette masters includes his captures of Yes, Genesis, Peter Gabriel, Rush and Pink Floyd. As exciting as it is to access Millard’s masters of the shows we know and love, there are many new recordings in both batches from artists like Elton John, Queen, Thin Lizzy, Eric Clapton, The Who, the Rolling Stones, Paul McCartney, Fleetwood Mac, Tom Petty, Guns N’ Roses, Linda Ronstadt, David Bowie, the Moody Blues, U2 and more. Even with an information gap in the mid ‘80s (when Millard was surely taping but there is no tape or written evidence as to what he captured), we have confirmed nearly 300 shows Millard did record. Of those, there are master cassettes for approximately 100 shows, DATs off masters of another 75 and first generation analog copies for 30-35. Collectively, that nearly quadruples the number of extant Millard recordings. Our original master tapes series began with Pink Floyd, which you can find here: http://www.dimeadozen.org/torrents-details.php?id=667745&hit=1 http://www.dimeadozen.org/torrents-details.php?id=667750&hit=1 Tom Petty, Pacific Amphitheatre, Costa Mesa, CA, March 03, 1990 We extend our series with a cracking capture of Tom Petty and the Heartbreakers on tour supporting Petty’s first solo album, Full Moon Fever, released in the Spring of 1989. This show came near the end of the run, and as such benefits from some loosening of the set list. The show is several songs longer than the one at the Forum two nights earlier (though to be fair that show boasted guest appearances by Bob Dylan AND Bruce Springsteen, though unfortunately it would not appear Millard was there to capture it). Costa Mesa gets its own special friend dropping in, Roger McGuinn, who joins for a fine mini Byrds set of “Mr. Tambourine Man,” “Turn! Turn! Turn!” and “Eight Miles High.” The Heartbreakers get their share of the spotlight too, with drummer Stan Lynch singing “Down The Road Apiece,” while keyboard player Benmont Tench shines in his instrumental “Ben’s Boogie.” Also making a rare appearance is “What Are You Doin’ In My Life,” played for the first time since the early ’80s. The rest of the set is no slouch either, with Petty in fine voice and the band in great form if perhaps slightly road weary by the end of a long night. The same can be said for Millard, who, as Jim R points out, was recording from his sweet spot at the Pac Amp, Row CC, Seat 38, three rows behind the pit in front of section 2. Like the previously posted Linda Ronstadt recording from the same venue seven months later, Mike gets an incredible pull on his home court, with a rich, deep, full-fidelity recording. Samples provided. Neither Jim nor Rob attended the show with Mike, so we’ll just have to let his amazing audio provide all the color and memories. Mike’s cassettes are labeled in the standard method he favored in this period with straightforward lettering of the band and his bubble writing name logo. ### JEMS is proud to partner with Rob, Jim R and Barry G to release Millard's historic recordings and to help set the record straight about the man himself. I recently saw a post in which someone wondered where Millard placed his microphones. The answer of course was in his hat, which allowed him to stand up and sit down when needed and not lose his angle of attack on the PA. He kept his hair just long enough to cover the wires coming out the back and down his neck. Millard may have been one of the first, but the hat method was used by other great tapers including our own Jared Houser of JEMS, who used a Kangol for this purpose over the last 20-25 years of his taping career. We can’t thank Rob enough for reconnecting with Jim and putting his trust in our Millard reissue campaign. He kept these precious tapes under wraps for two decades, but once Rob learned of our methods and stewardship, he agreed to contribute the Millard DATs and cassettes to the program. Our series would not happen without the support of our post-production lead mjk5510, who always answers the call and never says no. His love of the music and our preservation work runs as deep as mine does. In these unprecedented times we will attempt to accelerate our release schedule to put more music in your hands and ears while we are bunkered in. Please stay positive, help your neighbors, help strangers and let’s get to the other side of this intact. Better still, make a donation to a food bank or other key support organization helping out those who are struggling even more than you are to get by. Lastly, cheers to the late, great Mike the MICrophone. His work never ceases to impress. May he rest in peace. BK for JEMS 2 flac  
9. 05/18/90 Southern Choice - Wilmington, NC A+ Unofficial Soundboard Recordung - Excellent Sound Quality 2 flac  
10. 03/08/95 United Center - Chicago, IL 9 Remixed & remastered by Mr. Sifter, March 2024 Remaster notes: This comes from a leaked in-house video, so the 'low-gen SBD' vague notes of the source are a bit misleading. Demuxed using DeMix Pro, remixed to give the drums a bit more presence, try to find at least a little of Howie's bass when I could, and give the rest a slight stereo image to open things up. Used Ozone Spectral De-Noise to remove quite a bit of unpleasant noise throughout the tape, unfortunately there are no other known sources to patch the occasional moments of static that crop up now and then. Mastering done via Izotope Ozone. ************************************************************************ FLAC >WAV >Audacity (Drop Out Repairs) >Fix SBEs > FLAC + Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) 2 Flac  
11. 01/10/97 The Fillmore - San Francisco, CA A new transfer from dat taped on dat with Schoeps mic by (code name) Mr HCE>who sent me this clone>microtrack>cut into tracks in Goldwave>TLH Upped by Dolphinsmile from the Dolphinsmile Archives 2 flac  
12. 01/12/97 The Fillmore - San Francisco, CA A Sonic Studios DSM-6s > Sony SBM1 (48k) > Sony TCD-D8 DAT Master > Tascam us144-mkII > PC > Audacity > CD Wave > TLH FLAC 16/48 2 flac  
13. 01/15/97 The Fillmore - San Francisco, CA A+ Aud -> DAT (Unknown Equipment) -> DAT (SV-3800x2) 2 flac  
14. 01/16/97 The Fillmore - San Francisco, CA A+ could be a house feed its that good 2 flac  
15. 01/21/97 The Fillmore - San Francisco, CA A Source: Schoeps mics > pre-amp > DAT Lineage: DAT1 16/48 > FLAC Transfer (BLG): DA-20 > digital coax > Marantz PMD-670 > usb reader > Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC 2 flac  
16. 01/24/97 The Fillmore - San Francisco, CA A MK4 -> RMOD -> DTR80P (DAT) -> DAT (SV-3800x2) 2 flac  
17. 01/25/97 The Fillmore - San Francisco, CA A MK4 -> RMOD -> Sony D8 (DAT) -> DAT (SV-3800x2) 2 flac  
18. 01/29/97 The Fillmore - San Francisco, CA A- Lineage -Recording Aud -> DAT (Unknown Equipment) -> DAT (SV-3800x2) Talking got it a lower rating 2 flac  
19. 02/01/97 The Fillmore - San Francisco, CA A Source: Audience Lineage: Sonic Studio DSM-1S/x mics > DAT > cass > Sony KA1ESA > Pre Sonus Inspire GT > SoundForge > FLAC Quality: 8 Comments: Notes: * with Roger McGuinn # Removed - Officially Released 2 flac  
20. 02/06/97 The Fillmore - San Francisco, CA A Source: Schoeps CMC64 > Aerco > Sony TCD-D8 Lineage: DAT1 16/44.1 > FLAC Transfer (BLG): DA-20 > digital coax > Marantz PMD-670 > usb reader > Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC 2 flac  
21. 02/07/97 The Fillmore - San Francisco, CA A+ Source: FM Broadcast (SBD) > DAT > CDR > EAC (secure test/copy mode) > WAV > TLH > SBE checks, aucdtect checks > FLAC (level 8) 2 flac  
22. 04/12/99 Irving Plaza - New York, NY A Recording: SBD > DAT Master > CDR Transfer: unknown Master Recording & Transfer by Anonymous Source provided by Ted Mattes Edited & Mastered with Adobe Audition by Joe Noel July 20, 2020 Notes: * The majority of the source material in this series originated from Master DATs but some are master cassettes, CDR's & unfortunately that information wasn't passed along. - several drop outs throughout were cleaned up. 2 flac  
23. 06/23/99 Star Lake Amphitheater - Burgettstown, PA AA ource: Soundboard > ? > CDR > EAC > .wav > FLAC Frontend > FLAC > DVD+R 2 flac  
24. 06/23/99 Star Lake Amphitheater - Burgettstown, PA A Taper: Steve K [part of JSSS] Source Info: Sonic Studios Mics -> Sony TCD-D8, on floor in front of board. Transfer Info: Mac Soundedit Program to CD-R from DAT Master -> Max Rip Software 2 flac  
25. 06/26/99 Sony E-Center - Camden, NJ a- recording gear: Sonic Studios DSM-6 mics > Pa-6LC3 > Sony D7 DAT Supplied .wav file > Adobe Audition CC2020 (level boost) > CD Wave Editor (track) > flac8 Recorded by: maddbakker Tracked by: smores the crowd noise is what made this less 2 flac  
26. 08/03/99 Target Center - Minneapolis, MN A+ Lineage : SFX preFM Radio CD -> EAC : Wav extraction -> Audacity : track editing -> TLH : fixing SBE and MD5 Wav -> FlacFrontEnd : Flac conversion, Tag and Fingerprint -> YOU 2 flac  
27. 10/16/99 Hollywood Bowl - Hollywood, CA A Source: Sonic Studios DSM-6P w/3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting) > Sony WM-D6 Transfer: Master cassettes (Maxell Tyle IV metal) > Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > Audacity (boosting/splicing) > .WAV Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging) Location: Near the front of the bleacher section Recorded & transferred by: Steve "ballsdeep" Hagar Mastered by: Dennis Orr 2 flac  
28. 07/18/01 Sandstone Amphitheater - Bonner Springs, KS a- Lineage: Biccio59 CD-R > Easy Audio Copy > FLAC 2 flac  
29. 10/20/06 Raley Field - Sacramento, CA A   2 flac  
30. 05/30/08 Van Andel Arena - Grand Rapids, MI A Church Audio cards (ST-11)-->SP battery box-->Marantz PMD620-- -->Audacity-->Nero Wave Editor-->flac fades out/in on tracks 12 & 13 for CD use. taper willyp523 2 flac  
31. 06/06/08 Wachovia Center - Philadelphia, PA A- source : schoeps mk-4 > actives > nbox+ > korg mr-1 dsd recorder (dff 1 bit/2.8mhz) macintosh > audiogate 1.0.1 > 16/44 wav > dsp-quattro x (volume,tracking & fades) > xACT 1.59 > flac taper : edtyre 2 flac  
32. 06/08/08 Nissan Pavilion - Bristow, VA A- *** THIS IS A 16-BIT FILESET INTENDED FOR AUDIO CD *** Recorded, processed and upped by Kubacheck SOURCE: dpa 4061 > coresound batt box > edirol r09 (24/48) PROCESSING: soundforge 8.0 (tracking, fades, resample, dither) > flac 1.1.2 2 flac  
33. 06/25/08 Hollywood Bowl - Hollywood, CA A SOURCE: Schoeps MK4 > actives > NBox+ > R-09HR @ 16bit/44.1kHz TRANSFER: Sound Forge 8.0 > CD Wave > FLAC Frontend LOCATION: Garden Section, Left of Center RECORDED BY: "Josephine" 1 flac  
34. 07/02/08 United Center - Chicago, IL A- Source: Audio Technica AT-899 omnis => Edirol R-09 Transfer: R-09 => WAV => Magix Audio Cleaning Lab => WAV => FLAC (level 8) Location: Beside stage, Left side, 8th row 2 flac  
35. 07/16/08 St. Pete Times Forum - Tampa, FL A lineage church audio cardioids -> stc-9000 -> r-09 24/44.1 -> soundforge 16/44.1 -> flac 2 flac  
36. 07/23/08 Target Center - Minneapolis, MN A- Audience Recording: Zoom H4 w/ built-in stereo mic L & R .wav file 44.1 kHz 16-bit -> WavePad (track splitting & amplification) .wav PCM format (44.1 kHz, 16-bit, Stereo 172 kb/sec) -> FLAC Frontend (level 8) -> ABC 3.1 -> DIME Recorded by Hurricane62 from 14th row. I selected the boot title, "...And You Smell Like Marijuana" from Tom's ad lib during "Gloria" in the encore. Overall I was very pleased with the quality of this recording. There have been several good boots from this tour already and I'd rank this one right up there for sound quality. Tom and the band sounded great, there was a minimum of crowd noise (and that was kept to the pauses between songs), and the set-list was a good mix of greatest hits. I deleted the crowd applause leading to the encore as well as about 30 seconds of applause after the end of "American Girl" before Tom says his "Good Night" to the crowd. 2 flac  
37. 08/07/08 Verizon Wireless Amphitheatre - St Louis, MO A+ Schoeps MK4V's-> N-Box-> Edriol R9 2 flac  
38. 08/23/08 Golden Gate Park - San Francisco, CA A Neumann KM140s > Sound Devices MP2 > Edirol R09 (16/44) WAV > CD Wave > FLAC 2 flac  
39. 10/05/11 Treasure Island - San Francisco, CA AA Recorded by Daspyknows Recorded halfway between stage and soundboard right side of center aisle along the rail in the non VIP section Schoeps MK4s >NBox >Tascam DR100 (24bit/48kHz) Processed Using Soundforge 10b, Resample To 16bit/44.1kHz TLH To Convert To FLAC *************************************** Tags Via xACT 2.48 By OldNeumanntapr ******************** 2 flac  
40. 06/29/12 Piazza Napoleone - Lucca, Italy A Soundboard recording never surfaced before Sound editing and masterinb by Zhuki Dolgonaski Artwork by: Nephronic Unknown lineage 2 flac  
41. 06/03/13 The Fonda - Hollywood, CA A Source: Schoeps CCM4s > Tinybox > Sony PCM-M10 Lineage: wav 16/44 > minor editing > FLAC 2 flac  
42. 06/16/13 Bonnaroo Festival - Manchester, TN A Source: DPA 4061 > Custom BB > R-09HR @ 24/96 Transfer: RAW WAV > SF 10 Minor EQ & Mastering > WAV > FLAC 16/44 Taper: BennyBlanco aka ScreamingSlave (ETS) 2 flac  
43. 06/29/13 Target Center - Minneapolis, MN A- Recorded by Hurricane62, 4th row of floor, just to the stage-right side of center. Audio Technica SP-CMC-2 Cardioid Mics -> SP-SPSB-11 Battery Box with Bass Rolloff set at 95 hZ -> Sony PCM-M10 (44.1 MHz/16 bit) with Limiter ON and Low Pass Filter OFF -> WavePad (eq/amp & track splitting) -> converted to .flac using Traders Little Helper (SBE's fixed, flac level 8) Great show by the master showmen. Have seen TPatH several times since the late 80's and each show is my new favorite. Traditional set-list with one surprise, "It's Good To Be King" on this last show of their 2013 US Tour. Very good recording. Had to add 2 dB to the mids (1000-5000 Hz) to bring the vocals and guitar up front a bit, then amped the whole thing about 2 dB overall. Some nearby audience noise, but nothing too bothersome. I'd rate it at an A- though samples are included so you can judge for yourself. ARTWORK is included (all photos taken by Hurricane62 during the show) 2 flac  
44. 09/06/14 Oak Ridge Farm - Arrington, VA A- Source: AKG ck61 (DIN) > Naiant Couplings/PFA > Naiant Littlebox > Sony M-10 (24/48) Transfer: M-10 > iMac. Tracked and dithered via Sound Studio, FLAC via xACT 2 flac  
45. 09/16/14 PPL Center - Allentown, PA A source : schoeps mk41v's > kcy 250/05I > naiant pfa > marantz pmd661mkII (oade concert mod) > adobe audition > ozone 5 > sample manager > xACT 2.33 > flac 16 2 flac  
46. 09/20/14 Cruzan Amphitheater - West Palm Beach, FL A Source: Schoeps MK41 Cards - Nbob Actives - Naiant Tinybox Transfo Out - Sony M10 (24-48) Transfer: Micro SD card > wav file > coolEdit > Normalize-Downsample > CD Wave Cut > TLH > FLAC level 8 & Align on SB Recording Location: 8th Row Center Recorded by: Datfly 2 flac  
47. 06/29/17 Wrigley Field - Chicago, IL A Source: DPA 4060 => Tascam DR-2D Lineage: 24-bit WAV files => Magix Audio Cleaning Lab => FLAC (level 8) Location: 7th row center 2 flac  
48. 08/17/17 Rogers Arena - Vancouver, BC A- Source: SP-CMC-8 cardioids > SP-SPSB-7 battery box > Edirol R-05 @ 24 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 138 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr 2 flac  
49. 09/25/17 Hollywood Bowl - Hollywood, CA A This is the audio ripped from the DVD. I don't have the lineage of this or any other info. Some songs are cut at the beginning or the end. Enjoy. 2 flac  

Tommy Bolin  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/05/76 Ford Auditorium - Detroit, MI A- Lineage: ANA(M)>WAV [96kHz/24bit]>WAV [44.1kHz/16bit]>FLAC [Level 8] Transfer: Nakamichi CR-7A>PreSonus FireStudio Project>Adobe Audition 3.0>Cdwave editor>FLAC frontend 1.7.1 Taping Gear: Advent Dynamic Microphone MDC-1>Sony TC-153SD Taped By: JEMS Transferred By: Mike Ziegler 1 flac  
2. 11/16/76 Jazz City Studio - New Orleans, LA B++ Lineage: ? > cassette trade circa 1993 Transfer: TEAC W1200 > Zoom H4n wav (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you ! 1 flac  

Tonio K  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/22/79 Toad's Place - New Haven, CT 7.5 Toads Place and WPLR-FM New Haven Live Fm Broadcast I had this on my own cassette tape back in the day and was glad to be able to be able to obtain another copy in the early 2000's. An enjoyable set in decent sound! Life in the food chain live!! Trade cdr > Dbpoweramp > flac 1 Flac  

Tony Carey  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/82 Atomic Cafe - Austin, TX 8.5 Early and Late shows 1 Flac  
2. 04/18/84 Harlow's - Atlanta, GA AA   2 flac  
3. 06/24/84 Unknown - Atlanta, GA 9   1 Flac  
4. ??/??/01 Atomic Cafe - Austin, TX AA   2 flac  
5. 10/17/04 unknown - Moscow, USSR AA   2 flac  
6. 06/05/15 Norje Havsbad - Norje, Sweden a- LINEAGE>UNKNOWN RECORDER>AUDIENCE>FLAC 1 flac  

Toto  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/18/82 The Budokan - Tokyo, Japan A+   2 flac  
2. 12/14/92 Universal Amphitheater - Los Angeles, CA A LINEAGE I didn't do the original work on this, I am reposting here in response to a request on the ISO board. This version is courtesy of JDouglee who has confirmed: The lineage is DAT > CDR > EAC > Cool Edit > FLAC. It was remastered, i.e. tranferred from one of the original DAT tapes given to the band. The old version circulating was a flawed radio broadcast. This is indeed the best version available anywhere." 2 flac  

Toy Caldwell  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/16/88 Chestnut Cabaret - Philadelphia, PA 8.5 Source- Soundboard (VHS HiFi analog master) Lineage- VHS HiFi master tape > Korg MR1000 (DSD) > WAV Additional Processing- 16/44 WAV > Audacity > TLH FLAC 5 2 Flac  
2. 06/12/90 Stephen Talkhouse - Amagansett, NY a- The Ken G. Collection [Vol 5] Source : Sony PC-62 stereo mic > Sony WM-D3 Cassette Master (TDK-SA) Transfer : Sony TC-WE 475 > JVC XL-R2010 CD-RW (44.1) Editing : Soundforge (CD extract & tracking) > Wave > TLH (SBE aligned) Flac level 8 Traders Den - September 23, 2019 Transferred & Tracked by kingrue upload #55 / 2130 2 flac  

Toy Factory Project  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/21/25 Town Park - Telluride, CO 8 Schoeps MK41's>KC5>CMC6>Sound Devices Mix Pre 6>recorded in 24/48 Right front corner of the ADA Barrier-FOB~40 feet left of center facing Right PA stack; 9.5 feet up. SDHC>audacity>cool edit pro>cdwave editor>flac24 Recorded, tracked & flac'd and uploaded by Richard Skaggs. skaggsre@hotmail.com Flac  
2. 02/27/26 Capitol Theater - Port Chester, NY 9 Source: AKG 451's > Tascam DR-60DMKII Location: Next to the board, tapers section, stand at 7' Recorded, edited and seeded by Michael Buzzeo 2 Flac  

Traffic  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/26/73 Winterland - San Francisco, CA AA Soundboard Reel Bill Graham Collection Trade CDs >FLAC (Level 8) Via xACT 2.37 FLAC Tags Via xACT 2.48 2 flac  

Trapeze  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/11/94 Robin Hood Tavern - Brierly Hill, England B++ This is a fresh (10/2017) tape transfer Transfer info: Analog Chrome Bias (Type II) Cassette > SONY TC-WE635 Cassette Deck (w/Manual Azmuith Adjust) > TASCAM CD-RW900mkII Professional CD Recorder > CDR CDR>EAC>WAV>TLH>FLAC>DIME Originally from the collection of;"arcme262" (February 22nd 1995)* Overlap, Gaps, ALL Editing & Track Marking (CD Wav Editor);"tonsofsobs" Transferred & Uploaded by;"Lucifer Burns" 2 flac  

Trevor Rabin  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/28/89 Peabodys Down Under - Cleveland, OH a- Lineage: Unknown Gen TDK SA > Nak Dragon > Sony PCM M10 24/96 > TLH > WAV > r8brain > 16/44 > TLH > FLAC (Level 8); new FFP Editing by Wes Meyette using CD Wave Editor 1 flac  
2. 11/29/89 Diamond Club - Toronto, ON 8 Audience recording Source: Master cassette/Digitized with Sound Forge/WAV/FLAC Sound quality: B- (re-seeder's rating) 1 Flac  
3. 12/03/89 Paradise Theater - Boston, MA 8.5 (Courtesy of the Wes Meyette Archive) WBCN FM Lineage: Unknown Gen TDK SA > Nak Dragon > Sony PCM M10 24/96 Editing by Wes Meyette using CD Wave Editor 1 Flac  
4. 12/05/89 Paradise Rock Club - Boston, MA A   1 flac  

Tribute to Jon Lord  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/27/16 Bergheim Medio Rhein Erft - Unknown, Germany AA SONY ECM-CS10>ZOOM H2>Audacity(normalize + track splitting)>FLAC>You! 2 flac  

Triumph http://www.triumphmusic.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 08/19/79 Aragon Ballroom - Chicago, IL AA   1 flac  
2. 01/02/82 Civic Center - Ottawa, ON 8   1 Flac  
3. 01/02/82 Civic Center - Ottawa, ON A   1 Flac  
4. 07/10/82 Tangerine Bowl - Orlando, FL A (Fm Radio) cdr>eac>wav>flac 1 flac  
5. 03/08/85 LA Sports Arena - Los Angeles, CA A   2 flac  

Triumvirat  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/17/72 Theater Am Weisshaus - Cologne, Germany B++ Lineage: Blaupunkt Cassette-Recorder plus Blaupunkt microphone (mono); digitalize from Nakamichi Cassette machine to Philips CDR 770 Audio-CD-Recorder > Audio CD-R>Audiograbber>Tapers Little Helper: Flac (level 6) Incomplete audience mono recording, the last song "Across the waters" is missing. 1 Flac  
2. 10/12/74 Palace Theatre - Providence, RI b Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger No EQ'ing. Barely made it on the list 1 flac  
3. 11/01/74 St. Bernard Cultural Center - Chalmette, LA A Source: ?Mics>?Recorder>Sony C-90 normal bias Cass(m) Transfer: > playback on JVC TD-W 209 > JVC XL-R5010 stand alone burner > CDR(0) > CDR (1) >EAC (secure, offsets correct)>FLAC (level 8, verify enabled) Taper/Transfer: Freezer EAC Extraction+FLAC Encoding: Five 1 flac  
4. 05/18/75 KBFH Live Broadcast - Unknown, Unknown A   1 flac  
5. ??/??/75 Unknown - London, UK 8 Illusions On A Double "BBC" 1 Flac  
6. 04/30/80 Rheingoldhalle - Mainz, Germany B++ FM broadcast(SWR3)>master tape>wave(Philips CDR570)>track split(CD wave Editor)> fade in/fade out(Nero wave Editor)>flac(8)TLH aligne on sector boundaries 1 flac  

Trooper  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/09/14 Casino Regina - Saskatoon, SK a- H2 Zoom recorder (placed in an I-beam just in front of the mixing desk) -> Cool Edit Pro ,Tracking -> Traders Little helper for SBE fixing and Flac encoding 2 flac  

Tyrannosaurus Rex  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/04/70 Sporthalle "Progressive Pop Festival" - Cologne, Germany A Recording Information ::: SOURCE: unknown WDR-FM reel to reel tape recorder (probably a Uher Report) with unknown microphones placed on stage -> master stereo "audience" reel. Playback 1980 ::: master stereo "audience" reel on Braun TG 60 -> 1st generation 7.5 ips reel on Revox A77. 1 flac  

U.K.  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/28/79 Sam Houston Coliseum - Houston, TX A- Lineage: Sony LN C90 > Tascam 302 > Sony PCM M-10 at 96/24 Wave files edited with CD Wave Editor V. 1.98 > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape covertion and editing by Michael Cariola 1 flac  

U2  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/03/81 Bayou Club - Washington, DC A+ Notes: - d1t01 dropout @ 03:42 - d1t04 dropout @ 17:53 Source: SBD Lineage: SBD > ??? > DATc (@44.1kHz) Transfer: Panasonic SV-3700 > S/PDIF > M-Audio 410 > FireWire400 > PowerMac G5 > SoundStudio3 (tracking) > WAV > xACT > flac 8 Taper: unknown. 1 flac  
2. 12/03/84 Radio City Music Hall - New York, NY A- 4th gen. cassette Maxell XLIIS > Nakamichi BX-125 > Yamaha CDR-D652 > Sony (crap) Audio CD > iTunes > Audacity > xACT > flac > you I got this cassette in a trade in the mid-80s. It says it's 4th generation, so it must be. The venue seems to be oversold, or at least the fans and security are overenthusiastic. Gloria is over eight minutes long due to the band stopping for security/fan issues. This happened at the Chicago show eight days later during the same song, as well. There is another point where the song is stopped, too. Sounds like a crazy night. The recording is very good in spite of all the hassles. 1 flac  
3. 06/28/87 Croke Park - Dublin, Ireland A The Joshua Tree 2nd leg: Europe 'THE IRISH RELIGION' 1987-06-28 Croke Park, Dublin, Ireland Lineage: CD x 2 [unknown gen] > Exact Audio Copy > WAV > Traders Little Helper > FLAC 2 flac  
4. 12/14/89 Westfalenhalle - Dortmund, West Germany A+ Note: BB King play support. The first 8 min are missing. Source: Master mit Sony WMD6C + Microphon Sony ECM 155 double + Maxell MX incl. Artwork T108A 2 flac  
5. 09/23/97 Stadion Kosevo - Sarajevo, Bosnia & Herzegovina A FM - M-Audio Delta Audiofile - WAV - CoolEdit - CD-R - FLAC 2 flac  
6. 10/25/17 Morumbi Stadium - Sao Paulo, Brazil A Source 1: 4x Wireless Sources > Multitrack Recorder Taper: Sharebear Source 2 CA-11 Cards > Battery Box > Tascam 2D Taper: DJ Soulless -- Mixed, Produced, and Mastered by Sharebear/Hoserama Aligned in Adobe Audition Mixed in Nuendo 4, using extra waves, Ozone, Slate plug-ins Dithered using Izotope MBIT+ Flac'ed using Trader's Little Helper 2 flac  
7. 02/07/24 The Sphere - Las Vegas, NV A Recorded by Daspyknows Section 303 Row 8 Left of stage Schoeps MK21 Babynbox Tascam DR-2D 24Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2024.003 3 flac  
8. 02/09/24 The Sphere - Las Vegas, NV A Recorded by Daspyknows Back of GA Floor Dead Center Schoeps MK21 Babynbox Tascam DR-2D 24Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2024.004 3 flac  

UFO  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/04/75 Volkhaus - Zurich, Switzerland B++ Source:Audience Quality:Good Lineage:Analog Cassette>Cd-r>EAC WAV>TLH FLAC8>DIME Uploader:sunvenusmoon 1 flac  
2. 09/23/75 Record Plant - Los Angeles, CA A Lineage: SBD> KMET-FM Los Angeles Broadcast> ???> .flac> .aiff> Pumpup> .ape> .wav> Fixed SBE's (TLH)> .flac (level 6) 1 flac  
3. 04/20/76 Barbarella's Night Club - Birmingham, England A- Source:Audience Recording Quality:Very Good Plus Lineage:ANALOG CASSETTE Tape TDK SA-60>CDR>EAC>TLH FLAC 8>DIME Generation:1st gen Transfered by/uploaded by:sunvenusmoon 1 flac  
4. 04/25/76 The Roundhouse - London, UK A+   1 flac  
5. 05/03/76 Starwood Club - Los Angeles, CA A 2nd Generation Soundboard From the Krw_co Collection LINEAGE SOUNDBOARD 2ND GEN>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X FI HD MODEL #SB1240 WAV (24/96KHZ)>AUDACITY FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TLH FLAC (LEVEL 8) 1 flac  
6. 04/02/77 Roundhouse - London, England, UK A+   1 flac  
7. 06/05/77 Town Hall - Birmingham, England A LINEAGE AUDIENCE ANALOG FIRST GENERATION TO DAT TO WAV TO AUDIO CLEANING LAB FOR ID AND TAPE FLIP SPLICING ONLY TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 2 flac  
8. 06/11/77 Free Trade Hall - Manchester, England B++ Lineage: AUD trade CDR> (wav) EAC (secure mode)> (flac) Flac Frontend level 6 (align on sector boundaries) Artwork: none Trade & Transfer: Phrob (Maine, USA). Thank You!! 2 flac  
9. 06/28/78 Hammersmith Odeon - London, England B+ Quality: vg/vg+ (AUD) 77:28m Source: 2nd generation AUD> CDR(?)> (wav) EAC (secure mode)> (flac) Flac Frontend level 6 (align on sector boundaries) Transfer: Phrob (Maine, USA). Thank You!!! 2 flac  
10. 10/13/78 International Amphitheater - Chicago, IL A Source upgrade from the original master cassette tape. Please note that all credit and thanks goes to RB for sharing his master!! Lineage: Analog Master RB (analog4011) 3rd row front of left PA that was all on the floor. Cassettes: Maxell UD C-90's DECK: Technics RS-646DS MIC: Teac ME-80 (Nak cm-300) Dolby On for recording. Tape masters played back on Rotel RD-870 with speed and tape alignment adjusted. Dolby off for playback! Using Chord Company cables from Naim... Played through the Naim Audio NAC-52 pre-amp to the Teac CDR-2000 Standalone. Ripped on the Naim Uniti Serve Sound Forge to track right TLH wav to flac level 6 2 flac  
11. 10/14/78 Ice Arena - Kenosha, WI A silver cds 2 flac  
12. 10/15/78 Tomorrow Club - Youngstown, OH A silver cds 2 flac  
13. 10/16/78 Public Auditorium - Cleveland, OH A+   2 flac  
14. 10/17/78 Agora Ballroom - Columbus, OH A silver cds 2 flac  
15. 10/18/78 Louisville Gardens - Louisville, KY A silver cds 2 flac  
16. 12/15/78 Orpheum Theater - Boston, MA A AKG D-100E microphones > Sony 158 cassette deck > Maxell XL-I cassettes (normal bias) > Copied to Maxell UD 7" reel @ 3.3/4 ips using Nak. 100 cass. deck > Teac 3300 reel deck > played on that Teac deck into soundforge 4.5 (WAV) > CD > CD extractor > FLAC 6 1 flac  
17. 03/15/79 Music Hall - Houston, TX a- source : unknown equipment transfer from master cassette taper : mystical crow transfer : markp 2 flac  
18. 03/21/79 Chapparal Center - Midland, TX A   2 flac  
19. 04/02/79 Civic Center - San Diego, CA B++ LINEAGE: Analog tape -> WAV -> Flac (Audacity, Trader's Little Helper) 0  
20. 05/06/79 Milwaukee Auditorium - Milwaukee, WI a- Dime member luvsufo provided me with this tape. Thanks Bob! This transfer was done by luciferburns. Tracking and edits were done by myself. Transfer info: cassette > JVC KD-V6 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC 2 flac  
21. 02/05/80 Hammersmith Odeon - London, England a- Analog unknown gen > CDR > EAC > flac 2 flac  
22. 03/16/80 International Amphitheater - Chicago, IL A LINEAGE WLUP FM BROADCAST R2R MASTER MASTER TRANSFERED ON A AKAI X-150D R2R WITH MONSTER CABLE TO CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 TO WAV 24/48 TO AUDIO CLEANING LAB FOR TRACK MARKS AND LEFT CHANNEL VOLUME BOOST WAV 16/44.1 TO TLH FLAC LEVEL 8 2 flac  
23. 03/16/80 International Amphitheater - Chicago, IL A LINEAGE WLUP FM BROADCAST R2R MASTER MASTER TRANSFERED ON A AKAI X-150D R2R WITH MONSTER CABLE TO CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 TO WAV 24/48 TO AUDIO CLEANING LAB FOR TRACK MARKS AND LEFT CHANNEL VOLUME BOOST WAV 16/44.1 TO TLH FLAC LEVEL 8 2 flac  
24. 01/26/81 Town Hall - Birmingham, England 7.5 Soundboard / Raw Wav -> Soundforge -> FLAC 2 Flac  
25. 03/13/81 International Amphitheatre - Chicago, IL A+   2 flac  
26. 04/28/82 Checkerdome - St. Louis, MO A   1 flac  
27. 03/21/83 Gaumont - Ipswitch, UK A SONY TC-WE635 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC 2 flac  
28. 03/21/83 Gaumont - Ipswitch, UK A SONY TC-WE635 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC-MP3 2 flac  
29. 11/09/91 Junction 10 - Walsal, UK a- LINEAGE: Analog Tape -> WAV -> FLAC (Audacity, Traders Little Helper) EQUIPMENT: unknown 1 flac  
30. 05/29/92 Salles Des Fetes - Melun, France a- SOURCE: EX 1st gen from DAT stereo audience tape recorded and given to me by P.L. in 1993, thanks to him if he reads me. I don't see this show on db-etree.org LINEAGE : unknown mics -> Sony DAT -> 1st gen Maxell UDXL II cassette -> Nakamichi Dragon (with auto-azimuth) Dolby off -> Zoom H2 -> Goldwave v.5.08 for edits, fades, tracks, channel balance, maximization at full dynamic range. -> TLH 2.4.1 (build 160)-> FLAC level 8 align on sector boundaries, md5s Tags with mp3Tag 1 flac  
31. 12/16/93 Babenhausen - Frankfurt, Germany A+ LINEAGE: Analog tape (1st generation) -> WAV -> Flac (Audacity, Trader's Little Helper) SOURCE: Audience EQIPMENT: SONY WM-D6 Walkman, unknown microphone 2 flac  
32. 12/18/93 St Hartmann Hall - Tubingen, Germany a- LINEAGE: Silver CD -> WAV -> Flac (Audacity, Trader's Little Helper) SOURCE: SOUNDBOARD EQIPMENT: unknown CONTRAST CLAUSE: This is the complete SOUNDBOARD recording of the show. It comes from the silver bootleg 2CD set "FRANKFURT SPECIAL" 2 flac  
33. 04/16/94 Unknown - San Antonio, TX a-   2 wav  
34. 06/06/94 Sankei Hall - Osaka, Japan a-   2 wav  
35. 06/16/94 Sun Plaza - Tokyo, Japan A SBD > ? > CD-R > EAC > WAV > FLAC 2 flac  
36. 09/08/95 Birch Hill Night Club - Old Bridge, NJ A Taper: Koondog Gear: Sony WMD3 Transferred & mastered by }{eywood Lineage: Maxell XLII 90 cassette (M) > JVC TD-W354 playback deck > Adobe Audition 1.5 (recording to 24/96 .wav, EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
37. 11/14/97 Sala Canciller - Madrid, Spain A Source: Audience Generation: 1st Tape: TDK SA (type II) Taper: Eusebio Tape transfered and edited by mats666 (2020-12-31) From the collection of Micke O. A huge thanks to him!!!! Lineage: TDK SA > Nakamichi Deck2 (Azimuth Corrected) > Zoom h2n (wav 24/48) > sandisk > usb > Pc > Audacity (edits) > dBpoweramp music cenverter wav 16/44 > TLH (fixing SBE`s) > CD wave editor (cue sheet) > dBpoweramp music converter > FLAC (level 8) 2 flac  
38. 11/15/97 Sala Gares - Puente la Reina, Spain A Source: Audience Generation: 1st Tape: TDK SA (type II) Taper: Eusebio Tape transfered and edited by mats666 (2020-12-31) From the collection of Micke O. A huge thanks to him!!!! Lineage: TDK SA > Nakamichi Deck2 (Azimuth Corrected) > Zoom h2n (wav 24/48) > sandisk > usb > Pc > Audacity (edits) > dBpoweramp music cenverter wav 16/44 > TLH (fixing SBE`s) > CD wave editor (cue sheet) > dBpoweramp music converter > FLAC (level 8) 2 flac  
39. 06/19/04 Carling Academy - Glasgow, Scotland a- Recorded with a Sony MZ N710 1 flac  
40. 07/18/05 House Of Blues - Chicago, IL a- Core Sound binaurals > Sony D-8 Transfer: Master DAT> Master CD> EAC Secure> xAct> flac16 Taper: sos Tour: You Are Here Tour   2 flac  
41. 10/26/13 The Coal Exchange - Cardiff, UK B++ Audience rec Edirol R09 (Int mics) > Soundforge (start / end disc split) > CD wav (track split / flac create) > upload 1 flac  
42. 12/03/13 Rockschool Barbey - Bordeaux, France A Matériel : TASCAM DR-07 (SD Card) + Microphones CHURCH AUDIO CA-11 (+ Batterybox SP-SPSB-8) Lineage : SD Card > PC (Wav) > Audacity (Normalisation) > DB Poweramp (Compression Level 5) > Flac 2 flac  
43. 05/25/14 Musiktheater Piano - Dortmund, Germany a- Source: Audience Zoom H2 Recording Taped by: SF Transferred by: SF Sony Mic ECM 717 > Zoom H2 > 16/44 > CD Wave > dbpoweramp > Flac Level 8 2 flac  
44. 03/19/16 M15 Concert Bar & Grill - Corona, CA A Source info: AT853 sub-cards(3-wire)>AT8538x>Naiant Tinybox(P48)>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, tracking)>Ozone 7(resample, dither)>TLH>Flac Taper: David Sell Location: GA Floor, DFC, 60' from stage Sound Quality: Excellent 2 flac  
45. 04/01/17 Penn's Peak - Jim Thorpe, PA A Recorded by bcironmaiden Recorded w/ SP-CMC-2 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones > SP-SPSB-1 Sound Professionals Mini Battery Module >Sony M-10 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
46. 10/03/17 Queen Elizabeth Theater - Toronto, ON A Source: iriver ihp - 120 - SP-CMC-25 SuperCards >Soundforge 11 > Cdwave to split > dbpoweramp to Flac 8. 2  
47. 10/13/17 Star Plaza Theater - Merrillville, IN a- Source: Sound Professionals CMC-08s (AT943s)->SP-SB10->Roland R05-> CoolEditPro->CD Wave->TLH Taper: ironchef 2 flac  
48. 10/29/19 Jergels Rhythm Grille - Warrendale, PA A 16 bit version Taper: bigdaddybflo Gear: Tascam DR-07 Mastered by Poignant Pros (}{eywood) Lineage: DR-07 (recording to 24/48 .wav) > USB > WeTransfer > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 1 flac  
49. 02/18/20 Vault Music Hall - New Bedford, MA A SP-CMC-8c===SP-SPSB-4 (12v) to Sony PCM-A10 (Line In)=== 16GB Built in Memory @ 48/24(Downsampled to 44.1/16) 2 flac  
50. 07/15/22 Neue Batschkapp - Frankfurt am Main, Germany a- Audience HD Recording Zoom H2 > Sony ECM 717 (44.1/16) 2 flac  

Ultimate Spinach  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/??/67 Unicorn Coffee House - Boston, MA A+ soundboard tape>trade CDR 2006 transfer and seed by boombox January 2022 reseed by zootype: one track split into two, flac files renamed 45:53 minutes 1 flac  

Uriah Heep  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/29/70 Countdown - Berlin, Germany B++ audience tape(unknown gen)>CDR(trade)>wave(EAC)> flac8(TLH)align on sector boundaries 1 flac  
2. 03/15/71 Otto Berndt Halle - Darmstadt, Germany A- This one comes from my reel-to-reel security copy, because the master cass. is ruined. I'm very sorry that also this reel is not in a very good condition anymore, ok - 38 years ago. Also it's running a little fast. If anyone could do some corrections on it, I'll be more than happy, also some nice art would be appreciated very much - in this case please use my name "marbal". Even if it's only 70 mins., it was the whole show. Hope you enjoy anyway this hidden gem from my collection of pearls. Quality is only 4-5/10, but here it is : 1st live MELINDA. Enjoy Marbalg 1 flac  
3. 05/06/71 Volkshaus - Basel, Switzerland A if not for nadir53 saving his copies many of these great concerts in switzerland in the beginning of the 70s would be lost. a lot of information on this gig and the zurich one came from Konstantinos. taped by *C* using a sony cassette recorder of unknown model number and unknown stereo microfon onto a hitachi c-90 (120eq) this master cassette was given to nadir53 by the master taper.. so what we have here is actually off the master ! transfer from master cassette by hanwaker 2009-03 hitachi c-90 master cassette played back on NAKAMICHI CR 7e (azimuth aligned!-dolby off)--> edirol 04 (16-44)->HD fixed in nero 6 ->cdwave-seperate tracks -flac (8) remaster notes 2015-01 in tracks 7 +8 removed several microphon bumps toad was opening 1 flac  
4. 01/16/73 Budokan - Tokyo, Japan a- one of the better ones for this era they just did not record very well or I have not run into the ones I think are good yet 2 flac  
5. 03/16/73 The Budokan - Tokyo, Japan B++ LINEAGE: Master tape > ? > Silver boot > Trade CDR > EAC > WAV > FLAC > You 2 flac  
6. 08/19/73 Portland Expo - Portland, ME 8 A Joe Maloney Master Recording Transferred and Presented By Krw_co NEW 2019 TRANSFER LINEAGE AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 Flac  
7. 02/08/74 Sport Arena - San Diego, CA 8   1 Flac  
8. 05/17/74 Grona Lund - Stockholm, Sweden B++ 2nd Gen Cassette>CDR>EAC>WAV>TLH>FLAC>DIME From the collection of; PEB "my swedish connection" Uploaded by; Lucifer Burns(UHDP) 1 Flac  
9. 10/16/74 Rainbow Theater - London, UK a-   1 flac  
10. 06/07/75 Ahoy Sporthallen - Rotterdam, Holland a-   2 flac  
11. 06/09/75 Palais De Sport - Paris, France B+   2 flac  
12. 06/20/75 Grundighalle - Furth, Germany B++   2 flac  
13. 08/24/75 Mecca Arena - Milwaukee, WI B++ 1st gen. audience recording > CD thanks to Luciferburns and the Heep of Appreciation Society runtime: 90:44 2 flac  
14. 12/02/75 Guildhall - Preston, England B++ Lineage: ? > cdr trade circa 2005 Transfer: EAC > Flac (level 8) > you ! 1 flac  
15. 12/03/75 De Montford Hall - Leicester, England, UK B++   2 flac  
16. 05/26/77 Stanley Theater - Pittsburgh, PA A- nknown Gen Cassette>CDR>EAC>WAV>TLH>FLAC 1 flac  
17. 02/19/92 Music Hall - Frankfurt, Germany A- Source: Audience (DAT) Generation: 1st Tape: Maxell XL II (type II) Taper:R Köhler Tape transfered and edited by mats666 (2020-10-24) from my old collection Lineage: Maxell XL II > Sony cassette deck (Azimuth Corrected) > Zoom h2n (wav 24/48) > sandisk > usb > Pc > Audacity (edits) > dBpoweramp music cenverter wav 16/44 > TLH (fixing SBE`s) > CD wave editor (cue sheet) > dBpoweramp music converter > FLAC (level 8) 2 flac  
18. 05/04/02 Stadthalle am Schloss - Aschaffenburg, Germany a- Source: Audience Mini Disc Recording Taped by: SF Transferred by: SF Track Setting & Re-Work: CF Mini Disc Recorder > Sony Mic ECM 717 > 16/44 > CD Wave > dbpoweramp > Flac Level 8 2 flac  
19. 05/15/05 The Marble Factory - Bristol, UK A Lineage: Church Audio CA-14 cardioids > CA-9200 > Edirol R-09HR (@24/96) > Cool Edit Pro 2 > CDWave > TLH Recorded ~20' back just off centre Recording, transfer & artwork by boombox This is really close to an A+ 2 flac  
20. 12/05/05 Lisebergshallen - Gothenberg, Sweden A   1 flac  
21. 06/10/06 Arrow Classic Music Fest - Lichtenvoorde, Holland 8 Lineage: Sony MZ-NH1 / Cardioid Mics / Wav / Flac No equalizing used at all!!! Just the sound 'as it was'. 2 Flac  
22. 07/25/10 High Voltage Festival/Victoria Park - London, England A- Lineage: Recorded on Pocketrax CX @48k (Stereo Mics)> Tracked on Adobe Audition > Flac 8 Sound as recorded, no editing or noise reduction. Excellent performance of their 1972 classic album "Demons and Wizards" in its entirety, with Whitesnake's Micky Moody guesting on slide guitar. 1 flac  
23. 10/23/10 Club Citta - Kawasaki, Japan A+ “The Return of Demons and Wizards” (Breakdown-431A/B) Lineage: Silver CD > XLD (rip) > WAV > FLAC 2 flac  
24. 02/15/15 B.B.Kings Blues Bar - New York, NY A- Lineage: Zoom H1 16-bit/44.1 kHz WAV>Audacity>FLAC Level 8 Recorded, mastered & art by tombstone. 2 flac  
25. 04/26/15 The Assembly, Leamington Spa - Warwickshire, UK A LINEAGE - SONY ECM 102 MIC>TASCAM DR05 16 BIT/44.1 Hz/LOW CUT FILTER 120 Hz>WAV> AUDACITY (TRACK SPLITTING/AMPLIFIED BY 2.0 Db/BASS BOOST 6.0 Db)>TLH (SECTOR ALIGNMENT)>FLAC LEVEL 6. 2 flac  
26. 10/15/15 Crocus City Hall - Moscow, Russia A Equipment: SP-SPSB-11-> SP-CMC-8 -> Edirol R-09HR -> WAV [96kHZ/24 bit-> dithered to 44kHz/16 bit] Lineage: WAV -> Adobe Audition (Compressing-Amplifying-Track Splitting) -> FLAC 2 flac  
27. 11/23/15 Batschkapp - Frankfurt AM Main, Germany A- Source: Audience Zoom H2 Recording Taped by: SF Transferred by: SF Sony Mic ECM 717 > Zoom H2 > 16/44 > CD Wave > dbpoweramp > Flac Level 8 2 flac  
28. 11/24/16 König-Pilsener-Arena - Oberhausen, Germany A Zoom H4N - Sound professional microphones SP-CMC-8 2 flac  
29. 11/17/17 HRH Prog V6,Hafan Y Mor Pwllheli - Wales, UK A Tascam DR-05>Audacity>TLH 1 flac  
30. 01/27/18 Butlins (Giants of Rock) - Minehead, UK A- source: AUD taper : megadrive Roland yoga em-2.9u electret condenser mics > R-05 > SDHC card > .wav (44.1Hz/16bit) > Cool Edit Pro 2.0 > CD Wave Editor > TLH > Foorbar2000 > .flac (level 8) Talking too close to recorder 1 flac  
31. 02/14/18 House Of Blues - Orlando, FL A- MIKEY 2.0 iPod Recoding Microphone 16/44.1 Balcony overlooking the stage Had to roll off the Bass a bit, and brighten it up too. Unfortunately, Mick is pretty low in the mix. FLAC 8 2 flac  
32. 02/22/18 Gramercy Theater - New York, NY A- Lineage: Zoom iq5 -> iPhone 6s -> Goldwave (track splitting, level boost 5%) -> TLH (FLAC level 8) -> Dime 2 flac  
33. 02/23/18 Wolf Den @ Mohegan Sun Casino - Uncasville, CT A Source info: Sennheiser ME-104's> Tascam DR-07 (16/44.1, 40hz bass rolloff) >USB> PC> GoldWave v6.23> CDWaveEditor v1.98 (track split)> TLH> Flac(6) Taper: Ringfedder 1 flac  
34. 01/29/19 Le Bikini - Ramonville-Saint Agne, France AA Audience Master (ZoomH2 - 44.1kHz / 16bit version) Lineage: ZoomH2 (Internal Mics, 48kHz / 24bit) > PC > Audition CC (Slight Eq) > Wave (44.1kHz / 16bit) > Flac (Level 8, SBE OK) Length: 1:40:39 2 flac  
35. 06/27/19 Microsoft Theatre - Los Angeles, CA a- SP-CMC-4U -> BB -> DR-2d -> Soundforge -> FLAC 1 flac  
36. 02/28/20 Independence of the Seas - Ft. Lauderdale, FL AA Roland R-07 recorder w/ Internal Mics 1 flac  
37. 09/18/22 Amphitheater Schloss Philippsruhe - Hanau, Germany a- Source: Audience Olympus LSP4 Recording Taped by: SF Transferred by: SF Track Setting & Re-Work: CF Olympus LSP4 > Internal Mics > 24/48 > CD Wave > Flac Frontend > Flac Level 8 2 flac  
38. 09/20/22 Pattihio Municipal Theater - Limassol, Cyprus A SP-CMC-8 (AT 943) > SP-SPSB-10 > Roland R-05 (16/44.1) > Adobe Audition 3 (with iZotope Ozone 4 mastering plug-in) > CD Wave Editor (track splitting) > HAT (align sector boundries, FLAC) "Celebrating 50 Years Of Uriah Heep" 3 flac  
39. 10/03/22 Bridgewater Hall - Manchester, UK A R-07 Internal mics - Audition - TLH - FLAC 8 24bit 48kHz 2 flac  
40. 10/11/22 St. Davids Hall - Cardiff, Wales A Lineage: Church Audio CA-14 omnis > CA-9200 > Edirol R-07 (@24/96) > Cool Edit Pro 2 > CDWave > TLH Recorded 12' from house left stack Recording, transfer & artwork by boombox 2 flac  
41. 10/13/22 TivoliVredenburg, Grote zaal - Utrecht, Holland a- Linage: CA14 Cardioids(Battery Box)->Tascam DR-05->WAV 16bit/44khz->shntool split->flac 1.3.2 level 8 2 flac  
42. 11/12/22 Lowensaal - Nurembourg, Germany a- "Celebrating 50 Years Of Uriah Heep" Source: Audience Zoom H4n Recording Recorded by Jofisch Lineage: OKM 2 mics > A3 (-20db) > Zoom H4n (16/44) > Audacity (Klick-Filter, Equalicer) > Flac 8 2 flac  
43. 04/06/25 Teatro Teletón - Santiago, Chile 9.5 Taper: mk360. Lineage: CA-11 Cardioids > CA-Ugly Battery Box > Olympus LS-P4 (96/24) > Audacity (44100/16) > FLAC 1 Flac  
44. 11/01/25 Ruhrcongress - Bochum, Germany 9 Lineage: SP-CMC-25 with SP-EMC-1 Croakie Mount Option > SP-PREAMP - Sound Professionals - Low Noise Gain-Selectable Portable Stereo Preamp (0db gain) > Edirol R-09HR (16 bit, 44.1 kHz) > WAV to FLAC conversion with Foobar2000 - md5 checksum with Traders Little Helper - Torrent file with µTorrent 1 Flac  

Utopia  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/12/78 The Place - Seattle, WA A+ KZOK FM Broadcast Reel to Reel Master @ 3 AND 3/4 ips From The JEMS Archive Transferred and Presented By Krw_co LINEAGE KZOK FM BROADCAST JEMS REEL TO REEL MASTER @ 3 3/4 ips>AKAI GX 4000-D REEL TO REEL W/MANUAL AZIMUTH ADJUSTMENT>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240WAV (24/96KHZ)> MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS EDITS AND VOLUME ADJUSTMENT>WAV 16/44.1>TLH FLAC 8 2 flac  

Van Halen http://www.van-halen.com
  Date Venue - City, State Sound Rating Notes Media  
1. 09/11/79 Osaka Furitsu Taiikukan - Osaka, Japan A- LINEAGE STEREO SOUNDBOARD RECORDING TO LP MASTER TO WAV 24/48 TO MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS,VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1)>TRADERS LITTLE HELPER FLAC 8 From the LP "Saga of Osaka" on Mad Hatter Records. 2 flac  
2. 11/03/91 The Forum - Montreal, QC A- Transfer info: Cassette > SONY TC-WE635 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC 2 flac  

Van Morrison http://www.vanmorrison.com
  Date Venue - City, State Sound Rating Notes Media  
1. 08/21/70 Antioch College Golf Course - Yellow Springs, OH 9.5 From The Archive of David Gans Source: SBD > ?? > DAT Transfer: DAT (Sony PCM-R500) > Tascam SS-CDR200 > flac 16/48 Source DAT provided by David Gans Transfer by Charlie Miller Edited & Mastered by Joe Noel September 07, 2019 Notes; - t01 fades in - Part of the film "Medicine Ball Caravan" aka Woodstock on Wheels. - The "documentary" was a disaster. - t04 the film crew must change film mags, the band waits for them. - very minor digi static in recording most evident in t07 The Players - Van Morrison; vocals - John Klingberg; bass - John Platania; guitar - Jeff Labes; piano, organ - Dave Shaw; drums - Collin Tilton; tenor sax - Jack Schroer; alto sax 1 Flac  
2. 09/05/71 Pacific High Recording - San Francisco, CA 9.5 SOURCE: Radio KSAN-FM radio broadcast > unknown lineage > CD-R (trade) > EAC wav > Trader's Little Helper flac level 8 & torrent > HungerCity Flying M additional lineage: Hunger City > Audacity (clean up) > CD Wav > Flac (Level 8) > Stamp ID3 tag editor in 2018 additional work was done using iZotope RX6 advanced & Har-Bal 3.0 to improve the sound even more ORIGINAL NOTES: In 1999 collector Andre Tschudin gathered together numerous copies of this most famous Van Morrison show in order to locate the best sounding copy…and this is it. There may have been an upgrade since then, but I’m unaware of any as I’ve been out of trading circles since that time. One caveat is that this is lacking the Tom Donahue introduction. For those that are casual fans, this is *the* most famous Van Morrison bootleg recording, having been bootlegged more times over the years than any other show. Why this hasn’t been officially released is a mystery and a shame. The sound quality and performance are exceptional. If you’re just a casual fan and only have one Van Morrison bootleg in your collection, this should be it! October 2012 Clean-Up notes: Such a great sounding recording but there were some small technical issues. The worst was a couple of very noticeable dropouts in Domino. Wondering if this was inherent in this source I went back to my 10 year old copy and the damage was on that also. I have reviewed 3 different sources now and this defect is in all of them. So I decided to see if I could repair this song and that lead to a general clean up of all the tracks. Quite a few hours were spent reviewing and cleaning this source up. Details include.... Plenty of light clipping including some chopped off peaks. The Audacity "Repair" function was used over each clipped peak to restore the waveform. Many clicks and pops were individually removed at this time. Two short patches were required to repair the damaged "Domino" (between 1:45 and 1:55). Another short patch was used to fix the beginning of "Dead Or Alive" (between 0:07 and 0:08). Once the damage was repaired all of the tracks were combined into a single file and the gaps between tracks were removed at this time. DC Offset correction and a reduction in Amplitude of 0.2 dB allows some headroom to prevent additional clipping. CD Wav was then used to cut new tracks and Traders Little Helper did the Flac conversion and Checksum/Fingerprints. Song information embedded with Stamp ID3 tag editor. January 2018 review and additional clean up Har-Bal 3.0 Harmonic Balancing was useful in bringing out additional details. iZotope RX6 advanced repaired dropouts and pops missed the first time. Har-Bal also gave this a better stereo image which is an additional improvement. Overall a nice upgrade making this just that much better. New checksums created. Thanks to the original taper and all involved. Just polished up an excellent recording and passing it on a little nicer than it was. This is for Historical reference only and not intended for re-sale or any commercial use. Enjoy -M- FLYING M PRODUCTIONS (October 2012)(updated Jan 2018) 1 Flac  
3. 11/26/78 The Roxy - Los Angeles, CA AA Lineage: KWEST FM Board Broadcast > ? > Flac Level 6 2 flac  
4. 02/26/79 Hammersmith Odeon - London, England A-   2 flac  
5. 10/19/79 Hollywood Paladium - Hollywood, CA A 1st generation Reel-to-Reel tape from the collection of John Musgrave Another Los Angeles tape eXchange (LAX) recording This one was recorded by John Musgrave, Ron Goldshine and Cliff Source: 2 Sennheiser MKH 404 tu mics > Teac PC10 w/ Dolby Teac PC10 w/ Dolby > Akai GX 630DB @ 3 3/4 ips no Dolby Transfer (Sept 2020): Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHZ dsdiff AudioGate (24-96) > iZotope RX8 advanced (prep) > Adobe Audition 3.0 (pitch bender) > CD Wave > TLH Tape flips lost the beginning of "Ain’t Nothin’ You Can Do" and "Troubadours" A couple microphone dropouts were patched from the opposite channel during "I've Been Working" A little applause from elsewhere was tacked on after "Moonshine Whiskey" to smooth out the tape flip Thanks to Professor Goody for the speed/pitch correction offsets. Jewel box artwork by ethiessen1, many thanks for the beautiful covers on this and so many other shows. Finally, thanks to John Musgrave for loaning me his tape collection. For historical reference only and not intended for resale or any commercial use Support the artists and the venues that host live music Buy the official releases and go to a concert Enjoy… -M- (February 2023) FLYING M PRODUCTIONS 2 flac  
6. 01/22/80 Keystone - Palo Alto, CA A- D6 Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC 1 Flac  
7. 01/25/80 Warfield Theater - San Francisco, CA 8.5 FM (board broadcast) > Cassette > Creative > Cool-Edit Pro > Flac Level 6 Completely reworked from a Mid - 80's cassette normalized, deglitched and retracked by drmuzk March 2007 Has a little hiss 1 Flac  
8. 03/21/82 Dominion Theatre - London, England A+ Unknown lineage cassette tape > Aiwa Tape Deck > Tascam DA-20 Mk 2 DAT machine > HHb burnit CDr recorder...no EQ CDr > EAC > Traders Little Helper > Flac8 sector aligned 2 flac  
9. 06/17/83 Gregor Melches Stadion - Essen, Germany 8.5 source: analog audience recording gen: ? taper: ? transfer: R2R (TDK LX 35/90) -> Uher Royal DeLuxe RtR -> Adobe Audition -> cdwave -> TLH (flac) digital transfer/edit by mossa 2025-12 (24-48) 1 Flac  
10. 01/26/84 Nouveau Palace de Festival - Cannes, France 9.5 SOURCE: FM radio broadcast LINEAGE: {Volker N} off-air master cassette (BASF C-90 Type II, Highcom Filter) > {tsc} DAT > {Wolfgang H} digital remastering > CD-R > CD-R (trade) > EAC (wav) > Trader’s Little Helper (flac level 8, aligned on sector boundaries) > Dime NOTES: Treed in the early 2000s with the title Rivers Of Time. An exceptional FM radio broadcast, A+ sound quality. Check the sample below. 2 Flac  
11. 05/19/85 Beacon Theatre - New York, NY 8 (Two Of Us Master Series Volume 297) Recording: Shure Mic > Sony WM - D6C Transfer: Master Cassettes > Nakamichi DR-01 (azimuth adjusted) > USB Sound Devices > Audacity > iZotope RX 10 / ozone 9 (mastered) > xACT 2.50 > FLAC 2 Flac  
12. 05/17/86 Simmonscourt - Dublin, Ireland 9.5 source: analog tv broadcast gen: 2nd taper: ? cassette provided by: jormajeff transfer: cassette -> Onkyo TA 2051 -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2024-08 (24-48) 1 Flac  
13. 09/20/86 Alte Oper - Frankfurt, Germany 9.5 source: analog audience recording gen: of master tapes taper: LTB: 2 x Sony ECM-150T -> Sony WM-D6C transfer: DAT -> Tascam DA-20 -> m-audio -> WAV -> ssrc -> CDwave -> TLH -> FLAC files provided by: LTB digital edit by mossa 2023-04 (16-44) 2 Flac  
14. 11/30/86 Playhouse Theatre - Edinburgh, Scotland 9 The songs were with a speed completely off, about 10% flat, really funny to listen to, but also unlistenable. A true joy when the speed and tone were properly set to correct values by Adobe Audition. so the proper lineage is: dowloaded flacs > WAVs > Adobe Audition 2.0 > Flacs again > torrent The (partial) concert is really nice, a great version of many songs, I really enjoy Dweller On The Treshold, And The Healing Just Began and In The Garden, but all deserve a close listen, the sound quality is really nice and Van is in good mood and voice. I discard that the source is the Yellow Cat boot, the song list and times do not match at all, and I really doubt it is coming from a radio broadcasting, no sign of FM DJ, interferences, compression... I think it is a rather good soundboard, far from perfect but quite enjoyable. Thanks to the original uploader (themysticmuse), I just use my free time and skill to make it better, as a proper speed makes a huge difference, especially when it was so off... Enjoy and share Pelino may 2023 original infos ---------------------------------- themysticmuse notes: (2019-06-12) I got this reasonable SBD recording from a serious vantrader. could possibly be from the "yellow cat" records bootleg that was released in 1993 (YC 015). The WAV file was split using audacity. the multiple wav tracks were then exported to flac using adobe audition 2019. metadata added to all tracks. no remastering has been made. YC 015 bootleg artwork reworked to match this version. ffp created for the flacs, md5 created to verify all files. enjoy! Lineage: SBD > ? > WAV > tracks split (AUDACITY) > WAV > SBE's fixed (TLH) > ADOBE AUDITION > FLAC 2 Flac  
15. 03/06/89 Beacon Theatre - New York, NY 9 (Two Of Us Master Series Volume 326) Recording: Shure Mic > Sony WM-D6C 2 Flac  
16. 03/07/89 Beacon Theatre - New York, NY 9 (Two Of Us Master Series Volume 327) Recording: Shure Mic > Sony WM-D6C Transfer: Master > Nakamichi DR-01 (azimuth adjusted) > Audacity > iZotope RX 10 / ozone 9 (mastered) > xACT 2.59 > FLAC 2 Flac  
17. 03/08/89 Beacon Theatre - New York, NY 9 (Two Of Us Master Series Volume 328) Recording: Shure Mic > Sony WM-D6C Transfer: Master > Nakamichi DR-01 (azimuth adjusted) > Audacity > iZotope RX 10 / ozone 9 (mastered) > xACT 2.59 > FLAC 2 Flac  
18. 03/09/89 Beacon Theater - New York, NY 9 (Two Of Us Master Series Volume 330) Recording: Shure Mic > Sony WM-D6C Transfer: Master > Nakamichi DR-01 (azimuth adjusted) > Audacity > iZotope RX 10 / ozone 9 (mastered) > xACT 2.59 > FLAC 2 Flac  
19. 04/26/93 Wang Theatre - Boston, MA 8.5 Source: Senn ME-80 (front row balcony) > TCD-D3 by Dr. B. Fried Transfer: Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking, remove PA squeal, fades) > FLAC 1648 Thanks to Doc Fried for taping and to Dan Rogosa for facilitating 2 Flac  
20. 11/21/93 Bockenheimer Depot - Frankfurt, Germany A source: digital audience recording taper: LTB: Soundman OKMII (with Soundman Adapter A3) > Casio DA-R100 transfer: DAT -> Tascam DA-20 -> m-audio -> WAV -> ssrc -> CDwave -> TLH -> FLAC digital edit by mossa 2023-05 (16-44) 2 flac  
21. 07/01/94 Symphony Hall - Birmingham, England A- Transferred from non-master cassettes. Thank you to the original taper whoever that may be. 2  
22. 12/31/96 Sunrise Musical Theater - Sunrise, FL 8.5 taped by Dolphinsmile Dolphinsmile Master Master dat to upload sonic studio mics and sony dat>File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8 2 Flac  
23. 02/18/98 The Dome - Brighton, England 8.5 Master taped with Sonic Studios mics>clone to me> File clones with Microtrack>Goldwave>TLH8 Produced by Dolphinsmile for the Dolphinsmile Archives 2 Flac  
24. 01/21/00 Reno Hilton Theater - Reno, NV 8.5 dat master>clone>upload 2 Flac  
25. 09/07/22 Wolf Trap - Vienna, VA A Source: DPA 4061 > Sound Devices MixPre-6 (24/48) Transfer: MP6 > iMac. Mastered with ProTools. Tracked via Sound Studio, FLAC via xACT. Recorded by vwmule and lowman. Mastered by opsopcopolis. 2 flac  
26. 06/26/25 Malahaide Castle - Dublin, Ireland 9 Recorded by Daspyknows Back of gold circle section dead center Schoeps MK41 Babynbox Zoom F-3 32Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac 1 Flac  
27. 07/01/25 Summerstage Drafbaan Stadspark - Groningen, Netherlands 9 lineage: Roland R-05 + Mic. Sound Professional SP-SPSB + battery box CompactFlash card reader > PC > WAV editing with goldwave > Audacity 1.3 CD wave > Traders Little Helper level 8 1 Flac  

Various Artists: Peace Sunday  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/06/82 Rose Bowl - Pasadena, CA a- Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC The crowd noise makes this a A- recording but its a real good sound when the crowd listens instead of talks 4 flac  

Vesbim Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/07/15 Floral Pavillion - New Brighton, UK A Zoom H2 16/44 > Internal mics rear 120 > CD wave > Trader's little helper > Flac 2 flac  

The Wallflowers  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/10/01 General Motors Place - Vancouver, BC A Source: Marcsounds Binaural Mics > Marcsounds battery box > Aiwa HD-S200 DAT Transfer: DAT master > Tascam DA-30 > Edirol R-44 > .WAV @ 16 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Location: Section 104, Row 4, Seat 102 Recorded & transferred by: Chris Bold Mastered by: Dennis Orr 1 flac  

Walter Trout  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/15/90 Chestnut Cabaret - Philadelphia, PA A Source 1- Soundboard (PCM) Source 2- Audience recording (analog) using either Josephson or Schoeps mics, I can't quite recall Original transfers done by The Philly Crew Matrix mix done by a friend Additional processing in Audacity by billydee 1 flac  
2. 05/09/91 Paradiso Club - Amsterdam, Holland A   1 flac  
3. ??/??/96 Starclub - Oberhausen, Germany A   1 flac  
4. 01/27/18 Sunset Cove Ampitheater - Boca Raton, FL A Source: Schoeps MK41 supercardioids > Nbob Actives > Naiant Tinybox v.2 > Tascam DR-2d (line in) @ 24 bit/48 kHz Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging) Location: 30' from the left stacks, mics in a Kangol Recorded by: Michael Wolf ("Datfly") Mastered by: Dennis Orr 1 flac  
5. 03/30/18 Tyagarah Tea Tree Farm - Byron Bay, Australia A CA14cardioids>RolandR-05>24bit/48hz>sd card>harddisk>audacity to declick, dec aud & raise levels>cdwave editor track split &-->16bit/44.1hz>tlh flac level8. 1 flac  
6. 02/07/19 The Hamilton - Washington, DC A Source: DPA 4023 > Sound Devices MixPre-6 (24/48) Transfer: MP6 > iMac. Tracked and resampled to 16-bit via Sound Studio, FLAC via xACT Recorded by Alex Leary 1 flac  
7. 12/06/19 McMenamins Elks Temple - Tacoma, WA A+ SBD 16/44 audio Recorded by fubb Lineage:SBD>XLR>Edirol R4>ProTools 2 flac  

Walter Trout & The Free Radicals  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/05/01 The Lemon Tree - Aberdeen, Scotland A+ Soundboard recording CDR>EAC>TLH Flac8>Dime 2 flac  

The War on Drugs  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/10/18 Fox Theatre - Oakland, CA A Source: Schoeps CCM4's > Tinybox > Sony PCM-M10 16/44.1 Mastering (BLG): Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC 2 flac  

Warren Haynes Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/10/25 Majestic Ventura Theatre - Ventura, CA 8 Neumann KM 140s (ORTF) >Lunatec V2 (30db Gain) >Tascam DR100mkII (24bit/48kHz) Recorded 2nd Tier Center Directly In Front Of Soundboard Area, Microphones On A Five-Foot Stand (As Not To Interfere With Lighting Technician's Sight Lines.) WAV >Audacity (Amplify, Track Splits, Fades, Downsample To 16bit / 44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Audacity Post Production, FLAC, Tags, Front Cover Artwork, And Photos, By OldNeumanntapr 2 Flac  

Wet Willie  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/18/77 Bottom Line Club - New York, NY A   1 flac  
2. 08/01/79 Bottom Line - New York, NY A Source: WNEW-FM > Cassette Master (TDK-SA) Transfer: Sony TC-WE 475 > JVC XL-R2010 CD-RW (44.1 Hz) Editing: Soundforge (tracking & pitch corrected) > Wav > TLH [SB's aligned] Flac level 8 Traders Den 1/17/16 - The BR series 128 - kingrue upload 1021 1 flac  
3. 02/27/20 Royal Theater - Ft. Lauderdale, FL AA MIKEY 2.0 iPod Recording Microphone 16/44.1 Dead center in the 4th row. FLAC 8 1 flac  

Whitesnake http://www.whitesnake.com
  Date Venue - City, State Sound Rating Notes Media  
1. 07/17/19 Crocus City Hall - Moscow, USSR A Equipment: SP-CMC-8 -> SP-SPSB-11-> Edirol R-09HR -> WAV [96kHZ/24 bit-> dithered to 44kHz/16 bit] Lineage: WAV -> Adobe Audition (Compressing-Amplifying-Track Splitting) -> FLAC 2 flac  

The Who http://thewho.com/
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 Life With The Moons - Compilation, Compilation A   2 flac  
2. 02/15/70 City Hall - Hull, UK A   2 flac  
3. 12/??/70 New Years Eve Bootleg - London, UK A Tracks 1-2: BBC Television Centre, London "Lulu" TV Show, Wednesday, December 30, 1970 Tracks 3-13: BBC 1 Top Of The Pops Into 71, broadcast on December 31, 1970. Recording: BBC Television & Sound board Comments: The Lulu Show songs are a bit weak in performance and the rest of the CD is comprised of Tommy demos and rehearsals. Apart from the Lulu tracks, this is an interesting CD. Tracks 3-6 appear to be identical to other Tommy Demos tracks. However, Tracks 7-13 appear to be WHO rehearsals featuring Roger Daltrey on vocals. Track 7 cuts in immediately before the verse. The track venues listed above were referenced from The Who Concert File book, (p.71). 2 flac  
4. 11/20/75 The Summit - Houston, TX A Soundboard recording. JBeat Remaster Version. 2 flac  
5. 05/25/76 Palais des Sports - Lyon, France a- MASTER Aud>?>Cdr(trade)>WAV>FLAC>YOU 2 flac  
6. 10/07/76 San Diego Sports Arena - San Diego, CA a- Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 60 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  
7. 10/09/76 Oakland Coliseum - Oakland, CA a- Source: Tape trade, SB16, CD-R, you 2 flac  
8. 10/18/76 Winnipeg Arena - Winnipeg, MB A- JEMS 2017 Transfer: true first-generation cassettes > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (16/44.1 capture to .wav) > iZotope RX and Ozone > FLAC 2 flac  
9. 12/08/79 International Amphitheatre - Chicago, IL A- Lineage: Low generation cassette => Stand-alone Pioneer CD burner => EAC => Magix Audio Cleaning Lab => WAV => FLAC front end (level 8) 2 flac  
10. 06/23/80 L. A. Sports Arena - Los Angeles, CA AA The Who Sports Arena Los Angeles, CA June 23, 1980 Mike Millard Original Master Tapes via JEMS 1644 Edition The Lost and Found Mike the MICrophone Tapes Volume 24 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2020 Transfer: Mike Millard Master Cassette > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > MBIT+ resample to 1644> Audacity > TLH > FLAC 01 Substitute 02 I Can’t Explain 03 Baba O’Riley 04 My Wife 05 Sister Disco 06 Behind Blue Eyes 07 Music Must Change 08 Drowned 09 Who Are You 10 5:15 11 Pinball Wizard 12 See Me, Feel Me 13 Long Live Rock 14 My Generation 15 Sparks 16 Won’t Get Fooled Again 17 Summertime Blues 18 Twist and Shout 19 You Belong To Us 20 The Real Me Known Flaws: tape flip in “Won’t Get Fooled Again” Intro to the Lost and Found Mike the MICrophone Series Welcome to JEMS’ Lost and Found Mike the MICrophone series presenting recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin done in and around Los Angeles circa 1975-77. For further details on how tapes in this series came to be lost and found again, as well as JEMS' history with Mike Millard, please refer to the notes in Vol. One: http://www.dimeadozen.org/torrents-details.php?id=500680 Until this year, the Lost and Found series presented fresh transfers of previously unavailable first-generation copies made by Mike himself for friends like Stan Gutoski of JEMS, Jim R and Barry G. These sources were upgrades to circulating copies and in most instances marked the only time verified first generation Millard sources had been directly digitized in the torrent era. That all changed with the discovery of many of Mike Millard’s original master tapes. Yes, you read that correctly, Mike Millard’s master cassettes, long rumored to be destroyed or lost, have been found. Not all of them but many, and with them a much more complete picture has emerged of what Millard recorded between his first show in late 1973 and his last in early 1992. The reason the rediscovery of his master tapes is such a revelation is that we’ve been told for decades they were gone. Internet myths suggest Millard destroyed his master tapes before taking his own life, an imprudent detail likely concocted based on the assumption that because his master tapes never surfaced and Mike’s mental state was troubled he would do something rash WITH HIS LIFE’S WORK. There’s also a version of the story where Mike’s family dumps the tapes after he dies. Why would they do that? The truth is Mike’s masters remained in his bedroom for many years after his death in 1994. We know at least a few of Millard’s friends and acquaintances contacted his mother Lia inquiring about the tapes at the time to no avail. But in the early 2000s, longtime Millard friend Rob S was the one she knew and trusted enough to preserve Mike’s work. Here is Rob’s account of how Millard’s master tapes were saved: After Mike left us, I visited his mom Lia occasionally, usually around the holidays. She’d talk about the grandkids and show me pictures. She had no one to help out around the house so I did some minor improvements like fixing a kitchen shelf that collapsed and another time a gate that hadn’t worked for years. After a few visits, I explained to Lia how the tapes were metal, up to 25 years old already and would eventually deteriorate. She agreed to let me take the tapes and make copies. We went into Mike’s bedroom and it was exactly like I remembered it when I was there years before. I loaded up every tape I could find and went to work copying them. Oldest first, some requiring “surgery.” Months later when I was done copying, I compared what I had copied to a list Mike had compiled of his masters and realized there were many shows missing. I returned the tapes and asked Lia if we could see if there were any more somewhere else in the house. We went into a back bedroom and found a bunch of boxes filled with more original master tapes. I loaded them up, thanked Lia and left. This was the last time I would see her. I copied the rest of the tapes and stored the masters in a cool dry place until late last year when Jim R. reached out. We had known each other through Mike. After speaking with Jim and later BK who had tracked him down, I knew their partnership was the “right way” to get this music out to everyone who wanted it. I’m sure Mike would agree. ### Initially, Rob copied a large batch of Millard’s master cassettes to DAT and returned them to the house. The second time around, he was given a large portion of the cassette collection, different from what he had copied to DAT. The first round of DAT transfers features some of Millard’s most famous recordings of Led Zeppelin, ELP, the Rolling Stones and Jethro Tull. The second traunch of actual cassette masters includes his captures of Yes, Genesis, Peter Gabriel, Rush and Pink Floyd. As exciting as it is to access Millard’s masters of the shows we know and love, there are many new recordings in both batches from artists like Elton John, Queen, Thin Lizzy, Eric Clapton, The Who, the Rolling Stones, Paul McCartney, Fleetwood Mac, Tom Petty, Guns N’ Roses, Linda Ronstadt, David Bowie, the Moody Blues, U2 and more. Even with an information gap in the mid ‘80s (when Millard was surely taping but there is no tape or written evidence as to what he captured), we have confirmed nearly 300 shows Millard did record. Of those, there are master cassettes for approximately 100 shows, DATs off masters of another 75 and first generation analog copies for 30-35. Collectively, that nearly quadruples the number of extant Millard recordings. Our original master tapes series began with Pink Floyd, which you can find here: http://www.dimeadozen.org/torrents-details.php?id=667745&hit=1 http://www.dimeadozen.org/torrents-details.php?id=667750&hit=1 The Who, Sports Arena, Los Angeles, CA, June 23, 1980 We continue our series with another one of Mike’s favorite bands, The Who, in the midst of a rejuvenated renaissance that would see them perform seven shows in Los Angeles in June 1980, a run that began with two nights at the Forum followed by five at the Sports Arena. 6/23/80 was the first show of the Sports Arena stand and captures the band in fighting form. Because JEMS recorded many Who shows in this era ourselves (some of which we will release soon), I’m very familiar with the core 1979-80 set which starts with the one-two punch of “Substitute” and “I Can’t Explain” then “Baba O’Riley.” While fans justifiably fetishize Who recordings with Keith Moon, the truth is the set lists on Moon’s last tour, 1976, grew a little stale. Here we get a great mix of the must-include songs along with fresh takes of “Sister Disco,” “Music Must Change,” “Drowned,” “Who Are You,” “5:15” and “The Real Me.” The inclusion of a three-piece horn section adds a new sonic layer, as does the keyboard work of John “Rabbit” Bundrick, who undoubtedly helped foster opening up the song selection. I love Pete’s guitar tone in this era and the improvisations that frequently occurred in the encores. On this night, “Twist and Shout” eventually mutates into Pete singing lyrics that revolve around a chorus of “This Place Belongs to Us.” Some Who websites refer to the song as “You Belong to Us” but Townshend doesn’t really sing that. Mike’s recording of the show is what I’ve come to appreciate as “classic Millard quality,” close but not too close, with wide fidelity that nails The Who’s sonic signature that runs from the rich rumble of Entwistle’s bass up to the ringing cymbal sound Moon made famous and Kenney Jones, even with his very different drumming style, maintained in spots. Samples provided. Here’s what Jim R recalled about the show: Mike and I together attended The Who show on June 23, 1980 at the LA Sports Arena. The wheelchair was not used for this show. A payoff was made to security staff to get in our gear. This same security supervisor was near the stage, close to our seats, so we were "protected" so to speak. It was one of five LA area Who shows we attended within about a week's time. We went to The Forum on 6/20 then to four out of the five LA Sports Arena nights. For the June 23rd show, we sat in the 4th row, Section A on the inside aisle. These were our best seats of the five concerts. Mike's recording quality and my pictures reflect in our close proximity to the PA and stage. As a fan looking to get the best possible seats at face value from the box office, the worst three words you can hear are "Mail Order Only" for a ticket sale. “Mail Order Only” is code for box office corruption, as that system provides no visibility to the general public. The brokers would get all the best seats and even most of the average ones. Tickets for the LA Sports Arena were tightly controlled by the downtown LA ticket brokers. We had an "in" with a key person at Al Brooks’ agency who gave us a "deal" on all our tickets for the five shows. Even so, the tickets were very costly at the time; therefore, we could sanely afford to attend only five of the seven LA area performances. The Who offers a little nostalgia. The first show Mike ever recorded was The Who in 1973 on the Quadrophenia tour. I was there, too, but we didn't know each other at the time. But destiny awaited us both. By the way, Keith Moon was a maniac on the drums. Back to the June 23rd show. If I had to choose a few words to describe the concert they would be explosive, high energy. We rarely sat in our seats. In fact, at times we had to stand on our seats, even in the 4th row. With Mike standing on his seat, he relied on me to check the level meters on the Nak. Roger Daltrey was in fine form, his voice was strong. Pete Townshend did his thing despite a brace on his right hand due to a previous hand injury. John Entwistle remains one of my favorite bass players of all time. At times he is a "Lead Bass" guitarist. Kenney Jones did a great job on the drums. The show was basically a Greatest Hits event. The Oldies section of the encore was a highlight. ### JEMS is proud to partner with Rob, Jim R and Barry G to release Millard's historic recordings and to help set the record straight about the man himself. Mike held this particular run of Who recordings in high esteem, putting the tapes in a special zippered case that he labeled with the dates of the shows he recorded. He also made a compilation of performances from across the run, something he did with two other favorite multi-night stands, the Rolling Stones in 1975 and Peter Gabriel in 1977. His Who logo artwork for this run of shows is eye catching. We can’t thank Rob enough for reconnecting with Jim and putting his trust in our Millard reissue campaign. He kept these precious tapes under wraps for two decades, but once Rob learned of our methods and stewardship, he agreed to contribute the Millard DATs and cassettes to the program. Our series would not happen without the support of our post-production lead mjk5510, who has been working overtime to keep up our weekly pace of new JEMS projects. Thank you as always for your invaluable partnership. In these unprecedented times we will attempt to accelerate our release schedule to put more music in your hands and ears while we are bunkered in. Please stay positive, help your neighbors, help strangers and let’s get to the other side of this intact. Better still, make a donation to a food bank or other key support organization helping out those who are struggling even more than you are to get by. Lastly, cheers to the late, great Mike the MICrophone. His work never ceases to impress. May he rest in peace. BK for JEMS 2 flac  
11. 10/25/82 Oakland-Alameda County Coliseum Arena - Oakland, CA A 2 Nakamichi CM 300s > SONY TC-D5m(Dolby B)(TDK MA90) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/16) > OSX Peak (editing) > xACT(flac, meta tagging) 2 flac  
12. 11/29/82 Rupp Arena - Lexington, KY A fresh transfer / seeded by Vortex242: ? gen C > playback on TASCAM130 > TASCAM CD-RW700 standalone CD burner > CD > EAC > wav > Adobe Audition > CDwave > FlacFrontend (level 6, verified, with align on sector boundaries) > flac > TTD 2 flac  
13. 12/06/82 Checker Dome - St. Louis, MO 8.5 Master* tape from the ML Archive via JEMS Recording Gear: Aiwa CM-30 stereo microphone* > Sony D6 Walkman 2020 transfer: master* cassettes > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.3.2 (24/96) capture > iZotope RX MBIT+ resample 16/44.1 FLAC > Audacity 2.3.2 (tracking and finishing) Run time: 1:56:07 I have been here at The Checkerdome and this is a fantastic recording for that venue 2 Flac  
14. 12/16/82 Maple Leaf Gardens - Toronto, ON A ML Archive Master via JEMS Recording Gear: Aiwa CM-30 microphone > Sony WM-D6 2 flac  
15. 07/19/89 Municipal Stadium - Cleveland, OH A Recorded by JEMS and provided to me by PTownshend, this is a complete show from the 1989 tour supporting the Tommy anniversary. This does NOT contain the complete Tommy as some other shows do. Great sound on this one. DAT copy direct from the master. I levelled the volume a bit and tweaked the EQ very slightly, then divided it into 3 CDs. Other than that its just as I got it. 2 flac  
16. 08/22/89 Jack Murphy Stadium - San Diego, CA A Mike Millard First-Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 207 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2024 Transfer: Mike Millard First-Generation Cassettes > Nakamichi RX-505 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > MBIT+ resample to 16/44.1 > Audacity > xACT 2.50 > FLAC 2 flac  
17. 08/26/89 Los Angeles Coliseum - Los Angeles, CA A+ Mike Millard First Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 122 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassettes > Nakamichi RX-505 (azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture 2496 > MBIT+ resample to 1644 > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  
18. 09/03/89 Cotton Bowl - Dallas, TX A FM > Cassette > CD Wave Editor > Cool Edit Pro (volume, fades) > CD Wave Editor > FLAC 2 flac  
19. 05/09/97 Westfalenhalle - Dortmund, Germany a- Source: Tape trade, SB16, CD-R, you 2 flac  
20. 06/29/00 Post-Gazette Pavilion - Burgettstown, PA A Source : Sonic Studio DSM mics > Battery Box (w/bass cut filter) > Sony TCD-D8 Master (courtesy of Steve K. archive) Transfer : Sony DTC-ZE700 > Tascam DR-40 Linear PCM Recorder 16/44.1 kHz) Editing : Soundforge (tracking) > Wave > TLH (SBE aligned) Flac level 8 2 flac  
21. 08/22/00 Sacramento Valley Amp. - Marysville, CA A Unknown Gen CDR > EAC > FLAC 2 flac  
22. 08/24/00 Pepsi Center - Denver, CO 8.5 Lineage: sbd > cd-r >eac >flac frontend level 6 2 Flac  
23. 09/28/00 Philips Arena - Atlanta, GA A Master Soundboard > DAT > CDR > EAC > Cool Edit (fades & channel balancing) > CD Wave Editor > FLAC 2 flac  
24. 09/30/00 Gund Arena - Cleveland, OH A+ Master Soundboard > DAT > CDR > EAC > Cool Edit (fades & channel balancing) > CD Wave Editor > FLAC 2 flac  
25. 09/15/06 Scotiabank Place - Ottawa, ON A+ Unknown Gen CD-R > EAC 0.99pb3 (Secure Mode) > EAC > Flac Frontend > Flac (Level 8) Audience Recording 2 flac  
26. 10/31/08 Event Center, Borgata Casino - Atlantic City, NJ A+ Recorded from the 14th Row, Dead Center Source Info: Schoeps CCM4's > SD744T @ 24/96 > firewire to hard drive of dedicated music only computer > Bit Conversion and re-sampled to 16/44.1 with Sound Forge 7.0 > indexed in Sound Forge 4.5 > CD set up with CD Architect 4.5 > CD burned with CD Architect 5.0 onto Mitsui Gold CD > Extracted to Internet Capable Computer with EAC > FLAC. Hope you all enjoy this recording as much as I do. PLAY IT AS LOUDLY AS YOU CAN!!! 2 flac  
27. 03/30/17 Royal Albert Hall - London, England A Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
28. 08/16/17 Lake Tahoe Outdoor Arena At Harvey’s - Stateline, NV A+   2 flac  
29. 05/03/22 Moody Center - Austin, TX A SP-CMC-4U -> A10 -> Soundforge -> FLAC 2 flac  
30. 05/10/22 Paycom Center - Oklahoma City, OK A Source: CA-14- > Sony PCM A10. >24bit 48htz > HDD>Goldwave to split the file> Ozone 8 to master and dither to 16 Bit /44.1> traders little helper flac level 8 Recorded by - Whotapes Section 2 row A 2 flac  
31. 10/09/22 Schottenstein Center - Columbus, OH a- Source: Sound Professionals CMC-08s (AT943s)->SP-SB10->Roland R05-> Audacity->CDWave->TLH Taper: ironchef 2 flac  
32. 10/17/22 Ball Arena - Denver, CO A Source: US CSB's > Battery Box > Edirol R-07 @ 24/44.1 > USB > WAV by Royboy Master: Wavelab 11 (tracking, fades, EQ, remove clapping guy) > FLAC 24/44 > you Thanks to Royboy for the recording. 2 flac  
33. 07/20/25 Anfiteatro Camerini - Piazzola sul Brenta, Italy 9 SP-CMC-8-SC-SS-CE mics > SP-SPSB-8-MKII-S battery box > Zoom H1 Essential (32-bit Float) Master .WAV file > Audacity 3.7.4 > FLAC (16-bit/44.1 kHz) 2 Flac  
34. 08/16/25 Amerant Bank Arena - Sunrise, FL 9 onic Studios DSM-6SL PA-6LC2 > Sony PCM-A10 Recorded from Floor 4, dead center 2nd row $601 a ticket Master> WavePad fades > CDWave Editor > TLH FLAC > TLH checksums Notes: Opening show of The Song Is Over: The North American Farewell Tour 2 Flac  

Willie Nelson  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/06/75 The Troubadour - West Hollywood, CA A Tandberg 9000x > Revox B-77 > Fostex CR200 Transfer: Wave (via EAC) > minor editing using NERO > CD Wave (original work in 2007) My skills as an editor and the software I use have improved a bit since 2007 so a little clean up work was done in 2018 before re-posting this show for Willie's 85th birthday. 16-44 wave files > iZotope RX 6 advanced (repair dropouts remove 60Hz hum clicks remove dc offset light eq) > TLH Transferred by Mike Martin 2 flac  
2. 08/18/79 Missouri State Fair - Sedalia, MO A Recorded on location (Section 122, row 18, dead center view of stage with mixing desk halfway in-between) by inu-liger Lineage: Live sound output > Sound Professionals MS-BMC-3 Master Series Premium binaural microphones w/ SP-EMC-3 Croakie Eyeglass Retainer > Microphone Madness MM-CBM-Mini miniature battery module > Roland R-05 (PCM @ 96/24) > PC > GoldWave (editing out pre-concert/post-concert bits, track-splitting) > WAV > foobar2000 w/ flac.exe > Batch downconversion to 44.1/16 > FLAC Level 8 Quality: EX 2 flac  

Willie Nile  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/22/80 My Father's Place - Old Roslyn, NY A- Source: WLIR-FM Broadcast > TDK D-C90 Master Transfer Lineage: TDK > Sony Deck TC-WE 475 > JVC XL-R2010 CD-RW [standalone] > Soundforge 9.0 > Wav >TLH [sector boundary aligned] Flac Level 8 Trader's Den 12/5/14 Transferred, Balanced and Tracked by George [kingrue] [Upload 355] 1 flac  
2. 06/25/80 Old Waldorf - San Francisco, CA A THTP Radio Release 2010 Lineage (for radio shows taped by Terry): FM receiver > Maxell type 1 cassette > AIF Dime release processing: AIFF > FFMPEG > 16 bit 8 > tagging, images, checksums. Audio files provided by: Terry Hammer 1 flac  

WLIR Party in the Park  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/21/79 Belmont Park - Elmont, NY A   5 flac  
2. 08/23/80 Belmont Raceway - Belmont, NY A   5 flac  

Yardbirds  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/30/68 Anderson Theatre - New York, NY a- no lineage but its really good for the era it comes from it wood have to be fm possibly 1 flac  

The Zappa Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/09/21 Beacon Theater - New York, NY A Lineage: Roland CS-10EM binaural mics -> Zoom H1 -> Audacity -> CD Wave Editor -> FLAC 1.3 -> you This is incompatible with the CD-Audio standard. The sound is in 24-bit stereo sampled at 96 kHz. Feel free to post a downsample; I’m not going to. Notes, rambles, etc.: Another learning experience. I tried the ‘auto-level’ setting. The good thing about that is that it lowers the level of the things that are too loud due to proximity. The bad thing is that it auto-adjusts in the middle of a piece due to something loud regardless of relevance and it was rather abrupt. I modified levels in Audacity to try to normalize it, but there now might be a little bit of clipping. If you want the raw file and want to do your own remaster, I’ll upload it. Highlights: Gavin & Jakko joined The Zappa Band on ‘Baltimore.’ Jakko played the whole thing, then took the third solo. It might sound like the second solo, but Mike picked up seamlessly from Jamie with the same note feeding back, so it’s not an obvious transition. Joe incorporated the intro to Zep’s RnR in one of the Florentine drum breaks Tony’s short opening bow ‘test’ was really beautiful. On Tony’s ‘Cadenza,’ he sang a bit of ‘Elephant Talk’ that had Fripp in stitches -- almost fell off his stool. Lowlight: Two fewer songs than the NJ set last weekend. Special moment: At the start of the ItCotKC when the guy next to me turns to his friend and says ‘I actually have this album.’ Enjoy. Peace, Phideaux3 1 flac  

Zebra http://www.thedoor.com
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/79 Fordham University - Bronx, NY A Zebra 1979 Fordham University, New York - The Bronx, New York, USA broadcast: 90.7 FM WFUV (65:03) 1. The La La Song (9:06) 2. The Bears Are Hibernating (5:48) 3. My Life Has Changed In Many Ways (5:26) 4. To Find Your Dreams (4:39) 5. Last Time (5:07) 6. You Drive Me Crazy (4:49) 7. Free (3:45) 8. Wait Until The Summer's Gone (4:38) 9. Who's Behind The Door? (6:41) 10. One More Chance (3:55) 11. Take Your Fingers From My Hair (8:28) lineage: WFUV broadcast > unknown tapes and generations > unknown transfer > FLAC 16/44.1 > Audacity (normalisation, remove dropout, fades, edits, track indices) > FLAC 16/44.1 Official Zebra site: http://www.thedoor.com/ The place Fordham University and the fact that it's a radio show are confirmed a few times during the recording. The exact date is a bit of a problem. The entry on setlist.fm says 1979-11-29 but there is no proof of that. The source in the comments refers to an e-tree entry which has no full date. setlist.fm: https://www.setlist.fm/setlist/zebra/1979/fordham-university-the-bronx-ny-63fbcab7.html e-tree: http://db.etree.org/lookup_show.php?shows_key=362969 I guess we have no option that to stick to 1979 until someone comes up with some proof. Archives from WFUV would be nice! The track index for Last Time was set a little too late, so it started within the track before. I wanted to correct that but then I noticed some other things that were quite easy to fix. Now I changed some things on the recording as I received it. Some of you might not like what I so let me explain the details. My main goal is to have a nice listening experience, and for me that means a continuous recording. So I removed a few drop-outs. In all, you're missing about 0.1 seconds of music, 1.4 seconds of audience noise, and a few minutes of silence when compared to the original upload. When I opened the recording in Audacity I saw a lot of clipping (too loud). The right channel had clipping throughout the recording, the left channel some clipping after 45 minutes. Normalisation fixed that. The first seconds of the first track are missing. Clearly a case of starting the recording too late. I added a very short fade-in (0.1 seconds or something), removing the noise from starting the tape, but nothing I could do here. Maybe someone very clever can add the first "la la" from a different part of the recording? There was also a dropout in that first track (a few seconds from the start) of a few milliseconds. I was able to remove that, making it a bit more smooth, although you still hear a slight glitch, like a noise over the recording, which was a noise at the start of the drop-out. No music seemed to be missing, though. On the original tape there's a cut during the last minute of Last Time. This is at around 29 minutes, so a tape flip makes sense. Some different music was audible, which makes me think it was not a blank tape that was used for the recording or copying. It made removing the drop-out a bit harder, but I am happy with the results, I don't hear anything distracting anymore. There might be about 0.1 seconds of music missing because of this. I mean 0.1 seconds from the recording I started with, I can't say anything about the off-air recording let alone the original broadcast. During the applause after the "Thank you" following Wait Until The Summer's Gone, there was another drop-out. I cut that out (0.5 seconds) in such a way you won't hear a thing. Maybe 0.05 seconds of audience noise has been cut here. Then there is a cut shortly after this, about 2 seconds before the announcement "This song is called Who's Behind The Door?". This would make sense, as this is at 43 minutes into the recording and would mean a tape flip. Having tape flips at 30 and at 45 minutes, it means the original recording made from the radio broadcast was copied at least once and onto tapes of different lengths. A pity. But it also means there might be a lower generation around. To solve this drop-out caused by tape flip, I faded out the audience noise following Until The Summer's Gone, faded in the audience noise before Who's Behind The Door?, and then mixed the fades by overlapping them. Nothing is missing, no music and no announcements, only about 0.9 seconds of audience noise is overlapping. Finally, after the last track there were 5 minutes of silence and static noise. I removed that. The fade-out is on the recording as I got it. Right before Wait Until The Summer's Gone you hear someone calling someone (Joe Clogg?) a dick. Pretty funny to have that immortalised on a recording of course. The same voice mentions that name a few more times later on, and someone else is asking him who the hell that is. There is still one suspicious drop-out, in To Find Your Dreams. If it is a drop-out it's really well-edited, like it is supposed to be this way. So it could have been the way they played it. I didn't change anything there. The recording is not perfect. There are a few short bits with varying tape speed, I suspect caused by copying the tape. But there's not a lot of that and they are certainly not distracting. All you who prefer a continuous recording as much as possible, you'll like it. Purists who want the original as much as possible may not like what I did here. I didn't keep the originally shared recording so I cannot go back. And I don't want to. I am pretty pleased with the result. So much that I am will definitely be listening to this recording more often. An early Zebra show, some interesting, different arrangements than the eventual album versions, and in good quality. What's not to like? Enjoy! Jerry(19)70 shared on Dime April 2020 ----- original info file (May 2006 or earlier) ----- Zebra Fordham University WFUV broadcast 01 - The La La Song 02 - Bears 03 - My Life Has Changed (in many ways) 04 - To Find Your Dreams 05 - Last Time 06 - Drive Me Crazy 07 - Free (Original version) 08 - Wait Until The Summer's Gone 09 - Who's Behind The Door? 10 - One More Chance 11 - Take Your Fingers (from my hair) I really cannot tell you much about this one. I don't even remember where I got it from. I do know that there have been requests, both on here and at the Zebra shows for older (1980 and before) Zebra recordings. I have a few of them, but most have been given to me with a Do Not Trade restriction. The paperwork I do have on this and the writign on the CD being in my own handwriting leads me to believe that it was sourced from a commercial boot, so I am releasing it here and hoping that everyone enjoys it. I am missing my copy of the show from the Mad Hatter of Stony Brook from the night that Zebra got signed by Atlantic Records that was broadcast on WBAB. If someone could seed that I would appreciate it. Zebra fans, come join the chat on http://www.thedoor.com/vbulletin RT 1 flac  
2. ??/??/79 Fordham University - Bronx, NY A Zebra 1979 Fordham University, New York - The Bronx, New York, USA broadcast: 90.7 FM WFUV (65:03) 1. The La La Song (9:06) 2. The Bears Are Hibernating (5:48) 3. My Life Has Changed In Many Ways (5:26) 4. To Find Your Dreams (4:39) 5. Last Time (5:07) 6. You Drive Me Crazy (4:49) 7. Free (3:45) 8. Wait Until The Summer's Gone (4:38) 9. Who's Behind The Door? (6:41) 10. One More Chance (3:55) 11. Take Your Fingers From My Hair (8:28) lineage: WFUV broadcast > unknown tapes and generations > unknown transfer > FLAC 16/44.1 > Audacity (normalisation, remove dropout, fades, edits, track indices) > FLAC 16/44.1 Official Zebra site: http://www.thedoor.com/ The place Fordham University and the fact that it's a radio show are confirmed a few times during the recording. The exact date is a bit of a problem. The entry on setlist.fm says 1979-11-29 but there is no proof of that. The source in the comments refers to an e-tree entry which has no full date. setlist.fm: https://www.setlist.fm/setlist/zebra/1979/fordham-university-the-bronx-ny-63fbcab7.html e-tree: http://db.etree.org/lookup_show.php?shows_key=362969 I guess we have no option that to stick to 1979 until someone comes up with some proof. Archives from WFUV would be nice! The track index for Last Time was set a little too late, so it started within the track before. I wanted to correct that but then I noticed some other things that were quite easy to fix. Now I changed some things on the recording as I received it. Some of you might not like what I so let me explain the details. My main goal is to have a nice listening experience, and for me that means a continuous recording. So I removed a few drop-outs. In all, you're missing about 0.1 seconds of music, 1.4 seconds of audience noise, and a few minutes of silence when compared to the original upload. When I opened the recording in Audacity I saw a lot of clipping (too loud). The right channel had clipping throughout the recording, the left channel some clipping after 45 minutes. Normalisation fixed that. The first seconds of the first track are missing. Clearly a case of starting the recording too late. I added a very short fade-in (0.1 seconds or something), removing the noise from starting the tape, but nothing I could do here. Maybe someone very clever can add the first "la la" from a different part of the recording? There was also a dropout in that first track (a few seconds from the start) of a few milliseconds. I was able to remove that, making it a bit more smooth, although you still hear a slight glitch, like a noise over the recording, which was a noise at the start of the drop-out. No music seemed to be missing, though. On the original tape there's a cut during the last minute of Last Time. This is at around 29 minutes, so a tape flip makes sense. Some different music was audible, which makes me think it was not a blank tape that was used for the recording or copying. It made removing the drop-out a bit harder, but I am happy with the results, I don't hear anything distracting anymore. There might be about 0.1 seconds of music missing because of this. I mean 0.1 seconds from the recording I started with, I can't say anything about the off-air recording let alone the original broadcast. During the applause after the "Thank you" following Wait Until The Summer's Gone, there was another drop-out. I cut that out (0.5 seconds) in such a way you won't hear a thing. Maybe 0.05 seconds of audience noise has been cut here. Then there is a cut shortly after this, about 2 seconds before the announcement "This song is called Who's Behind The Door?". This would make sense, as this is at 43 minutes into the recording and would mean a tape flip. Having tape flips at 30 and at 45 minutes, it means the original recording made from the radio broadcast was copied at least once and onto tapes of different lengths. A pity. But it also means there might be a lower generation around. To solve this drop-out caused by tape flip, I faded out the audience noise following Until The Summer's Gone, faded in the audience noise before Who's Behind The Door?, and then mixed the fades by overlapping them. Nothing is missing, no music and no announcements, only about 0.9 seconds of audience noise is overlapping. Finally, after the last track there were 5 minutes of silence and static noise. I removed that. The fade-out is on the recording as I got it. Right before Wait Until The Summer's Gone you hear someone calling someone (Joe Clogg?) a dick. Pretty funny to have that immortalised on a recording of course. The same voice mentions that name a few more times later on, and someone else is asking him who the hell that is. There is still one suspicious drop-out, in To Find Your Dreams. If it is a drop-out it's really well-edited, like it is supposed to be this way. So it could have been the way they played it. I didn't change anything there. The recording is not perfect. There are a few short bits with varying tape speed, I suspect caused by copying the tape. But there's not a lot of that and they are certainly not distracting. All you who prefer a continuous recording as much as possible, you'll like it. Purists who want the original as much as possible may not like what I did here. I didn't keep the originally shared recording so I cannot go back. And I don't want to. I am pretty pleased with the result. So much that I am will definitely be listening to this recording more often. An early Zebra show, some interesting, different arrangements than the eventual album versions, and in good quality. What's not to like? Enjoy! Jerry(19)70 shared on Dime April 2020 ----- original info file (May 2006 or earlier) ----- Zebra Fordham University WFUV broadcast 01 - The La La Song 02 - Bears 03 - My Life Has Changed (in many ways) 04 - To Find Your Dreams 05 - Last Time 06 - Drive Me Crazy 07 - Free (Original version) 08 - Wait Until The Summer's Gone 09 - Who's Behind The Door? 10 - One More Chance 11 - Take Your Fingers (from my hair) I really cannot tell you much about this one. I don't even remember where I got it from. I do know that there have been requests, both on here and at the Zebra shows for older (1980 and before) Zebra recordings. I have a few of them, but most have been given to me with a Do Not Trade restriction. The paperwork I do have on this and the writign on the CD being in my own handwriting leads me to believe that it was sourced from a commercial boot, so I am releasing it here and hoping that everyone enjoys it. I am missing my copy of the show from the Mad Hatter of Stony Brook from the night that Zebra got signed by Atlantic Records that was broadcast on WBAB. If someone could seed that I would appreciate it. Zebra fans, come join the chat on http://www.thedoor.com/vbulletin RT 1 flac  
3. ??/??/83 The Palladium - New York, NY A- Lineage Unknown: Ripped from CD with EAC in 2006 (see log) > WAV > FLAC 1 flac  
4. 02/16/85 McNichols Sports Arena - Denver, CO A- Source : FM Radio Broadcast. Sony Audio CD-R > Roxio Creator 2011 Pro (Advanced RIP) > WAV > AddAWav > CD Wave Editor > Traders Little Helper > FLAC (Level 8). 1 Flac  
5. 12/26/92 Club Bene - South Amboy, NJ A Source : Aiwa CM-30 Mic > Casio DA-R100 DAT Recorder > Maxell 120 (Master) DAT > Tascam DA-20 MkII DAT Deck > Edirol R-1 > 4GB SansDisk Compact Flash > WAV > Adobe Audition 1.5 > CD Wave Editor 1.97 > Traders Little Helper > FLAC (Level 8). 2 flac  
6. 11/05/21 Theater at Westbury - Westbury, NY A audience master Edirol R-09 w/ 2 audio technica mics (1 at-8531& 1 pro 7a) > wavelab 6 > TLH > make torrent 2 > dime (SBE corrected) Recorded from the 6th row on Felix's side btu in reality that was really equivelent to like the 10th row. For the first 30min or so one of my mics wasn't working. (Probably the wire). Anyhow, the beginning is mono with one channel just patched to the other and then the remainder of the show is stereo. The stereo returns during 'Arabian Nights' but there was still a deop out here and there to which I tried to patch up. They are fairly unnoticable. Lots of drunk talkers and terrible sound at times throughout the show. 2 flac  
7. 12/29/23 City Winery - Montgomery, NY a- audience master 24/48 Roland R-07 w/ 2 audio technica mics (1 at-8531& 1 pro 7a) > wavelab 6 > TLH > make torrent 2 > dime (SBE corrected) My first recording with my new Roland R-07, The 09 needed repairs and it was just cheaper to buy the new model. This is an extremely clean recording for a working restaurant. There are no glasses and plates clanging around. The audience around me was very well behaved. Lastly, there was a fair amount of talking between songs from Randy and Felix. I just left those bits tacked onto the previous song instead of making them their own tracks.The only real downside is somhow that last few minutes of the last track are missing. I have no explanation as to how this happened. 2 flac  
8. 10/10/25 City Winery - Montgomery, NY 9 audience master 24/44 Roland R-07 w/ 2 audio technica mics (1 at-8531 & 1 pro 7a) > wavelab 6 > TLH > make torrent 2 > dime 2 Flac  
9. 10/12/25 The Vault Music Hall - New Bedford, MA 9 SP-CMC-8c > SP-SPSB-11 > Zoom H1 XLR > WAV (32-bit floating, 48kHz) 2 Flac  
10. 04/24/26 Music Box - San Diego, CA 8.5 SP-CMC-4U > Roland R-05 > WAV (24/96) > Amadeus Pro 2.8.14 > 16/44.1 > FLAC recorded by carsfan 2 Flac  

Zero http://www.zerofamily.com
  Date Venue - City, State Sound Rating Notes Media  
1. 08/31/84 Sleeping Lady Cafe - Fairfax, CA A Lineage: Sbd > ? > CD 2020: Trade CD-R received October 2005 > EAC > Wavs > TLH > FLAC(8) 1 flac  
2. 06/10/87 New George's - San Rafael, CA A 2nd gen analog audience recording digital transfer 2021-10 (16-44) 3 flac  
3. 06/19/87 Empire Rock Club - Philadelphia, PA A+ Source- Stereo Soundboard feed > Sony PCM-F1 (@16bit) > Zenith Beta video recorder Transfer: Sony Beta video player > Modified Sony 601EsD PCM digital out > Edirol R-44 (PCM emphasis decoded in the process) Processing- 16/44.1 WAV > Audacity > TLH FLAC8 > foobar2000 Transferred by the Philly Crew (December 2014) Processed by billydee (October 2020) 0  

The Zombies  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/13/18 Fremont Theater - San Luis Obispo, CA AA Source: Recorded by Rick Williams Row G (7), seat 13, center section on the left side using the Tascam DR40 with internal mics @ 24-44 Mastered by Flying-M- iZotope RX6 Advanced & Har-Bal 3.0 > CD Wave > AudioGate Aqua (16-44) > TLH My good friend "Oldneumanntapr" sent me the raw file saying, I’m sure it will be a huge improvement from whatever mad scientist gear you use! 2 flac  

ZZ Top https://www.zztop.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 03/16/77 Boston Garden - Boston, MA A-   2 flac  
2. 04/30/77 Jefferson Memorial Coliseum - Birmingham, AL B+ Lineage: Tape (probably master)>?>CD>Trade>FLACs from E-rroneous>Sony Soundforge (speed correction)>FLAC I speed corrected this to the best of my ability. It may not be perfect, but original tape was running way too fast. I believe I used -50 to get as close as I could to regular pitch (used other boot from 1977 as a reference) 2 flac  
3. 10/06/79 Grugenhalle - Essen, Germany A SBD/TV Broadcast 2 flac  
4. 03/08/80 Kemper Arena - Kansas City, MO 9 Source: Soundboard (Master) Lineage: Maxell UDXL-II C90 cassette > Nakamichi DR-1 (azimuth adjustment) > Creative Sound Blaster X-Fi HD > Audacity (24-96) > FLAC 6 2 Flac  
5. 03/29/80 The Spectrum - Philadelphia, PA A   2 flac  
6. 04/19/80 Grugahalle - Essen, Germany A   2 flac  
7. 05/04/80 Capitol Theatre - Passaic, NJ a- LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 24/48> TLH FLAC (LEVEL 8) 2 flac  
8. 08/17/80 Toledo Speedway - Toledo, OH 8 Source: Soundboard (Master) Lineage: Maxell UDXL-II C90 cassette > Nakamichi DR-1 (azimuth adjustment) > Creative Sound Blaster X-Fi HD > Audacity (24-96) > FLAC 6 2 Flac  
9. ??/??/80 Capitol Theater - Passaic, NJ A Sourced from original broadcast vinyl, second edition of program Recording date unknown Lineage: ZZ Top live onstage > soundboard > multitrack recording > DIR broadcasting mixdown engineers > DIR broadcasting mastering engineers > records delivered to radio stations > the mysterious vinyl liberation front > me Vinyl cleaned with Nagaoka roller record cleaner. Played back on Technics SL-1200 turntable with Stanton 681EEE cartridge through an Akai preamp into a SoundBlaster Live! 16 bit soundcard that has been grounded. Wavelab 4.0 used for Digital ReMastering. Although I did use some compression techniques and De-Crackling plug-ins, in no way do they detract from the raw dynamism of the performance on stage. Recording levels boosted and balanced, initial De-Clicker to remove most pops, stereo expansion 33%, multiband compression to re-enforce lows and air-out the highs, dynamics processing for smoothing, another De-Crackler to take out most ticks and picks, final mix compression and limiting. Trader's Little Helper turned the wav files to FLAC level 8 files. Rec date is probably 05-30-1980 this is a King Biscuit recording 1 flac  
10. ??/??/80 Capitol Theater - Pasaic, NJ A+ King Biscuit Flower Hour Presentation Lineage: ZZ Top live onstage > soundboard > multitrack recording > DIR broadcasting mixdown engineers > DIR broadcasting mastering engineers > records delivered to radio stations > the mysterious vinyl liberation front > me Vinyl cleaned with Nagaoka roller record cleaner. Played back on Technics SL-1200 turntable with Stanton 681EEE cartridge through an Akai preamp into a SoundBlaster Live! 16 bit soundcard that has been grounded. Wavelab 4.0 used for Digital ReMastering. Although I did use some compression techniques and De-Crackling plug-ins, in no way do they detract from the raw dynamism of the performance on stage. Recording levels boosted and balanced, initial De-Clicker to remove most pops, stereo expansion 33%, multiband compression to re-enforce lows and air-out the highs, dynamics processing for smoothing, another De-Crackler to take out most ticks and picks, final mix compression and limiting. Trader's Little Helper turned the wav files to FLAC level 8 files. Notes: I originally first recorded this show in the early eighties from radio in Vancouver, B.C. This was still before all the videos and fur covered spinning guitars with television sets built into them, and even before their trademark beards were quite so bushy. It made me a fan for life. Imagine my surprise a few years later to acquire the actual records the radio had played! What an upgrade! Wow. Working in a collector's record store had it's priviledges! Through the years, I've taped these slabs o' vinyl for many many people. About a year ago I finally got around to transferring them to my computer to put them on CD. I wasn't happy with how flat and dull they sounded. I spent several months (off and on again) doing listening tests and messing around with several mastering techniques. I tried EQ, several different filter-y thingies, harsh radio compression, etc... Lots of crazy tricks... I finally settled on the settings I described earlier. I tend to go for 'less is more' and subtlety of processing is the key to success. I've heard some 'ReMasters' that really sound ReMastered! That is, you can hear how processed the sound has become. The main criteria of my listening tests was that if I could 'hear the ReMaster' job, it was processed too much, and should be scrapped. I found settings that improved it but still let it sound analog. This version is an improvement over my raw vinyl transfer, by far. The original's really OK, but had some surface noise due to repeated heavy-handed radio play. It also sounded thin, and the transfer was done at a slightly lower volume. My ReMaster bumps the levels up to slightly less than average levels of today's CD releases. They sure do master modern discs too loud these days! I also killed probably 90% of the vinyl groove imperfection sounds, but left a reminder that the source was a record. Not over-processed... I recently found out there is a bootleg of this 'out there', but I don't think it is from a pre-FM source like this is. I included everything relevant on the records : commercials, test tone and all! I re-ordered the promo spots, and cut the silence bands between commercials and program, but everything else is there. Honest. 2 flac  
11. 10/11/81 Neue Welt - Berlin, Germany a- Source : Audience Recording > unknown gen cassette (TDK-SA) (courtesy of Wes Meyette archive) Transfer : Nak BX-300 > Sony PCM-M10 > CD Wave Editor (tracking) > Wave > TLH (sbe aligned) Flac 8 Transferred & Tracked by Wes Meyette 2 flac  
12. 05/29/82 Carl Diem Halle - Wurzberg, Germany a- Source : Audience Recording > low gen cassette (TDK-D) (courtesy of Wes Meyette archive) Transfer : Nak BX-300 > Sony PCM-M10 > CD Wave Editor (tracking) > Wave > TLH (sbe aligned) Flac 8 Transferred & Tracked by Wes Meyette 2 flac  
13. 10/01/82 Mecca Arena - Milwaukee, WI a- Mics: Sony ECM-33F (9V round battery) Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: Mezzanine left side close to the stage similair to U2 Rocks Horrest ticket. Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. 2 flac  
14. 11/25/83 Odeon - Birmingham, England A- Source : Audience Recording > low gen cassette (TDK-SA) (courtesy of Wes Meyette archive) Transfer : Nak BX-300 > Sony PCM-M10 > CD Wave Editor (tracking) > Wave > TLH (sbe aligned) Flac 8 Transferred & Tracked by Wes Meyette 1 flac  
15. 08/17/85 Donnington Castle Park Festival - Derbyshire, England A Lineage : Silver CD > EAC (V0.95 BETA 3) > WAV > FLAC FRONTEND (V1.7.1) > FLAC (LEVEL 5) 2 flac  
16. 02/07/86 Civic Centre - St. Paul, MN 8 ineage: TDK D90 Cassette (Stereo) Audience Recording Generation `X`-> Sony Cassette Deck -> Audacity -> WAV -> Soundforge (Levels tweaked & Normalised) -> Wav -> FLAC Source: Record Fair in 1986 2 Flac  
17. 04/15/86 War Memorial Coliseum - Buffalo, NY 8 The SF Tapes Volume Three (Likely) Recording Gear: Sony TC-110 w/built in microphone JEMS Transfer: JEMS Transfer: Master Cassette > Nakamichi RX-505 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX10 Advanced and Ozone 9 > FLAC 2 Flac  
18. 02/19/87 Jo Hall - Osaka, Japan a- silver disk>eac>flac>upload 1 flac  
19. 07/13/11 Poble Espanyol de Barcelona - Barcelona, Spain A Recording: Ext Core Mics > Edirol 09 Transfer: Master .wav files > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
20. 07/25/18 Chumash Grandstand Arena - Paso Robles, CA B++ Source: Zoom H1 w/internal mics (16/44.1) > CD-R Editing: Soundforge (CD extract) > WAV > TLH (sector boundary aligned) Flac level 8 Traders Den 8/7/18 - tracked by kingrue upload 1556 2 flac  
21. 09/01/18 Chevy Court - Syracuse, NY B++ Lineage: Tascam DR05 w/internal mics (16/44) > Adobe Audition CC2017 (level boost) > CD Wave Editor (track) > flac8 Recorded by: agmanp Tracked by: Smores 2 flac  
22. 05/19/19 Austin Ampitheater - Austin, TX AA three source mix by exene olympus LS-12 (44/16) > wav > flac olympus LS-P4 (44/16) > wav > flac tascam DR-05 (44/16) > wav > flac location: floor section 3, row E, seat 17 2 flac  

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